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"One of the most important publications of post-war English musicography...its honesty, its individualism, and its empiricism reflect the best intellectual traditions of English literature."--Music and Letters
Product Description
First published in 1959, this original study argues that the main characteristic of music is that it expresses and evokes emotion, and that all composers whose music has a tonal basis have used the same, or closely similar, melodic phrases, harmonies, and rhythms to affect the listener in the same ways. He supports this view with hundreds of musical examples, ranging from plainsong to Stravinsky, and contends that music is a language in the specific sense that we can identify idioms and draw up a list of meanings. The book's final section analyzes two symphonies, Mozart's Fortieth and Vaughan Williams's Sixth, to explore the nature of musical inspiration and the process whereby the notes actually convey emotion from composer to listener.
"One of the most important publications of post-war English musicography...its honesty, its individualism, and its empiricism reflect the best intellectual traditions of English literature."--Music and Letters
Product Description
First published in 1959, this original study argues that the main characteristic of music is that it expresses and evokes emotion, and that all composers whose music has a tonal basis have used the same, or closely similar, melodic phrases, harmonies, and rhythms to affect the listener in the same ways. He supports this view with hundreds of musical examples, ranging from plainsong to Stravinsky, and contends that music is a language in the specific sense that we can identify idioms and draw up a list of meanings. The book's final section analyzes two symphonies, Mozart's Fortieth and Vaughan Williams's Sixth, to explore the nature of musical inspiration and the process whereby the notes actually convey emotion from composer to listener.
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100
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- Musical Languages by Joseph P. Swain on 6 pages
- Linguistics and Semiotics in Music (Contemporary Music Studies ; V. 5) by Raymond Monelle on 5 pages
- Smart Graphics: 5th International Symposium, SG 2005, Frauenwörth Cloister, Germany, August 22-24, 2005, Proceedings (Lecture Notes in Computer Science ... Vision, Pattern Recognition, and Graphics) by Andreas Butz on 5 pages
- The Aesthetics of Music by Roger Scruton on 4 pages
- Music and the Mind by Anthony Storr on 4 pages
See all 100 books citing this book
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