Most Helpful Customer Reviews
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20 of 21 people found the following review helpful:
5.0 out of 5 stars
Imogen does it again, August 25, 2009
Describing Imogen Heap as an eclectic and talented musician is akin to saying Michal Jordan was a pretty good basketball player: a vast understatement. Since her days as the front woman for Frou Frou, Imogen has done nothing but grow as an artist, vocalist, and composer. With an uncanny, near perfect-pitch voice, classically trained musical skills, and the ability to give electronic riffs evocative emotion, she is without equal in her field.
Ellipse is proof that she continues to grow and learn, something that prodigies don't always do--sometimes it's easy for them to just coast. Not so for Imogen: if Speak for Yourself was both beautiful, nerdy, witty, and occasionally wantonly silly, Ellipse is nearly all of those things with the exception of silly; it is melancholic, yearning, sad, haunting, and ultimately lovely and satisfying on several different levels. It's great pop music if that's what you're looking for, but it's also a complete artistic work that pays off the careful listener. Imogene's song writing has always been about the revealing moments of life, and Ellipse has the same focus, deftly portraying homesickness, lost love, the power of art, etc., all set to her particular brand of homespun indie electronica and sung lovingly.
Ellipse is not significantly different from SPEAK FOR YOURSELF in either a good or negative sense. It shows progression and perhaps even a maturing, but ultimately it's Imogen doing what she was born to do: tell stories through song with electronic beats and synth sensibilities. The result is an album that is easy to embrace for new and old fans alike, and one of the most unique and desirable releases of 2009.
5/5 Star. Fantastic music. A must buy.
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14 of 15 people found the following review helpful:
5.0 out of 5 stars
intricate, fragile, genius, August 27, 2009
The first time I heard Imogen Heap's name was as songwriter for Way Out West's 'Mind Circus' a few years back - a melodic pop/breaks masterpiece at the time - but only discovered her all-round brilliance as an artist more recently.
Once I realised that she was also the production and engineering brains behind her own material I was even more intrigued and compelled - so quickly tracked down all I could find, gobbling up the Frou Frou album (created in tandem with the equally brilliant Guy Sigsworth - check out Alanis Morissette's 'Flavors Of Entanglement' for more of that production goodness) and 'Speak For Yourself' as soon as I could get my hands on them.
Both albums were chock-full of melodic and lyric invention coupled with detailed, layered electronic production - all of which revealed themselves further with repeated listening.
'Ellipse' is no exception. The first couple of hearings let the bigger hooks and general feel of the songs seep into your brain - one brain and 2 ears can only take so much in at once. But once you allow yourself to really get to know the material it reveals more and more layers of production and Imogen's melodies gradually untangle themselves like intricate puzzles, until eventually your head is swimming with the melodies and lyrics. And you can't wait to listen again, to learn more...
A number of online reviews have been lukewarm - and I can understand how this might be. Until you immerse yourself in the detail, the overall effect might seem middle-of-the-road or Enya-esque. But such reductions do the material an enormous disservice as there is WAY more going on in there than initially meets the ear.
Simultaneously melancholic and uplifting (that magical alchemy), this is pop - but it's the trickiest pop you're gonna hear for a while. If you're into that kinda thing :)
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7 of 8 people found the following review helpful:
5.0 out of 5 stars
Eargasmic Masterpiece, August 26, 2009
After following the video blog for months, my hopes were sky high. This album delivers on every possible criterion!
The resemblance to Speak for Yourself is uncanny - Ellipse is not a revolution - but if it is not a pinnacle, it IS a peak of success. She has refined her style down to necessities; some of the sounds in Speak for yourself were disorganized and crowded. In this album, Imogen only uses what is necessary to convey her musical ideas.
I would discuss highlights of the album but really there are none - each song has something to offer, and each song stands on its own. To experience true aural artistry, listen to this masterpiece!
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by Imogen Heap 
