Product Details

• Actors: David Ainley, Samuel S. Bowser, Regina Eisert, Kevin Emery, Ryan Andrew Evans
• Directors: Werner Herzog
• Writers: Werner Herzog
• Producers: Andrea Meditch, Dave Harding, Erik Nelson, Henry Kaiser, Julian Hobbs
• Format: Color, Dolby, DVD, Subtitled, Widescreen, NTSC
• Language: English
• Subtitles: Spanish
• Aspect Ratio: 1.78:1
• Number of discs: 2
• Rating: G (General Audience)
• Studio: Image Entertainment
• DVD Release Date: November 18, 2008
• Run Time: 99 minutes
• Average Customer Review: 4.3 out of 5 stars See all reviews (24 customer reviews)
• ASIN: B001DWNUD8
• Amazon.com Sales Rank: #6,226 in Movies & TV (See Bestsellers in Movies & TV)

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  #35 in	Movies & TV > Educational > Science & Technology > Life Sciences
  #39 in	Movies & TV > Art House & International > European Cinema > Germany
  #47 in	Movies & TV > Documentary > Nature & Wildlife

Editorial Reviews

Amazon.com
Just about anywhere Werner Herzog goes becomes an interesting place, in part because the director shapes it with his distinctively sardonic eye. In Encounters at the End of the World, the 'Zog heads off to Antarctica, finding there a population of unusual people, hallucinatory underwater life, and penguins. He doesn't appear on camera, but the unmistakably Teutonic Herzog voice is very much with us all the time, a baleful tour guide for this blank destination. In the human outposts of Antarctica, Herzog finds the kind of people you might expect would gravitate to the edge of existence--the curious, the oddball, the wanderers who've run out of other places to explore. He finds some deadpan hilarity, especially in filming a communication drill involving people practicing blizzard conditions (they wear buckets over their heads while roped together). The underwater photography (a realm previously explored in Herzog's The Wild Blue Yonder) is by Henry Kaiser, and it meshes perfectly with the director's interest in alien eye-scapes. And when Herzog finally does find penguins, his imagination goes to the idea that some penguins go insane, scurrying off into their own suicidal directions. This isn't as arresting a film as Grizzly Man, but it is an entertaining travelogue spiked with quirky observations. --Robert Horton

Product Description
DVD

Customer Reviews

Most Helpful Customer Reviews

14 of 14 people found the following review helpful:

5.0 out of 5 stars A Masterpiece, December 11, 2008

By	Daniel G. Lebryk - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

There are movies, there are directors, and then there are masterpieces and masterful directors. Encounters is a true masterpiece, especially taken within the body of Herzog's work. This is a documentary first, much like Grizzly Man. Grizzly Man

The film in Antarctica itself is goregous. There is a subtle construction by Herzog that feels at first like a random documentary, but then builds over time to something much more than simply another film about "cute penguins", or planet earth. There is a below the ice and above the ice aspect to this film, physically and about the people. I loved the music, it fits so perfectly with the rythmn. The filming is done extremely well.

Early in the film Herzog promises to not make another film about cute penguins, and he certainly delivers. Although there is a short sequence about a cute penguin, lost walking the wrong direction with such determination to his certain death.

The bonus features in this DVD package are incredible. Aside from the extra footage under the water and flying in a helicopter, there is a second disc. The second disc is almost worth the price of admission, Johnathan Demme (director of Silence of the Lambs) interviews Werner Herzog for an hour and a half. The conversation is incredible. Demme opens the conversation reading a letter from Roger Ebert to Herzog(this film is dedicated to Roger). Suffice it to say, there is nothing I can possibly add to the full conversation. You will have to watch this amazing exchange.

Herzog apparently is highly influenced by music and sound. There is a fairly significant thread through this film dealing with both. Within two days I have watched two films where sound played a very major role or was another character in the film. I can very highly recommend Fraulein. If you love film, I think you will find Fraulein equally engaging.

16 of 17 people found the following review helpful:

5.0 out of 5 stars great dvd extras, October 27, 2008

By	H. Kaiser (Berkeley, CA USA) - See all my reviews (REAL NAME)

What the current Amazon listing does not explicitly mention is the wealth of DVD EXTRAS that accompany the 100 minute feature in this 2-DVD set.

ABOVE THE ICE
BELOW THE ICE
SEALS & MEN
DIVE LOCKER INTERVIEW
SOUTH POLE EXORCISM
JONATHAN DEMME INTERVIEWS WERNER HERZOG

+ a hidden "Easter Egg" extra: SEAL MEN, an Antarctic Parody of Herzog's GRIZZLY MAN, with weddell seals replacing grizzly bears

all and all this is over 3 hours of EXTRAS!

22 of 29 people found the following review helpful:

4.0 out of 5 stars Good, but Not for a Herzog, October 11, 2008

By	Alan Lawn (Brooklyn, NY USA) - See all my reviews (REAL NAME)

I am a big fan of Herr Zog. But while "Encounters" provided me with an overall positive experience, it is a flawed film. First, the good news. Hearing the inorganically musical underwater vocalizations of Weddell seals through the theater's multichannel speaker system was alone worth the price of admission. One of the scientists studying the pinnipeds aptly describes their varied and otherworldly sounds as Pink Floydian. I am also pleased to have beheld extended footage of the magnificent world beneath the sea ice. It is a teeming environment whose surface we are only beginning to scratch, and I cannot blame Herzog for choosing choral background music that perhaps screams "awe" a bit too loudly; there is no danger of it cheapening the majesty of the frozen stalactites or the splendor of the sunlight dispersing through the ice-ceiling. Lastly, I'll note the humor, usually intentional, that Herzog uncharacteristically displays. His Teutonic deadpan is not his only comedic asset; he has a keen sense of the ridiculous, and ample targets among the many dubious denizens of the Antarctic.

My complaints are essentially twofold. First, the movie is disjointed. It is a hodgepodge of Herzog's encounters with various Antarctic researchers and residents; there is no apparent order or theme. This is a minor criticism, as most of the segments make for fine viewing on their own, but it would have been more satisfying if Herzog had presented a unifying thesis or two about the Light Continent (aside from the oft-repeated observation that it is populated by a fair number of "professional dreamers"). He should have at least arranged the segments in a clearly meaningful sequence. At its best, the film made no more of an impression on me than "that was beautiful," "that was cool," or "I didn't know that." Second, and more significantly, Herzog's narration is at times irritating. As someone who has studied climate change, I share his frustration and pessimism. But there is no call for saddling the film's final moments with apocalyptic platitudes (e.g., "the end of human life is assured") and a cursory reference to global warming. These sentiments are incongruous with the rest of the film, which does not substantially address environmentalism and whose most haunting scene is of a mad penguin that abandons its flock and runs inland towards distant mountains, to certain death, with a singular determination. Herzog's doomsayings, in any event, are better communicated by the satellite images of rapidly melting polar ice that we observe on a climatologist's computer screen. I know that Herzog is capable of more measured reflections on the impersonal and uncontrollable power of nature; for example, from "Grizzly Man": "what haunts me is that in all the faces of all the bears that Treadwell ever filmed, I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature. To me, there is no such thing as a secret world of the bears. And this blank stare speaks only of a half-bored interest in food. But for Timothy Treadwell, this bear was a friend, a savior." In "Encounters," Herzog superficially and self-indulgently overstates his case. I'm looking forward to his next film.