New Amerykah, Pt. 1: 4th World War

Erykah Badu

Product Details

• Audio CD (February 26, 2008)
• Original Release Date: February 26, 2008
• Number of Discs: 1
• Label: Motown
• ASIN: B0012K1ILW
• In-Print Editions: Audio CD  |  Vinyl  |  MP3 Download
• Average Customer Review: 3.5 out of 5 stars See all reviews (165 customer reviews)
• Amazon.com Sales Rank: #9,502 in Music (See Bestsellers in Music)

Editorial Reviews

Amazon.co.uk
Subtitled 4th World War (when was the third, eh?), New Amerykah Part One is the first release in five years from the woman born Erica Wright. The wait was worthwhile though, as this smart, eclectic set, her fourth, adds to the grand tradition of socially conscious soul music. Literally so in the case of opener "Amerykahn Promise", spun by Badu straight over an obscure seventies funk track by Roy Ayers's protégés Ramp. "The Healer" is effectively a tribute to the power of hip hop to ground otherwise lost lives, while the deeply felt "Telephone" commemorates her friend, the late producer J Dilla (and was in fact written the day after his funeral). "The Healer" and "That Hump" deal with the damage caused by drug dependency and "Soldier" is a hard-hitting analysis of the state of Black America. None of which would count for much if the music didn't connect. Though Badu's quirks remain intact--the vocal/saxophone duet at the conclusion of the otherwise ice-cool "Me" (what else) is easily resisted--a terrific team of collaborators including idiosyncratic producers Madlib, 9th Wonder and the three man unit Sa-Ra keep New Amerykah Part One endlessly imaginative, tough, twisted beats sitting alongside softer jazz-funk grooves. The US public certainly assented, sending New Amerykah towards the top of the album charts. Only the eighties-style slow jam "Honey", charming in itself, seems at odds with the serious mood and is thus tagged on the end. The now eagerly anticipated Part Two is due later this year. --Steve Jelbert

Product Description
Universal Motown's multi-platinum-selling, Grammy awardwinning singer/songwriter/actress Erykah Badu returns to the music scene with her new album "New Amerykah" featuring the debut single "Honey". Laced with Erykah's bluesy grit and MC style vocals, the song is bolstered by producer's 9th Wonder's razor sharp hip hop beats. Badu describes the song as "an old school track with some funk on it." The release of "Honey" on November 20th also marks Badu's 10th year in the music industry. To celebrate, the gifted trendsetter prepares the release of her much anticipated new album on her birthday, February 26th. Badu has enlisted some of the most talented, groundbreaking underground producers and engineers in the hip-hop game to support her breakthrough return, including Grammy Award winning producer 9th Wonder (Jay-Z, Nas, Mary J. Blige), Madlib, Mike "Chav" Chavarria and R&B singer Bilal. A special, 12-inch pink wax edition will be available only to DJ's next month and will feature underground tracks, "The Healer" and "Real Thang." "The music is the star," says Erykah, "I just laid down my vocals and let the music breathe while the melodies tell the stories." This album is part one of the series New Amerykah Part 1&2.

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Customer Reviews

Most Helpful Customer Reviews

63 of 68 people found the following review helpful:

5.0 out of 5 stars Jazz/Funk beamed from Mars..., February 26, 2008

By	Nse Ette (Lagos, Nigeria) - See all my reviews (TOP 500 REVIEWER)

Erykah Badu's new single "Honey" is a catchy upbeat retro funk ditty which still manages to sound contemporary. It's so joyful, no wonder it was picked as the lead-off single for her third studio album proper (though I felt her brilliant "Worldwide underground" was more than just an EP). However, those looking for more of the same on "New Amerykah part 1: World war 4" (the first of a planned trilogy) will be sorely disappointed as nothing else on the CD sounds like it. Maybe that is why "Honey" gets tucked as a hidden track at the end of the CD.

Erykah is like the Radiohead of Soul music. After her introduction to the world on the multi platinum, multi Grammy winning "Baduizm", she went off on a different tangent, largely eschewing regular song structure for loose but intricately structured musical movements, and cerebral, often indiscernible lyrics.

Her new 11 track CD is even more off kilter and uncommercial. It can best be described as a futuristic fusion of funk and jazz beamed from Mars, and I'm sure her record label Motown must have done the same head scratching it did ages ago when Marvin Gaye presented his magnum opus "What's going on" for release. To fully appreciate it, one has to put aside expectations of regular song structure and just go with the flow.

Opening cut "Amerykhan promise" sounds like the soundtrack to some seventies blaxploitation movie with alternating male narration and female harmonies set to a funky bassline and interspersed with horns. One can almost see the women with their huge afros and platforms going "I promise, I promise". "The healer/hip hop" has a haunting feel with chiming triangles, an echoing choir, and lyrics proclaiming hip hop to be "bigger than religion or the government".

The autobiographical "Me" is one of the more straightforward sounding songs (sprawling and lacking a formal chorus, as does almost every other song); muted sax gently floating against a breezy seventies Marvin Gaye sound, and deeply personal lyrics like "Had two babies, different dudes/ and thought for both my love was true ... hey, that's me.", ending in a vocals/sax duet.

"My people" is a hypnotic sounding song with a skeletal groove, gentle percussion, tribal sounding chants and sparse singing extorting black people to "keep on moving on", with a brief Martin Luther King excerpt ending it. Another more easily accessible song is "Soldier" with rumbling hip hop beats, ghostly harmonising and lyrics touching on black on black violence, Katrina and other issues, while some male vocal exclaims "Uh" and "Hah" intermittently. "The cell" is jazz fusion with semi spoken lyrics touching on a "mama hopped up on cocaine" and ending acappella.

"Twinkle" rumbles along gently with skittery beats and a constant twinkling sound, electronic effects and disembodied harmonies, the final two or so minutes of the almost seven minutes is spent with some male voice telling us of the dire state of the times (after some strange voice speaking in what sounds somewhat like South African click, or is it a transmission from Mars??) against an eerie string backdrop. Talk about off kilter!

"Master teacher" is a woozy, psychedelic sounding groove which shifts tempo midway into a lilting piano sprinkled jazz piece with subtle electronic flourishes. "That hump" is a shimmery sounding midtempo song with a creeping bassline, a chorus of sorts, and a very nice horn sprinkled Motown-like bridge. The meandering eight minute long "Telephone" is a tribute to the late producer J Dilla. "Just fly away to heaven brother, make a place for me" she sings against a gently floating jazzy backdrop (dreamy harmonies, gentle hand percussion, and fleeting horns with muted hand claps coming in towards the final two minutes).

This CD might be bewildering at first, there is simply nothing else out there that sounds like it, but it is one that with time some will go, "Oh, now I get it!" while others never will. I see this making many end of year best album lists (it's on mine already), as well as Ms Badu making some more room in her Grammy cabinet.

11 of 11 people found the following review helpful:

5.0 out of 5 stars Truly "New" Amerykah., March 8, 2008

By	WILLIE A YOUNG II "willow" (Houston, TX.) - See all my reviews

This is the kind of work that will initially confuse and confound a lot of fans but will be hailed a masterpiece years from now. Well...I'm not waiting that long. "4th World War" is the deepest, most organically funky album Ms. Badu has produced yet and it finally does something I was beginning to lose hope of ever happening; it raises the bar! R&B is usually a big yawn to me with copycat divas, generic crooners and phony 'neo soulsters' flooding the market with a glut of pedestrian, unlistenable works, so it's extremely pleasant to hear an already established and popular artist take some risks and produce an unconventional, loosely structured, ridiculously brilliant and crafty work from deep inside her mind, by sheer will, it just works. Mind you, "4th World War" isn't just great because it's different; it's great because it covers a myriad of topics (love, hate, paranoia, depression, war, sexism, addiction, love for hip-hop, aging, maturity) at such a blinding pace and without being preachy that the happy listener feels both exhausted and exhilarated after the experience. Erykah has done it again. Don't miss this one! A Masterpiece.

11 of 12 people found the following review helpful:

5.0 out of 5 stars BRILLIANT!!, February 28, 2008

By	steph "StRaIgHt No ChAsEr" (united kingdom) - See all my reviews

WOW!! This album has had so many mixed reviews, from what i've seen online. If people understand Erykah, they will know that she is NOT your everyday kinda woman! She is a deep,sacred,virtuous, unique black woman on a WHOOOOOLE other level, and she is on her journey to even higher, spiritual, creative heights, both personally and musically, and boy am i travelling with her!! lol...
I'm loving this album!! i guess being an old soul helps (i'm 25 and LOVE 70s funk, from vicki anderson to james brown, and classic soul) and i also love Madlib's beats from the albums he has out at the moment, and the work he did with Madvillan. The man's a genius! And of course i'm a huge neo-soul fan :).. I just can't wait to listen to it some more, so i can delve into the lyrics and even more of the production! I'm loving the whole album, but especially 'me', 'soldier', 'the cell' (man what a beat!), master teacher, honey and telephone..

This is MOST DEFINITELY different from her previous albums, so i wouldn't advise anyone who hasn't listened to it yet, to listen to it with her previous work in mind! If you're a commercial head, u won't like this album or 'get' it, SIMPLE lol.. You'll only like 'honey' lol, but if you're a deep neo soul/alternative/funk lover, u will luv it!.. If you're an Erykah fan and disappointed with this album, after a few more listens i think u will begin to feel it, especially if u embrace her individuality! :)..

At the end of the day, it all depends on your personal musical tastes and also by viewing Erykah for MORE than just the music, and not to 'pigeon-hole' her music, and by capturing her essence as a person and the essence of her music, and understanding and appreciating that people grow and change...