~ Paul McCartney
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~ Tom Petty
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~ Tori Amos
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Get Yer Ya-Ya's Out! The Rolling Stones In Concert [40th Anniversary Deluxe Box Set] [3 CDs + 1 DVD] ~ The Rolling Stones |
~ Norah Jones
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Product Details
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| Disc: 1 | |||
|---|---|---|---|
| 1. RUN, BABY, RUN | |||
| 2. LEAVING LAS VEGAS | |||
| 3. STRONG ENOUGH | |||
| 4. CAN'T CRY ANYMORE | |||
| 5. SOLIDIFY | |||
| 6. THE NA-NA SONG | |||
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| Disc: 2 | |||
| 1. COFFEE SHOP | |||
| 2. KILLER LIFE | |||
| 3. ESSENTIAL TRIP OF HERENESS | |||
| 4. REACH AROUND JERK | |||
| 5. VOLVO COWGIRL 99 | |||
| 6. YOU WANT MORE | |||
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| Disc: 3 | |||
| 1. VALUABLE STUFF (Documentary) | |||
| 2. LEAVING LAS VEGAS | |||
| 3. ALL I WANNA DO | |||
| 4. STRONG ENOUGH | |||
| 5. CAN'T CRY ANYMORE | |||
| 6. RUN, BABY, RUN | |||
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Highlighting the bonus CD for "Tuesday Night Music Club - Deluxe Edition" are four previously unreleased recordings from 1995 that were intended for the follow-up album--"Coffee Shop," "Killer Life," "Essential Trip Of Hereness" and "You Want More"--each only now mixed by original "Tuesday Night Music Club" producer Bill Bottrell. In addition, Bottrell remixed the album's "I Shall Believe" specifically for this "Deluxe Edition." The bonus CD also includes a trio of U.K. single B-sides ("Reach Around Jerk," an alternate "The Na-Na Song" titled "Volvo Cowgirl 99" and a cover of Eric Carmen's "All By Myself"), a tribute album cover of Led Zeppelin's "D'yer Mak'er," and "On The Outside," a contribution to an "X-Files" soundtrack album.
"Tuesday Night Music Club" has proved to be a landmark achievement even beyond propelling Crow's own formidable career by inspiring and influencing countless female singer-songwriters, perhaps even saving that genre from extinction in the grungy days of the early `90s. Certified seven times platinum and charting at #3, the album spawned five Grammy® nominations and three wins: Best New Artist and a pair for "All I Wanna Do," including Record of the Year. Three songs reached the Pop Top 40--the gold "All I Wanna Do" (#2), "Strong Enough" (#5) and "Can't Cry Anymore." "Leaving Las Vegas" cracked the Modern Rock Top 10.
"Somehow amidst the dance divas of MTV and the dark angst of Seattle grunge," writes her manager, Scooter Weintraub, in the liner notes, "Sheryl's salty voice, twangy Telecaster, frayed Levis, red curls and bent upper lip scratched their way into the musical culture." In 1999, she was ranked among VH1's "100 Greatest Women of Rock & Roll."
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