Product Details

• Actors: Richard Burton, Claire Bloom
• Directors: Martin Ritt
• Format: Black & White, DVD, NTSC, Special Edition, Widescreen
• Language: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.85:1
• Number of discs: 2
• Rating: Unrated
• Studio: Criterion Collection
• DVD Release Date: November 25, 2008
• Run Time: 112 minutes
• Average Customer Review: 4.7 out of 5 stars  See all reviews (66 customer reviews)
• ASIN: B001EOQCJE
• Amazon.com Sales Rank: #47,289 in Movies & TV (See Bestsellers in Movies & TV)
• For more information about "Spy Who Came in from the Cold - Criterion Collection" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com

John le Carre's classic spy yarn gets a suitably brisk, unromanticized telling in this quintessential Cold War movie. A British agent (Richard Burton) sets up an elaborate cover story for being lured into defecting to the Communists, but he hardly needs to manufacture his disgust and cynicism over spying. The grim business of point-counterpoint espionage has rarely been depicted with less glamour; Burton's great climactic speech on the subject is the definitive take on sinking to the level of the enemy. Claire Bloom is an offbeat love interest, and a bearded Oskar Werner is an East German investigator on Burton's case (the pecking order in the Communist spy hierarchy is a source of black humor). Director Martin Ritt extends his unvarnished approach to the movie's stripped-down look, which means that Richard Burton is constantly in a harsh, unflattering light. He looks terrible, but it's in the service of a fine performance. --Robert Horton

Product Description

John Le Carré's acclaimed bestselling novel, about a Cold War spy on one final, dangerous mission, is every bit as precise and ruthless onscreen in this adaptation directed by Martin Ritt. Richard Burton delivers one of his career-defining performances as Alec Leamas, whose hesitant but deeply felt relationship with a beautiful librarian (Claire Bloom) puts what he hopes will be his last assignment, in East Germany, in jeopardy. An intelligent, hard-edged, and even tragic thriller, The Spy Who Came in from the Cold is etched with realism and suffused with genuine political and personal anxiety.

Info
Directed by Martin Ritt (Hud, Sounder, Norma Rae)
Starring Richard Burton (Becket, Who s Afraid of Virginia Woolf?, Equus)
Starring Claire Bloom (Limelight, Richard III, Crimes and Misdemeanors)
From the novel by John Le Carré (The Russia House, The Tailor of Panama, The Constant Gardener)

SPECIAL EDITION DOUBLE-DISC SET FEATURES:
New, restored high-definition digital transfer
New interviews with author John Le Carré and cinematographer Oswald Morris
The Secret Center: John Le Carré (2000), a BBC documentary on the author s extraordinary life and work
Acting in the '60s: Richard Burton, a 1967 interview with the BBC s Kenneth Tynan examining the actor's performances
and accomplishments
Gallery of set designs
Theatrical trailer
PLUS: A booklet featuring a new essay by critic
Michael Sragow and a reprinted interview with Ritt

See all Editorial Reviews

Customer Reviews

Most Helpful Customer Reviews

120 of 124 people found the following review helpful:

5.0 out of 5 stars Cold-Blooded Fever, August 26, 2000

By	Mr. Cairene (Cairo, Egypt) - See all my reviews

This review is from: The Spy Who Came in From the Cold [VHS] (VHS Tape)

Inside a grim little room in the empty countryside somewhere east of the Berlin wall an East German agent is interrogating a defecting British spy. The defector is anxious and weary. He wants his money now. Prompting the Communist agent to say this : "You are a traitor, the lowest currency of the cold war. We buy you, we sell you, we lose you, we can even shoot you. Not a bird in the trees would stir if we did just that."

Except that Alec Leamas(Richard Burton) is not really a defector, he is only masquerading as one. On his last assignment for the British Secert Service, he is to pretend to be burnt out and jobless. Never faraway from a bottle he walks around the streets of London cynical and depressed, his "masterstroke" in this act is an ugly fight with a shopkeeper who refuses to give him credit. This ofcourse attracts the attention of the East German agants who view him as a potential defector because of his dire need for cash and his embitterment towards the British Agency for abandoning him. It is a credit to Burton's brilliant and painfully realistic performance that you are pretty sure his embitterment in not entirely an act. That he really is a drunk. That he wholeheartedly agrees with the German when he calls him "the lowest currency of the cold war", even if he is not a defector. To him, all spies, on both sides, are scum.

John Le Carre was an ex-British intelligence officer when he wrote the celebrated novel on which this film was based. It was called "the finest spy story ever written" by the writer of The Third Man, Graham Greene. And in a sense, The Spy Who Came In From The Cold starts where The Third Man left off. The lead character has already lost any faith he had in humanity. I suspect that the only reason Leamas hadn't really defected is because even money has lost its lure. Surprisingly the most sympathetic characters in the book(and the film) are the communist spy Fiedler(Oskar Werner) and naive communist librarian Liz Gold(renamed Nan Perry in the film and played by Claire Bloom), and both pay dearly for it. In the world of The Spy Who Came In From The Cold idealism is not merely misguided, it is pathetic. When Fiedler sincerely asks Leamus "How do you sleep at night without a philosophy?". Leamus's typically jaded answer is "I don't believe in God or Karl Marx. I don't believe in anything that rocks the world. I reserve the right to remain ignorant."

In adapting the novel, scripters Paul Dehn and Guy Trosper retained the icy restraint of the novel. Director Martin Ritt(who made the better known but inferior Norma Rae) shoots the film in a harsh black and white. Accompanied by a sad violin score, The Spy Who Came In From The Cold is finally a sentimental film about unsentimentality. Ridiculously Burton lost out on the Oscar infavour of Lee Marvin in the frankly ridiculous Cat Ballou. The film was nominated for just one other Oscar which was for Art-Direction. A shame. With its moral and asthetic complexity, this is as far away from Bond or Tom Clancy based thrillers as you can get. Possibly the greatest film in its genre, and in its own quiet way the equal of The Third Man. The final message being that people who are driven enough to enter the world of espionage are not(and can't afford to be) driven by ideals. In that world the only motive is expediency.

18 of 18 people found the following review helpful:

5.0 out of 5 stars Burton at his Most Impressively Brooding, April 22, 2002

By	William Hare (Seattle, Washington) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

This review is from: The Spy Who Came in From the Cold [VHS] (VHS Tape)

Richard Burton's brooding performance coupled with appropriately grim black and white photography from cameraman Oswald Morris provide just the proper mood as the masterpiece thriller from former British intelligence operative John Le Carre was brought to the screen in 1965 with capable fidelity.

While a British production, the film's director was American Martin Ritt, an accomplished master of providing films of compelling seriousness with a touch of the grim, as exemplified by "No Down Payment", "Hud" and "The Front." Burton plays an intelligence operative gone to seed, hence the reference to "coming out of the cold" which, in spy talk, involves being taken out of the field of operation. Burton goes to planned seed, becoming an alcoholic who ultimately is thrown into prison for pummeling a thoroughly decent London grocer who had extended him credit and ultimately had to draw the line, incurring Burton's well orchestrated rage in accordance with plans from MI5.

As soon as Burton leaves prison Michael Hordern is waiting for him. They discuss "doing articles," a cover for what is really expected, turning allegiance and going to work for the Soviets. During this period Burton is provided with a job at a small library featuring psychic works. It is here that he meets Claire Bloom, an ideologue who attends local Communist study groups as a way of making a difference in a troubled world.

Burton operates in a realm of barely contained rage. He inveighs Hordern with scorn and is not about to disagree with Oskar Werner when the East Germany Communist ideologue refers to Burton and his ilk as "the lowest currency of the Cold War."

Burton's contempt for his role in a grimy affair is enhanced by the fact that he has been sent to East Germany to clear Peter Van Eyck of charges that he is a double agent working for Britain. Werner has shrewdly pegged him, and British intelligence does all it can to help a ruthless individual it took charge of after he murdered a man on a trip to England during an East German traveling trade exhibit. Eventually Bloom surfaces as a prop to assist the contemptible Van Eyck.

More twists and turns occur until ultimately Burton wonders just what the future holds for him, and whether Bloom, the only person he cares for in life, will be part of it. Circumstances ultimately answer important questions for Burton as he is propelled through a swirl of events masterminded by wily intelligence operatives to his ultimate destiny.

This is a spectacularly moody giant of a film. Guy Troper and Paul Rehn fashioned a brilliant script which meshes with Le Carre's chilling suspense masterpiece. "Spy" was a deserving recipient of a Best Film British Academy Award. It bristles with controlled rage and sizzling wit delivered with the proper measure of acid by Burton in one of his enduring roles.

20 of 22 people found the following review helpful:

5.0 out of 5 stars Gutty, gritty, and gray, 'Spy' is the real deal, October 6, 1999

By A Customer

This review is from: The Spy Who Came in From the Cold [VHS] (VHS Tape)

Finally! A gritty, gutty portrayal of the most integral (and expendable) piece in the Cold War match: the spy. The Spy Who Came In From the Cold abandons the glitz and gadgets of the James Bond genre in favor of gray, minimalist trappings. The result is one of the best, if underrated, dramas of the 1960's. Richard Burton should have won Best Actor Oscar for his role as the burned out spy Alec Leemas, whose initial bitter denial that he's too old to work as a field agent gets him into the biggest jam of his career. The script is excellent, relying largely on metaphors and terse, but profound, arguments to define its characters instead of guns and special effects. The plot's pace is adult and intricately woven, not wasting a moment. But overall, the use of black and white film (and the minimalistic atmosphere it envokes) is perhaps the biggest asset. The viewer gets a sense that there is really little difference between the hunted and the hunter, between East and West. That in the end, as the saying goes, "we've seen the enemy and he is us."