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5 of 5 people found the following review helpful:
5.0 out of 5 stars
Spoiler-free review for BSG 4.5 on Blu., August 28, 2009
Not everyone watches the show when it airs, and if you're one of those people or if you'd just like to know what's on the discs, then this review is for you.
First, let me just say that I absolutely loved the finale. I also believe that the final half of season four was perhaps the strongest of the series (definitely the bleakest). This show had always been a drama with a scifi setting, and while some folks didn't like the fact that it became much more dialogue driven and less focused on action, I loved it. There are ten episodes (finale being a three-parter, but aired as two episodes, so you could say 11 episodes) spread across 3 discs. Here's a breakdown of the EXTRAS on each disc with my opinion of what's useful and what could have been airlocked.
Disc One:
"The Journey Ends: The Arrival" is a look back at the series with the cast and crew. Worth watching.
"What the Frak is Going On With Battlestar Galactica" is a quick 8-minute summary of the show through the first 3 seasons. It's concise and hilarious.
"A Disquiet Follows My Soul Unaired Extended Episode." Better than the broadcast version, and definitely the version I'd recommend.
"Evolution of a Cue" is a behind-the-scenes look at composer Bear McCreary's creation of music for a specific scene (with Roslin). It's incredibly detailed and if you're a fan of the music on BSG, I couldn't recommend this one enough. Actually, even if you're not a fan of the music it's still very interesting.
Disc Two:
"David Eick's Video Blogs" is a collection of 11 3-5 minute video diaries with the cast and crew covering a range of topics. Some are funny and some are just fun to watch. Definitely worth watching.
"Islanded in a Stream of Stars Unaired Extended Episode." Much better than the broadcast version. I wasn't a huge fan of this episode when it originally aired, but this extended version definitely fleshes out the story a lot better and also fills in a few gaps.
Disc Three:
"A Look Back" is another collection of videos(6) with the cast and crew. Not repetitive in the least, this is also well worth watching.
"...And They Have A Plan" is a quick 4-5 minute sneak peek at what the upcoming movie, "The Plan" is all about.
"The Musicians Behind Daybreak." Bear McCreary is again on-hand to discuss what went into creating the epic score for the finale. Even better, we're introduced to the various musicians (and their instruments) who have worked on the score from the very beginning. And once again, this one comes HIGHLY recommended.
"Daybreak Unaired Extended Episode." The finale the way it was meant to be seen. This contains all three parts, and along with extra scenes, it was also re-edited a bit. I highly recommend watching this and forgoing the broadcast version.
Across all discs you'll find deleted scenes (some are very interesting while some are just filler that should have been deleted, and they are presented in SD), audio and podcast commentaries (they're all worth a listen), along with U-Control. U-Control is an interactive feature that offers little facts about the show/characters which you can access as you watch an episode. Frankly, I found it completely useless. I haven't tried the BD-Live content as yet.
It should be noted that you should watch the entire series before watching any of the extras because they do contain massive spoilers.
There is, however, one glaring omission from this box-set: "The Face Of The Enemy" webisodes. While they are available elsewhere online, they should have been included in this set. They answer a question or two (from season 3) and greatly flesh out a certain character's motivations in these final episodes. I'd recommend finding and watching them before watching the episode, "The Oath." While this exclusion is noteworthy, the strength of the rest of the content in this set more than makes up for it. And perhaps we could see them available through BD-Live one day?
Visually, BSG looks gorgeous on Blu. You do notice the intentional grain a bit more at times, but colors pop and lines are well defined (CGI looks better as well). On the audio side, the DTS-HD Master Audio 5.1 track is simply fantastic. Technically, this set is remarkable.
If you've come along for the ride this far, there's absolutely no reason to not pick up this final half-season to see how this story ends. However, as to be expected, the finale won't please everyone. Whether or not you like it, at least we were given a proper conclusion, which is a rarity in today's television landscape. They told the story they wanted to tell, and left it up to their audience to decide...and that's exactly what I did.
A wonderful conclusion to the best show to ever grace our television screens.
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18 of 27 people found the following review helpful:
5.0 out of 5 stars
An absolutely brilliant ending to a glorious series, April 21, 2009
Warning! Spoiler alert! The following review contains very signficant spoilers, including several regarding the final episode of the series. If you wish to remain spoiler free, do NOT read the following review.
In the words of the immortal Butthead, forewarned is . . . uh . . . something.
I am astonished that the finale of BSG is proving to be controversial. I watched the final episode with a sense of excitement, delight, and deep gratitude. I found it moving and appropriate to the series as a whole. I would rank it with the best series finales that I have ever seen, alongside BUFFY THE VAMPIRE SLAYER and SIX FEET UNDER. In particular I found the final 20 or so minutes to be especially gratifying, as we see the final 38,000 some odd survivors of the long journey from the 12 Colonies to New Earth finally find their new home. Did everything end precisely as I wanted? Of course not. But what is important is that it ended the way that Ron Moore clearly intended it to end. I had long suspected that one of the first things that had been conceived was the role of Hera (or someone like Hera) in the overall scheme of things. That she would indeed prove to be "The Shape of Things to Come" was something of which I was confident, and I found the role ascribed to her -- essentially the DNA mother of our own humanity -- as both powerful and fulfilling of the great importance assigned to her. [And Ron Moore's brief cameo as the gent reading the magazine about what is obviously Hera's remains was similar to J. Michael Straczynski's cameo at the end of BABYLON 5.]
The 2008-2009 television season has seen the ending of a string of truly great series. BATTLESTAR GALACTICA, THE SHIELD, and THE WIRE managed to end on their own terms, with their overall arcs ended on their own schedule. Other equally great series like PUSHING DAISIES were stopped in mid-stride. That a show as great as PUSHING DAISIES could be cancelled makes me all the more grateful that some shows like BSG manage to make it all the way to the end. My own television viewing will now be greatly diminished by the end of BSG. No show of the past five years has so consistently obsessed me. It wasn't always as consistent as I would have liked. FRIDAY NIGHT LIGHTS is a far steadier, more consistently brilliant show, but while it has never had anywhere near as many as weak episodes as BSG, neither has it ever reached BSG's best moments. Never, ever have I had a series (with the exception of BUFFY THE VAMPIRE SLAYER) at its best so completely shock and amaze me. No other show (except BUFFY) has managed to astonish me so frequently. And it did this by almost never recycling stories seen on other series. BSG not only never recycled stories from other shows, but never recycled its own stories. Any stunning plot twist, once used, was never used again.
Rarely do series redefine their genre, but BSG has done more to alter what one can do on a television Sci-fi series than any since STAR TREK first debuted in the late sixties. No future serious series in the genre can ignore the achievements of BSG. They might decide not to take up the challenge that BSG has laid down, but even that is a way of acknowledging the new standards it has laid down. Series like STARGATE SG-1 now seem oddly simplistic in comparison. Ron Moore stated in his initial mission statement that his goal was to completely redefine TV Sci-fi and in this he was supremely successful. It is impossible to overstate the importance of BSG in taking TV Sci-fi to the next level. Many have noted that it was the first important Sci-fi series that was made for adults rather than teens, but it is also the first that was directed to thinking adults instead of only Sci-fi geeks. BSG expanded the audience of those interested in Sci-fi, with thousands of people who had previously been determined not to watch any show in the genre obsessed with the fate of those on Galactica. And it has also been a huge hit with academics and intellectuals. The only television series that has received as much attention from academics has been BUFFY, and the only show to attract as much attention from nonacademic intellectuals has been BUFFY and THE SOPRANOS. Who would have thought a show based on the passionately maligned 1978 series (a show that has a small but dedicated cadre of fans, but which is otherwise attacked by TV critics and serious Sci-fi fans and writers as one of the worst series in TV history) could have ascended to such heights?
I have started rewatching the series from the very beginning in light of the series finale and I am amazed at how good it all feels knowing how it will end. The series finale of BSG fit the rest of the series so perfectly that it managed retroactively to make the rest even better. I frankly have long suspected that Ron Moore is a big, fat liar. He has often stated things that were not true or at least were only partially true. I think he had a great deal of the overall story planned from near the beginning. I believe he had many of the main arc details in mind from the beginning. I do think that he left a lot of room for alternation and development, but I believe he knew from the time of the miniseries that he intended to have the remnants of the human race align with the Cylons to become the genetic ancestors of our own human race. One of the first moments in BSG of note was when Caprica Six looked at an infant with amazement, shortly before she broke its neck (an act that is one of the most effective mission statements I've ever seen -- after that, you knew the show was capable of anything). And the crucial moment came when President Laura Roslin stressed to Commander Adama that it was crucial that they leave that part of the galaxy to find a new home where the survivors could "start having babies." Early in the first episode of Season One Head Six asks Gaius Baltar if he would like to have a child. We then soon learn of the mission of the other Sharon on Caprica to try and make Helo fall in love with her and get her pregnant. In retrospect, we see that "The Plan" was to perpetuate the Cylon race by biological reproduction.
Similarly, from early on the show was concerned with ever deepening religious themes, as God (though Head Baltar in the finale tells Head Six that he doesn't care for that name) directed the fate of both Cylons and humans to their eventual fate. Even Starbuck is shown to be an instrument of God, as she is sent back to the fleet after her death in order to help them find their way to their new home. Until the finale we had no idea precisely how deep this idea that God had a plan for them truly was, but as the series comes to an end we realize that Head Six's words to Baltar in the first regular season episode were absolutely true: this all was God's plan. To what degree this God coincides with a Christian or Muslim or Jewish god is very much open to debate, but that it unceasingly is at the core of BSG cannot now be questioned.
BSG begins with the question -- put forward by Bill Adama as he participates in Galactica's decommissioning ceremony -- whether humanity had a right to survive. The answer to this is delayed for the length of the series, as we see the fleet undergo a series of trials. The parallels with the account in Exodus of the Children of Israel departing from Egypt to the Promised Land increase as the series nears its end. Just as the Children of Israel undergo a series of temptations, so do the members of the fate. Likewise, the fleet's Moses, Laura Roslin, is allowed to see the promised land but not enter (she dies as Adama finds the spot upon which to build the cabin she longed for). That humanity has earned the right to survive comes as the crew of Galactica undertakes the ship's final mission, the rescue of the Human-Cylon hybrid child Hera, whose DNA becomes the foundation of a new humanity.
So, the show's many rich and deep themes are successfully and beautifully resolved at the end. Those who found the ending unsatisfying seem not to recognize this. But I'm baffled. What more can one ask of a series than to resolve successfully all its major themes?
While I loved the end of the series, I can understand some of the uneasiness some felt. In order to break the cycle ("All of this has happened before; all of this will happen again") of death and destruction, Lee Adama persuades the survivors to embrace a nontechnological culture. I understand this on a poetic level even as I question it on a psychological level. And like many I found the departure of Starbuck, one of the great iconic characters in the history of TV (it is funny now to remember how upset some were that Starbuck was going to be played by a girl), both too sudden and less than satisfying. But this is nitpicking and should be recognized as such. To carp on something that wasn't quite done to one's satisfaction while ignoring the massive number of things that were done so exceptionally well is petty.
Sadly the end of BSG signals the disbanding of one of the most wonderful and largest casts in the history of television. Only LOST can match BSG in the size and richness of its cast of characters. I'm going to miss Adama, Laura Roslin, Lee, Kara, Sharon (in whatever form), Helo, Hera, Tigh, Tyrol, Baltar, all of the Sixes, Dee, Ellen, Duck, Kat, Billy, Tory, Anders, Racetrack, Cally, Doc Cottle, Jake, Elosha, Sgt. Mathis, Captain Kelly, Zarek, Gaeta, Seelix, Hotdog, Romo Lampkin and all the others (all the way down to the tattooed Asian guy who never had a line of dialogue and whose main function seemed to be to keep Galactica's card games going) -- not to mention the Cavils, Dorals, D'Annas, Simons, and Leobens. And I'm going to miss Galactica itself. For five years this show has been one of the great presences in my life. I won't be saying goodbye easily...
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1.0 out of 5 stars
Love the New Series, Love BluRay, but this set is a Travesty. BEWARE!, October 26, 2009
This is the reason the BluRay goes for LESS now on Amazon than the DVD!
I was so excited to see BG on BluRay, I was disappointed I had already purchased too many seasons on DVD to justify getting the entire series on Bluray, so this was my only option to get a season I didn't have. (Although other seasons look GREAT when the DVD version is Upscaled!!)
Oh my God I was so disappointed with the BluRay :( I don't know where to start.
The beginning...I put the first Disk in the player and waited with anticipation for the splash screen. It came up..Crystal clear digital lettering, a nice interface. But in the side window, the worst, ugliest video played. It was like looking at 2 different standards. I thought, "My God its like watching a TV station from 100 miles away". The picture was grainy, the colors washed out, it had static. Is this the look they were going for? It made no sense.
I tried playing an episode.
Oh Great, every time you play an episode, Moore has to pop his head up again giving you his 10 minute dissertation on how great this is going to look. HE is digitally clear, bright and the color saturation is perfect!
Then the episode starts. GRAINY, WASHED OUT, TINTED. I tried it in the BluRay and the PS3...Same thing. I wanted to give Moore a slap on his face for the incessant boasting!
I decided there must be a problem with my setup. So I took it to BestBuy. They told me it had to be my $5 HDMI cable. But it looked exactly the same on their $50 Dynex cable (who pays $50 for Dynex anything?) Even their better cables, same thing! Even they had to admit, it wasn't pretty! I thpought he was joking in the commentary, but now I think it actaully was shot with a Retail Store cam.
That is just part of the problem. As I mentioned before this irritating intro by Moore comes up every time you do something with the disk. And its like he is laughing at you for being a sucker and paying the extra 10 bucks or more. He should be apologizing!
Also, when you are watching an episode and you realize you have seen this one already, you can't exit to the main menu. I had to reboot the disk on the Sharp player and the PS3. You are trapped in the episode! Sometimes it just goes blank at the end of the episode and the player can't even shut down. I never had that happen with any other BluRay.
With all this, I won't even go into his wife's babbling and child worship on the commentary track. That one kid of their's should be named PatPat (I swear its the kid version of the guy from Sat. Night Live. Somebody get this kid a nutritionist...please!). And I don't have much appreciation for Moore's cursing on the commentary either. Just doesn't add anything to the content for me.
Anybody want to trade me a DVD version?
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