Most Helpful Customer Reviews
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
I can't stop dancing. It's better than First Album!, May 20, 2009
TWO, Miss Kittin & the Hacker's second joint release, eschews the retro 80s electroclash sound they helped create and full on embraces mesmerizing techno trance. Think "Soundtrack of Now" from iCom, Miss Kittin's debut solo release and you pretty much have the feel of this album but don't expect more of First Album, any Frank Sinatra's, or any old school Casio keyboards because you won't get it here.
TWO is a darker, angrier, yet melancholy release that's solid from beginning to end and does not disappoint. Miss Kittin & the Hacker are right at home with this dancier, trancier take on their sound and it's really, really good. Miss Kittin doesn't sound as bored as usual but she still has that cold, deadpan delivery that works oh so well with the Hacker's cold, teutonic beats. The sound samples don't do the songs justice. Listen to the disc in its entirety. Oh yeah, they do a right proper cover of Elvis's "Suspicious Minds" that I'm sure will be slated for release as a single.
I'll write full on review later but for now I can't stop dancing.
Ok, so I've stopped dancing but there's a party in my head. Here's my blow by blow review of TWO:
THE WOMB opens with a minutes worth of bleeps and bloops that burble along harkening back to First Album but this is the only bit of that sound you'll get on TWO. Suddenly an industrial rhythm Front 242 or Nitzer Ebb would be proud of segues in as Miss Kittin croons her I-am-woman-hear-me-roar lyrics over it. But it's at the 2:15 second mark when this track hits the ground running as this wicked trance rhythm takes over elevating THE WOMB to a late nite dance groove.
1000 DREAMS. A sad, downtempo 80s inspired groove drifts along. Even the video reflects this sentiment. A chill yet dancey and oddly deja vu-ish track that will leave feeling like you've been here before.
PPPO. One of the strongest and tranciest tracks. A simple trance groove with Miss Kittin crooning, in increasingly angry and distorted vocals, People! Pleasure! Objects! Power! So why isn't it called PPOP? Think Nitzer Ebb's Join In The Chant only with Miss Kittin on vocals.
PARTY IN MY HEAD. Borrows the opening riff from Blondie's "Heart of Glass" but slams a 4/4 beat underneath as Miss Kittin croons, in a dead pan voice Debbie Harry would be proud of, about a party in her head on oxygen. This is the type of track I long, hope, and wish for Madonna to do. It would suit her well.
INDUGLENCE. A electro punk ditty, need I say more? I.N.D.U.L.G.E.N.C.E. Treat yourself! Love yourself! Caress yourself! Don't blame yourself! Initially, my least favorite track upon first listen but it's grown on me. The rhythm sucks you in. It's pretty awesome.
EMOTIONAL INTERLUDE. A fairly repetitious and forlorn melody loops itself as Miss Kittin admonishes her lover to be more delicate with her, to handle her more carefully which is later repeated as the chorus. Dreamy and sad.
SUSPICIOUS MINDS. A cheesy, fun, throw away gay house cover of Elvis's hit, but it's a good thing. Have you really ever heard a bad cover of this classic track?
ELECTRONIC CITY. This is the track that sold me on this new, modern sound of MK&TH when I stumbled across a free download on XLR8R. My first thought was "If this is the new direction in their sound then I'm on board for the journey." And what an awesome journey it has been. Robotic beats that segue into a downtempo groove with probably the most nonsensical lyrics if the entire disc.
INUTIL ETERNITE. A ghostly whistle, trance beat, and Miss Kittin crooning in French about "useless eternity". Another awesome late night dance track.
RAY BAN. A dark and moody close to the disc full of brooding paranoia. Behind my Ray Ban, the screen between the world and I.
1000 DREAMS(REPRISE) A three minute insturmental take on 1000 Dreams.
So that's it. That's my take on this awesome disc. It's definitely a notch above and miles beyond First Album so if you're expecting more of First Album, I guarantee you'll be disappointed.
Don't skip or scan through this album on first listen (as I did) because you initally won't like it (as I did). Put it on, sit down (or stand because you'll end up dancing), and LISTEN to it in its entirety from beginning to end. You'll love it if you're a fan of Miss Kittin or The Hacker. It doesn't disappoint.
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3 of 3 people found the following review helpful:
3.0 out of 5 stars
Solid effort, July 9, 2009
Miss Kittin and the Hacker's second album together, "Two" is a dark electro pop record that is at times sarcastic, airy, and cold. Miss Kittin (Caroline Herve) sings the majority of these tracks in a deadpan style often playing off the beats and rhythms that the Hacker (Michel Amato) is cooking. The beats and rhythms are heavily influenced by the electro and club sounds of the 80's but updated for a post modern chilled out world. The spacey "The Womb" opens the album sounding like something dragged from the German underground. Images of shiny black patent leather and latex crowd my mind as the propulsive beats push it further into the abyss. The rubbery synths of "1000 Dreams" offers a nice change of pace and comes close to sounding like a darker Kylie Minogue.
"Two" shines when the songs break the typical verse chorus verse formula and jump the track. Tracks like "3 PPPO" and "Indulgence" are more rooted in the noise terrorist rhythms than pop music and offer a juxtaposition to what came before. The jokey and kitschy workout of Elvis' "Suspicious Minds" seems out of place on the album, but maybe that's the point. The album closes with the foreboding "Ray Ban" and a blissed out reprise of "1,000 Dreams." "Two" is an album unafraid of the future as it gleefully drags the ghosts of the pasts along with it.
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2 of 6 people found the following review helpful:
2.0 out of 5 stars
One Half, May 28, 2009
After First Album, I Com, and Batbox, this album is a huge disappointment. It's really a Hacker album with Miss Kittin providing vocal accompaniment. With a solid solo career developing, whatever encouraged Caroline to enter into this Faustian bargain who the heck knows? Instead of up front and in your face, her lyrics are buried in a wall of sound like she's drowning or something. None of the energy or wit of First Album. Covering an Elvis tune is just lame. I guess it doesn't really matter anyways, it's not Lady Gaga we're talking about here.
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by Miss Kittin 
