Big Bad World [ENHANCED]

Plain White T's (Artist)

Product Details

• Audio CD (September 23, 2008)
• Original Release Date: September 23, 2008
• Number of Discs: 1
• Format: Enhanced
• Label: Hollywood Records
• ASIN: B001DDCVBO
• Also Available in: Audio CD  |  Vinyl  |  MP3 Download
• Average Customer Review: 3.6 out of 5 stars  See all reviews (14 customer reviews)
• Amazon.com Sales Rank: #4,418 in Music (See Bestsellers in Music)

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Editorial Reviews

About the Artist

The Chicago based band, together for a decade, is still on a road of self-discovery. Formed during Tom's teen years when he saw his life laid out before him at Chicago's famed Metro club, the band built a steady following over the years and miles. They were invited to the Warped Tour (three times), opened for bands like Jimmy Eat World, and released two indie CDs their 2002 debut, Stop and 2005's All That We Needed.

The band signed with Hollywood Records, releasing Every Second Counts in 2006 and putting "Hey There Delilah" out as a single. The track hit #1 on Billboard and iTunes (becoming one of very few songs ever to log more than 3 million downloads), propelled the CD into a worldwide hit, and earned the band two Grammy nods, Song of the Year and Best Pop Performance by a Duo or Group with Vocals.

"I remember the first time we got a glimpse of what was happening," Tom recalls. "We were in Milwaukee for a summer festival, we walked onstage and there were at least 20,000 people there to see us. We did those kinds of shows all summer. There were screaming girls pounding on the car windows. It was incredible" The band went on to conquer Europe, where "Hey There Delilah' also became a #1 hit in several countries.

"It's easier now in a way," says Tom, reflecting on the group's success. "When you start a band and take it seriously, you basically give up a normal life. You barely see family and friends. The success makes the trade off worth it."

Still, the Plain White T's remain happily unsatisfied. "We've grown up, and learned more and more with every record about the band that we are and the band we want to be," adds Tom. "When we record now, we're listening more for character than perfection."

With Big Bad World, the Plain White T's put that goal to the test. It's hard to argue they didn't pass. Tom Higgenson and his bandmates are betting, at least in their corner of pop culture, it's not such a big bad world after all.

Product Description

There's plenty of heart on Big Bad World. Says singer/songwriter Tom Higgenson, "We tried to be really ambitious and not worry about people's expectations for this record. Our vision was to do it in a classic way." To that end, the band only used gear or instruments made before 1970: vintage guitars, old Vox amps and Leslie speakers, a Ludwig drum set circa 1966. They even recorded without a click track (equivalent to walking a high-wire without a net). Because they recorded it live, you might hear imperfections. But in the case of "Big Bad World," those imperfections worked perfectly.

"Our songs in the past had a `50's and `60's influence with classic songwriting structures and harmonies," says Tom. "This time we decided, rather than punk that out and make it sound modern, we would record as though it could have been done by the Beatles or early Tom Petty. We got to a place where we sounded good live 300 nights a year, so we wanted to capture that."

Of course aiming high means nothing without good songs. Fortunately, coming off a smash hit like "Hey There Delilah," Higgenson felt inspired. "There was no second guessing," he recalls. "If I thought something was good, I went with it. The album is 10 songs, very concise and to the point."

The opening title track, co-written by Tom and Chris Thompkins ("Before He Cheats"), conveys a battle-scarred confessional offset by a deceptively upbeat melody. "Over the past year, I made lots of mistakes," Tom says, "and I wanted to write about that rather than point fingers at people. I wanted to place the blame on myself." Next, the first single "Natural Disaster," with its ballistic beat and tale of a seductive groupie, upends the band's undeserved reputation as loveably lovelorn.

"Serious Mistake" wraps a solid rock foundation with a wild orchestration. "I was in a dark place," Tom says of the song's origins. "I made a stupid mistake with a girl that I immediately regretted. For a while I harbored some guilt. So I wrote the song in an effort to work through it." Bassist Mike Retondo lends a major assist on the track, playing everything from bass clarinet and melodica to trombone, even improvising some of his parts on the spot.

The ballad "Rainy Day" serves as melancholy counterpoint to gems like "That Girl" and "1,2,3,4" (featuring the otherworldy sounds of Jon Brion on the Chamberlin), both of which embody Tom's idealized sense of pop simplicity.

Then there's "Sunlight," which just might be the new album's crown jewel. Written by guitarist Tim Lopez, the song blends a reverent melody with "Abbey Road"-level harmonies to proffer a message of forgiveness (Grammy nominee William Hamilton, the father of PWT's drummer De'Mar Hamilton, plays organ). "Last year should have been the best year of my life," says Tim. "The band was exploding. It seemed we couldn't do anything wrong. But my marriage was ending right in the middle of the success. I wrote this song to my wife. For me, it was written as a message of hope that we could work it out, that we could save what we had. We don't usually do dark songs, but the song had enough hope for Tom to latch onto."

"I Really Want You" infuses a tale of unrequited lust with a "Blonde on Blonde" vibe, right down to the saloon-style piano. "Everybody has that reaction when they see a pretty girl," Tom notes of the song. "Your heart starts racing, your life flashes before your eyes. She's the one! This was written one morning when I caught sight of a girl that for a moment seemed like the one."

As for"Meet Me in California," the song is based on another torturous misstep in the Tom Higgenson love saga. "It's an allusion to another serious mistake," he says. "You can only hurt someone so many times before it's not even about whether they forgive you. It's about why do I keep being such an idiot. I always had it in my head, even as a kid, that I was going to live in California someday. The song is about finally getting out to California and hoping something better is waiting for me there."

The album ends on a high note with "Someday," an intricate composition that swaps typical verse-chorus structure for something harder to label. "I always write hopeful songs," Tom says. "The record starts with `Big Bad World,' talking about my screw-ups, and then it ends with a message that someday it'll all work out."

Customer Reviews

Most Helpful Customer Reviews

4 of 4 people found the following review helpful:

4.0 out of 5 stars Bye, bye Delilah, January 18, 2009

By	Creative Genius (Kentucky) - See all my reviews

The best way to decide whether you will love or hate this record is to ask yourself: how did I feel about the band's last release, Every Second Counts? If you loved it, you're likely to be rather disappointed in this, as it sounds much less like a Disney record. If, however, Every Second Counts was a great disappointment to you and you, like myself, are a fan of their older records, you'll enjoy Big Bad World.

The instrumentation is especially noteworthy - both brash and quiet, elegant and hard. Songs like "Sunlight" and "Someday" expand the band into unfamiliar territory, with real vocal harmonies and true character. "Serious Mistake" has a very noticible Beatles vibe, while "I Really Want You" sounds much like a song called "All I Want is You" by Barry Louis Polisar (Yeah, you're right - the opening theme in 'Juno'; Confused yet?).

This record deserves much more credit than is has received. Bye, bye Delilah.

3 of 3 people found the following review helpful:

5.0 out of 5 stars The band's best work yet!, February 12, 2009

By	ByronS "ByronS" (USA) - See all my reviews

This review is from: Big Bad World (MP3 Download)

This is the best work the band has put out. I was wondering if they were going to have the depth and maturity that they show on this work. Delilah was such a huge hit for them it's always interesting to see if they were a one hit wonder or if they have staying power. This cd shows they have staying power. The work is melodic and poetic and sensitive in it's content. The cord changes and progressions are a nice change of pace in today's mainstream rock. Great album.

2 of 2 people found the following review helpful:

5.0 out of 5 stars Great Album with an Awesome Sound!, February 13, 2009

By	Nathanishot - See all my reviews

This review is from: Big Bad World (MP3 Download)

I've always liked the band. They make great songs and know what they are doing. I feel that with this release they found an amazing sound and stuck with it. This album is full of melody and harmony and amazing lyrics. It flows as a piece of work and not random songs. I love it! Every song is amazing and will sure to be stuck in your head!

Bottom Line: If you like Plain White T's, good music, harmony, or melody you will love this album!!! :)