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Francis Ford Coppola returns to directing for the first time in a decade with the fascinating if perplexing
Youth Without Youth, a kind of science-fiction tale of mythic proportions based on a novella by the late Romanian historian and religion scholar Mircea Eliade. Tim Roth stars as elderly linguist Dominic Matei, whose life work--uncovering the roots of human language--has been stymied throughout his long and undistinguished career. Struck by lightning while crossing a Bucharest street in 1938, Matei not only survives but goes through a physical transformation, reverting to the age of 35 and remaining ageless for decades to come. Trying to remain incognito, Matei is pursued in Europe by Nazi intelligence as well as journalists, acquiring strange powers and communicating with a sort of psychological double of himself. Throughout, Matei finds himself unable to escape a cyclical destiny, particularly when he falls for a woman (Alexandra Maria Lara)--physically! similar to a lost love in his pre-lightning life--whose apparent possession by ancient, Indian deities is useful to his work but dangerous to her. The episodic film lurches along with the logic of a dream siphoned into waking life, a constantly shifting consciousness that suggests Matei exists in several planes of experiential reality simultaneously. Coppola has been down this hallucinatory road before, perhaps most spectacularly in
Apocalypse Now. But it is not hard to see how
Youth Without Youth is a very personal film for him and somewhat of a parallel to his career, which seems rejuvenated with the release of this complex movie, so full of the kind of technical and stylistic flourishes that brought Coppola legions of admirers and detractors years ago.
--Tom Keogh Stills from Youth Without Youth (click for larger image)
Beyond Youth Without Youth
Product Description
Francis Ford Coppola returns to the realm of his mastery with a film about growing young. Lightning strikes Dominic Matei (Tim Roth) so close to death that he ages backwards from 70 to 40 in a week, attracting the world and the Nazis. Now he's on the run with a new love for life, but with no hope of knowing his phenomenal fate.