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Love [Blu-ray 3D]

4 out of 5 stars 85 customer reviews

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Product Details

  • Actors: Karl Glusman, Klara Kristin, Aomi Muyock
  • Directors: Gaspar Noe
  • Format: Multiple Formats, Widescreen, NTSC
  • Language: English
  • Number of discs: 2
  • Rated:
    NC-17
    Adults Only
  • Studio: Alchemy
  • DVD Release Date: January 5, 2016
  • Run Time: 135 minutes
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (85 customer reviews)
  • ASIN: B015XC89P2
  • Amazon Best Sellers Rank: #98,721 in Movies & TV (See Top 100 in Movies & TV)

Customer Reviews

Top Customer Reviews

By Brett Husebye on December 13, 2015
Format: Amazon Video
The 3 way scene at 35 minutes into the film is gushing and oozing with sensuality. I loved it. Whoever was playing the guitar knocked that track out of the park and into next year. Best guitar solo I have ever heard and that's saying alot.
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Format: Amazon Video
From my print review

I n flagrante delicto. So opens the very first shot of Love, the fourth feature from one of France's leading brokers of transgressive cinema, Argentinian-born writer-director Gaspar Noé.

The scene, of a man and woman engaging in various forms of manual sex, is explicit, erotic, perhaps pornographic. (Where does art stop and pornography begin, the film asks rather awkwardly?) It gives no warning, makes no excuses. It's just there, in your face.

It's a provocative way to being a film. And we'd expect nothing less from Noé, who galvanized critics with his second movie, Irréversible (2002), which featured an excruciatingly long, explicit rape scene.

Noé's follow-up, Enter the Void, was no less extreme, but also achieved a level of lyricism that was thoroughly enchanting.

With Love, Noé seems to have de-evolved, abandoning the artistic control and balance he achieved in his previous picture. Self-indulgent, ridiculously overlong at 135 minutes, Love provokes the audience for the sake of provocation alone.

Love is a Bildungsroman about a young would-be filmmaker named Murphy (Karl Glusman), living in Paris and desperately in love with a Gallic beauty named, of all things, Electra (Aomi Muyock). But she leaves him when he gets their mutual friend and sometime sex partner Omi (Klara Kristin) pregnant.

Think of it as a Portrait of the Young Artist as a Young (Sexually-Hyperactive) Man that uses montage and flashbacks to simulate something akin to James Joyce's stream-of-consciousness prose.

Noé gives us a buffoonishly written backstory that explains why Omi could never consider having an abortion, so Murphy is forced to stay with her and the baby.
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Format: Amazon Video
I saw this at home so I didn't get the 3d effects, but I have to say, it felt like being a kid again. Awesome soundtrack, awesome story to follow. The sex just made it feel relatable. It's not about the sex without the lesson which for me was that it's not the same to love as to be loved. Everyone learns that. Love the main character, Glusman. It could be that I saw him naked though :) The girl, Muyock.. for a first time actress she was impressive. She was able to convey a depth. Really loved it. Enjoy!
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Format: Amazon Video Verified Purchase
Well If you want REAL sex this movie has it
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I thought it was a beautiful film overall. I enjoyed the musical score, the cinematography... I do think there could have been more to the story and hate that it leaves you hanging. I like that many scenes are more moving in an abstract expressive way rather than filled with heavy dialogue, but at the same time I would've liked a little bit more.
On that same note though I think the director really just wanted this to be about love, in a very simple yet understandable and relate-able way.
Murphy experienced love and being loved by someone, and the loss of it all and how it hurts. Love is really complex and beautiful, even for young people who use drugs have wild sex and are impulsive and maybe not the most likable characters... love still exists for all. And everyone can relate to that. I enjoyed it overall
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It's traditional French film cinema, French genre in terms of the film's length. That didn't bother me. It moves slow but well worth the pacing later as the crescendo builds. The plot is not resolved in some neat package like a Hollywood 'typical' film made for the masses. If you like foreign films, then this is right up your ally. If you like Indie type French Foreign film for the 21st Century that pushes the envelope then yes, you will like this movie. Everything you read about the highly charged erotic sex scenes is true. Regardless if you agree or not with the creative license the director and producer's took, it's a good modern film about young people in love, destruction, broken promises, drugs, bad choices, threesomes and more -- it's all woven in short flashbacks and vignettes, and is quite poetic really. The characters are tragically Shakespearean. What more do you want in a modern love story?
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An acid trip of a love story. People have panned it for being "pornographic". What's gross about porn is that it is merely intended to stimulate erotic urges, rather than aesthetic or emotional feelings. That's exactly how Gaspar separates himself in this work. Unlike pornography, it's not about sex, it's about LOVE. This journey is a stylish exploration of love lost and how one never really forgets about a great love despite their best efforts. A great love will stick to one's soul like a possessive demon with malicious intent. Gaspar deftly explores this notion with a mix of bitter and sweet. He's one of the kings of style in cinema. His work is always thought provoking and subsequently labeled "dangerous". Someday his brilliance will be celebrated in the streets with ticker tape parades in his honor. Until then, he's a dope hip pocket under ground cinematic god. I mean... he scores a sex scene with John Carpenter's Assault on Precinct Thirteen intro. He's one of the very best ever.
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