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22 of 24 people found the following review helpful:
2.0 out of 5 stars
It Came from Beneath the Desert!, November 15, 2007
If you take the concept of Ridley Scott's "Alien" and relocate it to the present day Southwestern desert, you'd have a pretty good idea of what "Unearthed" is like. And I mean that more as a put down; this is a red-blooded creature feature, so red-blooded that loses sight of important elements like story and character development. All it really focuses on is a monstrous entity that arises from the caves of New Mexico and wreaks havoc on an isolated town; everything else is secondary. The fragments of complexity scattered throughout are painfully underdeveloped, as if to say that nothing meaningful can be used in this outrageous a plot. I do give it credit for trying its best, but considering how thoroughly unconvincing it is, that really isn't saying a whole lot. This film is founded on a promising idea, yet it ends up lacking any real substance.
It does have its moments, though. It packs the most punch during the last twenty minutes, in which the characters and the creature are both predator and prey. During these moments, we never get a real sense of what this creature looks like--it's exposed to light in split-second increments, while the rest of the time it moves quickly through shadows. Even there, problems exist; this is normally a highly effective storytelling method, but it isn't effective enough in the case of "Unearthed." The computer graphics used to create the creature are so unrealistic that they come dangerously close to being laughable. This is a shame because, in the brief glimpses I was able to get, this monster was actually pretty cool looking. Its many clawed limbs converge on a grotesque slender body, and it's wide mouth opens to a number of sharp, pointy teeth. If a giant insect and a giant crab were to meet, this thing would be the end result of their affair.
That's about as good as it gets when it comes to "Unearthed." Everything else is incredibly weak, especially in terms of the characters. The lead is the town cop, Annie (Emmanuelle Vaugier), who about to be elected sheriff. But there are some major issues; because of an incident resulting in an accidental death, pretty much the entire town has lost all respect for her. This, in turn, has driven to alcoholism. She's introduced waking up on her couch, after which she fixes herself a cocktail of orange juice and vodka. For someone stuck in an emotional rut, I was surprised at how little I believed it: she functions too well, her body shows no signs of the strain that alcohol causes, and frankly, her face is still far too pretty.
All the supporting characters are either underdeveloped or introduced too late. There's Nodin (Tonantzin Carmelo), the town scientist. Annie gives Nodin one of the creature's appendages for analysis (found at the scene of a crashed semi truck); she's unable to conclude what kind of a being it came from because it has elements from all five kingdoms of life (monera, prostista, fungi, plants, and, of course, animals). There's her grandfather (Russell Means), a Native American who seems to have a philosophical answer for everything. There's Ally (Whitney Able) and Caya (Beau Garrett), two girls on the way to California to break into acting. They stop and pick up Charlie (Tommy Dewey), a stranded motorist who's conveniently young and hunky.
And then there's Rob Horn (M.C. Gainey) and Kale (Luke Goss). Horn fits the stereotype of the Wealthy Tycoon, and we suspect his disregard for Annie is for reasons simpler than her alcoholism. He enters the picture when his cattle are mysteriously slaughtered, and of course, he wants more money for his losses than the government is willing to give. Kale is perhaps the most baffling character of all--he spends most of his time operating a long archeological dig, and he's absolutely obsessed with proving a theory related to both the creature and an ancient Native American tribe. He's so obsessed that he openly points guns at people and orders them to continue the work started by Nodin's grandfather. Why did he have to do this? What can he possibly hope to gain? There's a moment when he tricks one of the characters into getting bitten by a rattlesnake, and right then, I wanted to throw something at the screen.
The rest of the film follows the creature feature formula to a tee, including having the creature stalk the characters through a series of dark caves. These were the best scenes "Unearthed" had to offer, which is a shame since they contribute nothing new or exciting to the horror genre. This movie is unflatteringly derivative, and what originality there is lacks any sense of purpose. I feel it only fair to say that I was never expecting a masterpiece; this is a horror movie, after all, and there are virtually no new ideas left for horror movies. Still, I was expecting something better, something that at least tried to make due with what it had. And a little more explaining would have been nice, especially when it comes to the creature's history. What we are told makes absolutely no sense--it felt like a plot device tacked on at the last minute because a good idea was so hard to find. As hard as it tries, "Unearthed" is about as phony as the look of it's monstrous creature.
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7 of 8 people found the following review helpful:
2.0 out of 5 stars
What is "Unearthed" is nothing special in this Horrorfest 2007 offering, March 20, 2008
"Unearthed," the second of the 8 Films 2 Die 4 from Horrorfest 2007 I am checking out on DVD, is a dormant monster brought to live to kill (almost) everybody in the movie type of movie. The setting is a desolate New Mexico town, so isolated that an oil tanker can turn over and block what is apparently the only road out of town. Equally important to the plot, the oil tanker was coming to deliver gasoline to the place run by Grandpa (Russell Means), which means the bad news for the people who show up in the first part of the movie is that there is no gasoline for them to get out of town. The good news is that all of the women in this small town in New Mexico are big time babes. But then there is the really bad news that a monster has been, well, unearthed.
Our heroine is Sheriff Annie Flynn (Emmanuelle Vaugier of "Saw II), who has an incident in her past that everybody is always making veiled references to; in fact, when Grandpa does not bring up the incident, Annie does herself, before going back to drinking to forget what everybody keeps alluding to. It gets to the point where you expect the strangers who show up to be fodder for the creature to all know about this incident as well. By the time the deep dark secret (that everybody knows about) is revealed, I was totally apathetic. Caya (Beau Garrett of "Turistas"), Ally (Whitney Able), and Nodine (Tonantzin Carmelo), are other babes on the menu, whith Nodine being the important one since she is not only Grandpa's granddaughter, but also a botanist. Yes, it is strange that a botanist would be of big help in explaining the monster in a monster movie, but that is part of what attempts to make this monster different.
I noted that once people started dying that there was not a whole lot of discussion about what was happening, although I suppose it does make sense to a certain extent not to engage in conversation while fleeing. But then we get to a scene where there is an explosion of exposition (who knew that pictographs could be so detailed?). The most interesting character int he story is Kale (Luke Goss), a tattooed archeologist who is sort of Mulder and Scully wrapped into one as he is out there digging alone to prove his Anaszi ancestors were wiped out by something more personal than drought. Most of his dialogue comes in the exposition scene, and you are never sure if he is crazier than he is smart or the other way around. But you know full well that the last man standing in this horror movie is going to be a woman, so you take his presence with a grain of blood-soaked salt.
I was stunned that "Unearthed" was made by writer-director Matthew Leutwyler because I had absolutely loved his previous film, "Dead and Breakfast," which I thought should have been the next great midnight movie in the "Rocky Horror" tradition. Of course I realize that you cannot make a career out of zombie musicals and it is not like Leutwyler should not be trying to make serious horror films (remember, Steven Spielberg's first World War II movie was neither "Saving Private Ryan" nor "Schindler's List," for which he won Oscars as Best Director, but the raucous comedy "1941"). But there is nothing memorable about this film, which like way too many films these days suffers from the overuse the hand held camera. Beyond that, "Unearthed" comes across as a film cobbled together from bits and pieces of other films. I was thinking that you could take the end of "Duel," most of "Feast," and some moments from "Alien," and edit together a better movie than this one. Across the board "Unearthed" comes up with too little in the blood, gore, suspense, shock, and any other department you want to mention from the horror film checklist. The net result is a horror film that avoids being offensive, but has nothing to particularly recommend it to fans of the genre.
The only bonus feature on the DVD are the Miss Horrorfest Contest webepisodes, which are included on all of the DVDs in this round of the After Dark Horrorfest (good to know that a scream queen can actually scream). The absence of any extras besides the standard choice between English and Spanish subtitles squelched any second thoughts about rounding up instead of down on this one. Next up: "Tooth & Nail."
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3 of 3 people found the following review helpful:
2.0 out of 5 stars
BORING AND POORLY ACTED, June 23, 2008
After watching three of this year's After Dark Horrorfest films it's very apparent that this year's batch is a few cuts below last year's and Unearthed does nothing to raise the grade. An archaeological dig in a remote New Mexico town releases a creature that's been trapped for 900 years and it soon begins preying on the town's residents and the only road out of town has been blocked by a fuel tanker accident. Hmm, small desert town, residents trapped, a creature feasting on them...yeah, seen it before. It was called Tremors and it was vastly superior.
The town's regular residents include alcoholic sheriff Annie Flynn (Vaugier), Rancher Rob Horn (Gainey) Scientist Nodin and her grandfather (Means). A few passing motorists also find themselves trapped in the little town, all there to buy gas from the service station run by Grandpa. As Nodin tries to analyze the creature's alien DNA and find a means to kill it, Sheriff Flynn attempts to keep the rest of the survivors alive and one step ahead of the beast. I'd love to tell you what the creature looks like but that's somewhat difficult. We get only fleeting glimpses of the thing as it dashes by the camera. On top of that, much of the film takes place at night with those green glow sticks as the only source of illumination. It sort of looks like the Xenophobes from "Aliens" but done in poor CGI. Director Leutwyler borrows liberally from numerous other films including Descent, Relic, and Reeker. In fact you'd be hard pressed to find one original idea in the entire film.
Nodin eventually figures out some sort of voodoo scientific solution about the characters DNA and making a poison from uranium but by that time, I was nodding off and only wanted the film to come to a merciful end. Vaugier usually is able to give a bit of a spark to some of the low-budget films she's been in but seems completely bored here. I didn't buy her role as a guilt-stricken, alcoholic sheriff at all. Frankly she looked just too good. Gainey is a great character actor but he seemed out of place.
Leutwyler also loves doing that thing with the camera where he has it shake and bounce during some of the monster's attack scenes, presumably to make it seem more real and get the feel for the attack. It's a novelty trick that doesn't work and this, along with the choppy editing, only serves to annoy the viewer and make the creature even harder to see.
With three down and only one more for me to review, my hopes are fading fast for finding one good film in this year's group of Horrorfest releases. Borderland, please save the day!
Extras
This is another grip about this years Horrofest films. Half of them have no special features at all except for the Miss Horrorfest webisodes.
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