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Change Is Now: Renewing America's Promise [CD/DVD] (Barack Obama) ~ Various |
2009 Barack Obama wall calendar: Words of Hope and Inspiration by Inc. Sourcebooks |
The Election of President Barack Obama : His Acceptance Speech in Chicago, Illinois ~ Various Artists |
by Life Magazine
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DVD ~ Barack Obama
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Admittedly, the charity/progressive-agenda/fundraiser album, always well intentioned and too frequently featuring the conspicuous keening of Bono (he's absent here), has lost much luster. Too many such "event" projects, all worthy, may have created a kind of listener fatigue among music fans, who've tended to cold-shoulder them in recent years. Yes We Can may escape that fate. Its timing alone, coming at the close of a contentious campaign season, is perfect: after all that noise, a musical restorative should allow us to catch our breath before getting up and moving on. Besides, who can argue with an album whose title shouts out to both Sammy Davis' autobiography and the Pointer Sisters' first, Allen Toussaint-scribed hit?
Just over half its tracks were recorded exclusively for Yes We Can and they generally comprise the album's best moments. One near-holy ghost hovers over both Lionel Richie's set-opening "Eternity" and John Mayer's "Waiting on the World to Change." The ghost is Curtis Mayfield, whose knack for infectious, slo-burn melody and lyric sharpness--filtered through early Van Morrison on the Mayer cut--guides two buoyant performances that just "feel so right." Inspirational verse from the latter song: "If we had the power to bring our neighbors home from war/ they would never have missed Christmas, no more ribbons on their door." The same attitude animates Shontelle's "Battle Cry," which puts slightly more contemporary moves on similar source material.
Los Lonely Boys pair their characteristic blues-rock with a Beatley melodic vibe (both Harrison- and McCartneyesque) on "Make It Better," and Keb' Mo' reprises "America the Beautiful" from his 2001 kids-music set Big Wide Grin. Here too, the familiar gets a facelift. "America the Beautiful" has been subjected to inordinate amounts of elder song abuse over the years, and Keb' Mo's restrained vocal is a welcome change, coloring the tune blue and restoring at least some of its dignity. Less impressive is singer-songwriter Ken Stacey's "America," a tinkling-piano ballad that might play well in cabaret but registers as outsized and overly sentimental here.
Yes We Can's star-power cut is "Promised Land," a curious club sandwich assembled by Kanye West, Malik and Maroon 5 singer Adam Levine that asks us to reconcile a generous ecumenical spirit with requisite rap braggadocio. There's something a little disconcerting about Malik rapping that "This is not brown, red or yellow, not a white or black poem" just after letting on that "Time flies in the Lear and you wonder where the day went." We can all relate.
The set's real highlight is also its most adventurous cut, Jill Scott's remake of her "One Is the Magic #." Set to a seductive, head-nodding beat (a wonderfully crunchy rhythm track; it sounds like Ewell Gibbons tramping through a Fall forest), outfitted with Spanish trumpet flourishes, the tune's acutely on-target both musically and message-wise. Scott's powerful vocal runs down fundamental math: There's just one of each of us, and any change equation must start there. The sound bite, from Obama's 2004 Democratic convention speech in Boston, puts the period to Scott's point: "E pluribus unum. Out of many one. In the end, that's what this election is about..."
John Legend redoes U2's "Pride, in the Name of Love," here outfitted with speech excerpts from Obama as well as the song's subject, Dr. Martin Luther King (Legend's version was used in the History Channel doc King). Ozomatli offers the midtempo, (synthetic?) string-wrapped "Love and Hope," whose vocal owes more than a little to Stevie Wonder. And Wonder himself provides the best known of Yes We Can's lend-lease cuts ("Signed, Sealed, Delivered I'm Yours"), though plenty of listeners will be familiar with "Out of Our Heads," from Sheryl Crow's recent Detours album, and "Looking East," the underrated title track of Jackson Browne's Calicentric 1996 set. We also hear from Yolanda Adams, Buddy Miller, Dave Stewart, Suai and Bebe Winans.
Like the newspaper headlines, bumper strips and t-shirts, Yes We Can is a historic marker, and like them it may grow in souvenir equity a hundred years hence. Here's hoping the event it commemorates, and the spirit so prominent on these tracks, will have far greater value.
In collaboration with the Barack Obama presidential campaign, this first ever-political soundtrack has been produced by Hidden Beach Recordings. In this unprecedented approach to using music as an integral character within a political campaign to raise the awareness and importance of voting by utilizing the power and influence of music and its recording artists in support of various campaign initiatives, fundraising and voter registration campaigns, Hidden Beach Recordings has been selected to produce this monumental soundtrack. The historical precedence of the compilation, overwhelming support and participation by such superstar/multi-platinum recording artists spanning all genres of music, has positioned this CD to be an incredible body of work, which represents a worldwide cry for "Change" and will be a collectors' item cherished by generations to come. Special Collectors Edition features a 52 page booklet.
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