Product Details

• Actors: David Gulpilil, Aden Young, Nico Lathouris, Billie Brown, Sinisa Copic
• Directors: Mojgan Khadem
• Format: Color, DVD, NTSC
• Language: English
• Aspect Ratio: 1.33:1
• Number of discs: 1
• Rating: Unrated
• Studio: Bfs Entertainment
• DVD Release Date: March 25, 2008
• Run Time: 96 minutes
• Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
• ASIN: B001221DT2
• Amazon.com Sales Rank: #85,879 in Movies & TV (See Bestsellers in Movies & TV)

Editorial Reviews

Product Description

"...undeniably fascinating..." – Variety

"...universally brilliant... captivating..." – The Sunday Times

"...casting is excellent... smouldering, compelling..." – The Sun-Herald

Caught in a clash of cultures, love is an impossible desire.

In 19th-century Australia, exotic beauty Jila (Alice Haines) is born between the worlds of her Afghan father and Aborigine mother. When her mother dies, her father takes her and raises her as a Muslim. In time, Jila falls in love with a Christian (Aden Young – The Starter Wife), but is unable to follow her heart as she is controlled by her father and a strict Muslim lifestyle. In a world where cultures clash and faith defines self-worth, Jila bravely tries to escape her male-dominated society to find a place where she can be herself, a place where true love is possible.

approx. 96 mins. Widescreen

Customer Reviews

Most Helpful Customer Reviews

4 of 4 people found the following review helpful:

5.0 out of 5 stars "That Was The Best Gift You Could Have Given Her" ~ Choosing Your Path On The Spiritual Landscape, July 19, 2008

By	Brian E. Erland "Rainbow Sphinx" (Brea, CA - USA) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

Amazon Verified Purchase

Synopsis: Three spiritual traditions collide in the Australian Outback; Christianity, Islam and the Aboriginal Dreamtime and there point of intersection is within a little girl named Jila. The daughter of an aboriginal Mother and a Muslim Father, but raised in a Christian mission station Jila lives a life of spiritual uncertainty.

Little Jila loses touch with her native roots when taken to live at the Mission when an influenza epidemic comes to the region. After several years of Christian instruction her Father claims his child and she is taken away to be raised in the Muslim faith.

Some years later Johann, her childhood friend from the Mission drops in for a surprise visit at the same moment her arranged marriage is about to be announced. Seeing her displeasure with her husband-to-be Johann attempts to rescue his friend from an unhappy future. Is Johann the answer to her problems or does her freedom lie in her own ability to break free and find her own way?

Critique: I've been fascinated by the aboriginal culture and "things Australian" ever since my initial viewing of Nicolas Roeg's classic `Walkabout' in '71 starring David Gulpilil and Jenny Agutter. Since then many other great films exploring aboriginal spirituality and culture have followed; `The Last Wave' (79), `Where the Green Ants Dream' ('85), `Dead Heart' ('97), `Rabbit-Proof Fence' ('02) and `Ten Canoes' ('06) just to name a few.

The '00 release `Serenades' fits in beautifully with the 37 year tradition of insightful and profound Australian films to follow in the lineage of `Walkabout'. The production values are excellent the acting solid and the storyline layered and open ended leaving the viewer to ponder the possible futures that lay ahead for the brave and defiant Jila.

5.0 out of 5 stars Not Much History Lessons Learnt, September 8, 2009

By	Michael Kerjman (The Earth) - See all my reviews (REAL NAME)

A free love product between an Afghan camel rider and indigenous Australian, girl was taken from a Catholic mission by a father after mother passing away.

Since then, grown in Muslim faith, she followed rules required. And these rules impost by native Afghan father of her were not depicted, anyway, being so strict in then Australian outback of the XIXth century, than, according to media, in modern West Europe.

It is definitely not a picture advertised in Australia much because lessons from the past were, probably, not learned properly as steadily sensitive issues, whether of migration or government intervention in indigenous private lives testify to, while something like Bad Boy Bubbyand Kenny still top chart of the Australian produces must see.