Product Details

• Actors: Julianne Moore, Eddie Redmayne, Stephen Dillane, Anne Reid, Martin Huber
• Directors: Tom Kalin
• Writers: Howard A. Rodman, Natalie Robins, Steven M.L. Aronson
• Producers: Aitor Lizarralde, Alberto Aranda, Charlotte Mickie, Christian Baute
• Format: Color, DVD, Widescreen, NTSC
• Language: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.66:1
• Number of discs: 1
• Rating: Unrated
• Studio: Ifc
• DVD Release Date: December 23, 2008
• Run Time: 97 minutes
• Average Customer Review: 2.9 out of 5 stars  See all reviews (21 customer reviews)
• ASIN: B001F0TM4Y
• Amazon.com Sales Rank: #32,748 in Movies & TV (See Bestsellers in Movies & TV)
• For more information about "Savage Grace" visit the Internet Movie Database (IMDb)

Editorial Reviews

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Product Description

Set across a stunning backdrop ranging from New York to Paris to Cadaqués, Savage Grace is the incredible true story of a scandal that even today remains shocking. The beautiful Barbara Daly (Academy Award-nominee Julianne Moore; The Hours, Boogie Nights) marries above her social class to the dashing heir of the Bakelite plastics fortune, Brooks Baekeland (Stephen Dillane of the HBO miniseries "John Adams"). The birth of the couple's only child, Tony (Eddie Redmayne of The Good Shepard), intensifies the already volatile marriage. As Tony matures, he becomes an unwilling pawn in the psychosexual games of his parents, and the seeds for a tragedy of spectacular decadence are sown which challenge even the most shocking taboos. Tom kalin's (Swoon) return to cinema has dazzled and stunned audiences from the Cannes to the Sundance Film Festivals.

Customer Reviews

Most Helpful Customer Reviews

23 of 26 people found the following review helpful:

3.0 out of 5 stars A Lost Dog Collar: Impact and Consequences , June 29, 2008

By	Grady Harp (Los Angeles, CA United States) - See all my reviews (TOP 10 REVIEWER)    (REAL NAME)

SAVING GRACE is screenwriter Howard A. Rodman's adaptation of Natalie Robins and Steven M.L. Aronson's brutally realistic book by the same name of a famous wealthy family's downfall. Director Tom Kalin has previously proved that he can successfully mix biopic with drama ('Swoon'), but alas in this tedious film he fails to make the audience care about any of his characters, despite the fact that he cast this strange collection of edgy types with outstanding actors. In the end, after witnessing an incestuous relationship between mother and son and a subsequent brutal murder, the only moment of tenderness is a very lost boy's need to recover the collar of his childhood dog, long dead but hardly forgotten in the murky soup that has been his life.

Knowing that the story is true adds a bit of intrigue: the family of a plastics mogul is in the third generation: Brooks Baeklande (Stephen Dillane) wallows in his wealth without positively contributing to his family reputation; his wife Barbara (Julianne Moore), a former actress and Feline's salesgirl who marries into wealth only to become obsessed with climbing a ladder that repeatedly betrays her 'class'; their only son Antony (Eddie Redmayne) who moves from his mother's worshipped idol to his father's loathed rival at his being bisexual/gay to a series of affairs - none of which he finds satisfying or fulfilling, especially his ultimate incestuous relationship with his mother. The film runs from 1946 (Antony's birth) to 1972 and the tragic finale and during this time the audience is conducted through the superficial corridors of life among the wealthy and influential people of New York, Paris, London, Cadaques. Along the way we meet some interesting characters, paramours of Antony played by Elena Anaya, the gifted actors Unax Ugalde and Hugh Dancy, and a host of other bit parts who enliven the action or act as stimuli for the crumbling downfall of Barbara Baekeland.

The various periods of time are well captured by cinematographer Juan Miguel Azpiroz who manages to give us the 'superficial beauty' of these empty souls while keeping a safe distance from their degrading antics. The musical score by Fernando Velázquez is always too loud and falls between the cracks of elevator Muzak and takeoffs on Wagner's leitmotifs from 'Tristan und Isolde'.

The major problem with this film is that it is nearly impossible for us to emotionally invest in any of the characters, even as well defined as they are in the hands of such excellent actors. It is this distance that sinks the film, a 'biopic' about rather distasteful folks that offers little insight into the positive aspects of their deranged behavior. Or perhaps that void is what Tom Kalin is striving to depict. It just misses. Grady Harp, June 08

12 of 14 people found the following review helpful:

2.0 out of 5 stars Moore Tries to Rise Above the Dark Oedipal Corners Between Mother and Son, June 17, 2008

By	Ed Uyeshima (San Francisco, CA USA) - See all my reviews (TOP 100 REVIEWER)    (REAL NAME)

I don't think I can look at my Bakelite steak knives the same way again, even though the filmmakers don't show a single piece of Bakelite in this 2008 movie. The subject, however, is Barbara Daly Baekeland, the wealthy wife of Brooks Baekeland, grandson of Leo Baekeland, founder of Bakelite plastic. It only becomes pertinent when you realize her son Antony is the heir to a major plastics company. Directed by Tom Kalin, a leader in the New Queer Cinema movement, the time-spanning story focuses on the unhealthy co-dependence that seems to have developed since birth between mother and son, a relationship that takes an unsavory turn toward incest and ultimately murder.

Howard A. Rodman's screenplay covers over a quarter-century of the characters' lives beginning in 1946 when a vivacious Barbara dotes on her baby Antony even as she gallivants amid the Manhattan social scene. The story quickly flashes forward to Paris when a precocious, 14-year-old Antony remains devoted to his mother even when she embarrasses him by forcing him to read a passage from de Sade's Justine in front of a small gathering of pretentious socialites. Another seven years pass, and a sexually awakened Antony takes up with a young, pot-smoking Spaniard named Jake, while Barbara has been deserted by her husband Brooks for a younger woman who once bedded Antony. As with many women of her standing, Barbara becomes involved with a gay "walker", Sam, who becomes Barbara's erudite escort. More transgressions occur until we catch up with mother and son living together in London in 1972. The Oedipal machinations come into fruition there leading to the tragic conclusion.

The movie is really an extended exercise in self-loathing spotlighting truly unlikable characters, chief among them the grasping Barbara and the psychologically damaged Antony. The stilted dialogue doesn't help much either. You walk away understanding what would drive Antony to schizophrenia but are given little reason to care what happens. No stranger to mid-century roles (Far from Heaven, The Hours), Julianne Moore is one of our most accomplished actresses, and she manages to etch a powerful portrait of a deeply disturbed and irredeemable woman despite the odds. However, Kalin leaves her stranded in a role that elicits no sympathy. The same fate befalls Eddie Redmayne (The Other Boleyn Girl) as the grown Antony, and his performance becomes a series of limp-wristed mannerisms that remind me a bit of Cillian Murphy's work in Breakfast on Pluto. Stephen Dillane hardly makes an impression as Brooks, but Hugh Dancy (Evening, The Jane Austen Book Club) certainly makes a more convincing "walker" than Woody Harrelson did in The Walker. Except for the always watchable Moore, I say skip it.

3 of 4 people found the following review helpful:

3.0 out of 5 stars Julianne Moore Tour de Force, December 28, 2008

By	The Movie Man "tenebre89" (Maywood, New Jersey USA) - See all my reviews

"Savage Grace" is the true story of Barbara Daly (Julianne Moore), a would-be actress, artist, and social climber who, in postwar New York, married wealthy Brooks Baekeland, heir to the Bakelite fortune. Her drinking, making scenes in public, and adulterous flings made the marriage a living nightmare. She was a smothering mother to her gay son, Tony, and the family lived a dysfunctional love triangle that ended in violence and bloodshed.
This is Moore's film all the way. She conveys a sense of inferiority percolating within, since Barbara did marry well above her social station. She needs constant reassurance that she is loved, and craves social acceptance like a drug. Moore makes a rather unpleasant character interesting. Maybe it's the voyeur effect. We feel we're peeking into a privileged world, seeing all its frayed corners and cracks in close-up. And we're fascinated because it's exotic. Stephen Dillane portrays Brooks and Eddie Redmayne is young Tony. Special Features include a making-of featurette and a mini-documentary on the actual story that inspired the movie.