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36 of 42 people found the following review helpful:
4.0 out of 5 stars
A Postcard From the Road, March 2, 2010
Unlike the previous two reviewers I didn't have any issues with static or other noise on my downloaded copy of the Open Road by John Hiatt. The sound quality isn't as crisp as on some of John's earlier outings from the "Slow Turning" era but I think the rugged sound of this album is intentional. Everything sounds okay to my ears. Hiatt recorded this album in his garage studio with his current touring band, guitarist Doug Lancio, bassist Patrick O' Hearn and drummer Kenneth Blevins. Lancio's stellar guitar playing deserves special notice.
John Hiatt has one of the meatiest song books of any American musician. John is in the rarified class of songwriters with Bob Dylan, Steve Earle, Townes Van Zandt and John Prine who are prolific in the number of time tested songs of enduring quality they've given to the world. At the age of 57, John's voice is showing well earned signs of wear but those great songs keep on coming.
John Hiatt had his demons and his return to the land of the living is well documented on his middle period albums. Over the 20 years since, Hiatt has produced consistently good albums with suprisingly few falls from artistic grace. Hiatt's best songs are sublime and even his less inspired music qualifies to be somebody else's "great album." John's music will always be judged against the impossibly perfect standards he set for himself on "Bring the Family" (1987) and "Slow Turning" (1988) which were forerunners of the Americana, No-Depression (or whatever you want to call it) revival of roots music in the 90s. Hiatt had a big impact on the younger vanguard roots rock bands like Uncle Tupelo, Whiskeytown and the Blood Oranges.
With his current album Hiatt is well past his early wild years, and his middle period where he sang homage to his family life with his daughters Lilly and Georgia who are now adults. Lilly and Georgia Rae were poetic muses for some of Hiatt's best songs. On "The Open Road", John is in search of a personal legacy, his place in the world, and his roots. It's an introspective album about life on the road in the homeland he claims as his own. Hiatt's passion for life still burns like a blue flame. Hiatt writes on the song "Homeland":
I call this place my homeland and I claim this land I own
It belongs to another people, they possess it in their bones
There's a double edged statement about Hiatt's feeling of alienation in his homeland and it's also an acknowledgement that the Native Americans and even the early settlers who are bones in the boneyard share a common legacy of ownership of the land with the living. Like Woody Guthrie told us: "This land is your land" and no matter how many fences build are built, everyone is a short term tenant on this planet for the fleeting moment of a human life span.
There isn't as much wry humor on The Open Road but Hiatt's gift for turning a clever phrase is undiminished with the passage of years. The music is solid country music with a solid rock and roll backbeat. This may not John's best album but fans of Hiatt will love the familiar comfort of his exquisite songs and the haunting and organic quality this album. I think Mr. Hiatt still has quite a few more tricks up his sleeve and I don't think he's planning on spending his golden years sitting in a front porch rocking chair watching the world pass by.
SONGS OF NOTE: Homeland, What Kind of Man, The Open Road, Carry You Back Home
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
Aunque no vengas a España, da igual, eres el más grande !, March 8, 2010
This review is from: The Open Road (Audio CD)
Querido y estimado John, te escribo esto en los momentos posteriores al fallecimiento de mi padre. Que sepas que has hecho un disco "redondo", pleno de sentimiento e inspiración. Que sigas así por muchos años y a ver si hicieras el favor de venir de una puñetera vez a España, acompañado de tu espléndida banda. Intentamos verte yo,mi mujer y mi hija pequeña de 12 años, el día 27 de julio de 2008 en San Sebastián (Donostia), dentro del programa del festival de Jazz "Heineken" , pero no hubo manera. Suspendiste la gira europea de "Same Old Man" y nos quedamos con un palmo de narices. Espero que la próxima vez no nos falles. Saludos. Antonio (Leo del 13/08/1962).
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3 of 3 people found the following review helpful:
4.0 out of 5 stars
Average Hiatt Still Better Than Most, March 10, 2010
This review is from: The Open Road (Audio CD)
While The Open Road can really only be considered an average Hiatt album, I would still rather listen to average Hiatt over most other artists.
Hiatt was at his musical peak in the early-mid 90s, and while he has produced quite good to quite average albums over the past decade or so, he still is capable of writing some very solid songs.
At age 57, no long-time prolific artist/songwriter is creating their best stuff, nor is their voice as strong as it was when they were 20 years younger. Hiatt is no exception, but the fact that he is still around and still writing decent music after nearly 20 studio albums says something about his talent.
Hiatt's strength as an artist has never really been his studio work anyway. He is a storyteller who particularly shines in concert, in front of an audience, where his combination of narrative and folksy humor provides context to his music.
I look forward to seeing Hiatt live in concert yet again when he tours the US in support of this new album, and even though I believe only a handful of songs off of The Open Road are worthy of playing live, I am eager to hear the concert versions of the songs he does choose to play, as they always provide his fans a new/unique experience of the studio versions they listened to in the car on the way to the show.
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