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Shame: A Novel (Paperback)

by Salman Rushdie (Author) "In the remote border town of Q., which when seen from the air resembles nothing so much as an ill-proportioned dumb-bell, there once lived three..." (more)
Key Phrases: eighteen shawls, white panther, three mothers, Omar Khayyam, Raza Hyder, Sufiya Zinobia (more...)

4.5 out of 5 stars See all reviews (24 customer reviews)

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Editorial Reviews

Review
"There can seldom have been so robust and baroque an incarnation of the political novel as Shame. It can be read as a fable, polemic or excoriation; as history or as fiction . . . This is the novel as myth and as satire."—Sunday Telegraph (London)

"Shame is and is not about Pakistan, that invented, imaginary country, 'a failure of the dreaming mind' . . . The theme is shame and shamelessness, both from the violence which is modern history. Revelation and obscurity, affairs of honor, blushings of all parts, the recession of erotic life, the open violence of public life, create the extraordinary Rushdie mood . . . Rushdie shows us with what fantasy our sort of history must now be written—if, that is, we are to penetrate it, and perhaps even save it."—Malcolm Bradbury, The Guardian (London)

"Shame is every bit as good as Midnight's Children. It is a pitch-black comedy of public life and historical imperatives."—The Times (London)

"Shame should consolidate his position as one of the finest young writers around. This novel of crossed family destinies in contemporary Pakistan teems with interesting characters, dramatic events, and marvellous verbal inventions. Like its predecessor, it recreates an exotic but thoroughly believable world that is a delight to experience . . . A wonderful book."—Paul Stuewe, Quill and Quire

"Shame can, I think, be best enjoyed if we see it not as a novel but as one of those unclassifiable works in which certain writers of the 18th century excelled—Swift in Gulliver's Travels, Voltaire in Candide, Sterne in Tristram Shandy . . . Salman Rushdie, it seems to me, is very much a latter-day member of their company . . . I found Mr. Rushdie's style a source of delight, a bright stream of words that lifted me happily."—Robert Towers, The New York Times Book Review
-- Review

Review

"There can seldom have been so robust and baroque an incarnation of the political novel as Shame. It can be read as a fable, polemic or excoriation; as history or as fiction . . . This is the novel as myth and as satire."—Sunday Telegraph (London)

"Shame is and is not about Pakistan, that invented, imaginary country, 'a failure of the dreaming mind' . . . The theme is shame and shamelessness, both from the violence which is modern history. Revelation and obscurity, affairs of honor, blushings of all parts, the recession of erotic life, the open violence of public life, create the extraordinary Rushdie mood . . . Rushdie shows us with what fantasy our sort of history must now be written—if, that is, we are to penetrate it, and perhaps even save it."—Malcolm Bradbury, The Guardian (London)

"Shame is every bit as good as Midnight's Children. It is a pitch-black comedy of public life and historical imperatives."—The Times (London)

"Shame should consolidate his position as one of the finest young writers around. This novel of crossed family destinies in contemporary Pakistan teems with interesting characters, dramatic events, and marvellous verbal inventions. Like its predecessor, it recreates an exotic but thoroughly believable world that is a delight to experience . . . A wonderful book."—Paul Stuewe, Quill and Quire

"Shame can, I think, be best enjoyed if we see it not as a novel but as one of those unclassifiable works in which certain writers of the 18th century excelled—Swift in Gulliver's Travels, Voltaire in Candide, Sterne in Tristram Shandy . . . Salman Rushdie, it seems to me, is very much a latter-day member of their company . . . I found Mr. Rushdie's style a source of delight, a bright stream of words that lifted me happily."—Robert Towers, The New York Times Book Review

See all Editorial Reviews

Product Details

Paperback: 320 pages
Publisher: Picador (December 1, 2000)
Language: English
ISBN-10: 0312270933
ISBN-13: 978-0312270933
Product Dimensions: 8.2 x 5.4 x 0.9 inches
Shipping Weight: 10.6 ounces

Average Customer Review: 4.5 out of 5 stars See all reviews (24 customer reviews)

Amazon.com Sales Rank: #165,602 in Books (See Bestsellers in Books)
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Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!

Inside This Book (learn more)

First Sentence:
In the remote border town of Q., which when seen from the air resembles nothing so much as an ill-proportioned dumb-bell, there once lived three lovely, and loving, sisters. Read the first page

Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
eighteen shawls, white panther, three mothers

Key Phrases - Capitalized Phrases (CAPs): (learn more)
Omar Khayyam, Raza Hyder, Sufiya Zinobia, Iskander Harappa, Talvar Ulhaq, Maulana Dawood, Little Mir, Bilquis Hyder, Haroun Harappa, Rani Harappa, Mir Harappa, Pinkie Aurangzeb, Arjumand Harappa, General Hyder, Old Razor Guts, Popular Front, Hashmat Bibi, Isky Harappa, Prime Minister, Eduardo Rodrigues, Impossible Mountains, Naveed Hyder, Ram Harappa, Sindbad Mengal, Colonel Shuja

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Citations (learn more)

This book cites 10 books:

Dr Jekyll and Mr Hyde by Robert Louis Stevenson on page 165
East, West: Stories by Salman Rushdie in Front Matter
The Jaguar Smile: A Nicaraguan Journey by Salman Rushdie in Front Matter
The Satanic Verses: A Novel (Bestselling Backlist) by Salman Rushdie in Front Matter
Haroun and the Sea of Stories by Salman Rushdie in Front Matter

See all 10 books this book cites

Books on Related Topics (learn more)

Marginal Voice, Marginal Body by Noriko Miura

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	56% buy the item featured on this page: Shame: A Novel 4.5 out of 5 stars (24)
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	16% buy Midnight's Children: A Novel 4.2 out of 5 stars (184) $10.17
	6% buy Shalimar the Clown: A Novel 4.2 out of 5 stars (70) $10.17

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Customer Reviews

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18 of 18 people found the following review helpful:

5.0 out of 5 stars Another inexorable dance between fiction and reality..., January 29, 2006

By	ewomack "ewomack" (MN USA) - See all my reviews (TOP 500 REVIEWER)

This, Rushdie's third novel, explores the universal theme of shame in the context of an - somewhat imaginary but simultaneously all too real - Islamic society. The characters swim up to their necks in the stuff. From the three sisters, Chhunni, Munnee, and Bunny (who remain locked up in "Nishapur" with their deadly dumbwaiter), who think more of their inheritance than their father's death to the immaculately conceived, fat, passive, and eternally inverted Omar Khayyam (but rumors fly that the sisters - who share in all the burdens of Omar's birth - scandously seduced Angrez men) to the self-proclaimed "simple soliders" who ultimately turn into brutal dictators (and some shamelessly use Islam to gain public support) to the public that grieves "Did we really do that? But we are ordinary people..." shame fills up and drowns every letter of this novel. And not just "shame", but the nearly untranslatable ultra-nuanced Urdu word "sharam". Even the "family tree" at the beginning of the book, with its numerous nicknames and references to "illegitimate children", seeps with shame. Most of all, the central character (according to the opening of part II), Sufiya Zinobia, physically and metaphorically embodies all of the horrors that shame can produce. The most violent and stomach-churning scenes in the book involve the manifestation of this "Beast" inside of the tiny, innocent girl. By the end of the novel she takes on the role of the classical Greek furies. She leaves a venegeful sopping bloodbath on her way to President Raza Hyder's compound. But, as always with Rushdie, the expected doesn't occur.

Much like Rushdie's second novel, "Midnight's Children", "Shame" contains an obstrusive narrator. This character (Rushdie himself?) pokes in and out of the story to make salient points or to "clear up" matters of language and history. This nameless narrator intrudes far less than Saleem Sinai. And one wonders if he also feels the sting of shame and so meekly hides behind the paragraphs. Regardless, this narrator admits early on that "The country in this story is not Pakistan, or not quite. There are two countries, real and fictional, occupying the same space, or almost the same space." He also states that he's writing a "modern fairy tale", which arguably suggests a moral. Even so, a cursory glance into the history of Pakistan will reveal that many of the events related in this book reflect the actual history of that young country. The real General Mohammed Zia ul-Haq gets fictionalized as Raza Hyder; Zulkifar Ali Bhutto becomes the comic-tragic Iskander Harappa; and Benezir Bhutto receives the name Arjumand Harappa. But this knowledge only expands the book's possible intentions. It does not preclude enjoyment of the actual text. Enough universal themes and cliffhanger stories scatter the words as to make their potential source in reality almost irrelevant. Though it does admittedly increase the controvery of the book. And, as we all know more than twenty years later, Rushdie has a flaming penchant for political and religious controversy.

"Shame" has a very similar literary voice to "Midnight's Children": funny, sad, comic, and tragic all at once. It contains stories about the rise and fall of dictators. It ruminates on the oppression of women (the ayahs, the lonely wives of military men, the female children, the burden of creating sons, the heavy weight of child bearing - see the story of "Good News", and the shame of having illegitimate children). It exposes some hard to digest truths about human behavior via the concept of shame ("Did we really do that?"). In some ways it suggests that we reap what we sow, and if we reap shame, well...

The west figures much smaller here than in "Midnight's Children". Rushdie said in a 1983 interview that "...there is a tendency in Pakistan - and I do it myself - to blame the west for all the problems, and I thought it would be worth writing a book to say that there's no point in blaming other countries, because actually we're doing it to ourselves." Though "Shame" never comes off as didactic, politics evidently lies just beneath the surface. It quickly becomes difficult to conceive of "Shame" as mere fiction, mostly due to the anonymous narrator. So here, just as in "Midnight's Children", fiction and history dance, intertwine, and mingle. This fact makes Rushdie a thrillingly provocative read. And though his methods hadn't caused him any great personal trouble up to 1983, his next work of fiction would have him literally running for his life.

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16 of 16 people found the following review helpful:

5.0 out of 5 stars A great allegorical novel, March 18, 2001

By	JLind555 - See all my reviews

"Shame" is an absolutely brilliant allegory about the political and social chaos that helped give birth to Pakistan and, later, to Bangladesh. If you're up on your modern history, some of the characters will be instantly recognizable. Bhutto is the Virgin Ironpants; and Zia ul-Haq, who wanted to throw Pakistan back into the middle ages, is General Raza Hyder, who ends up fleeing for his life, only to be destroyed, in an ending similar to a Greek tragedy, by the Three Furies, in the guise of the three "mothers" of the protagonist, Omar Khayyam, a lazy, indolent man without shame or much of a conscience either. Neatly balancing Omar is the book's other protagonist, a little girl so engulfed in shame that her blushes burn everyone who touches her and almost set water to boil; when she grows up and loses her shame and thus her modesty, all hell breaks loose. Rushdie is also a terrific humorist, and some sections of the book will have you on the floor laughing. Above all,"Shame" is a tour-de force, a non-stop page-turner, a dizzying melange of allegory, parody, fantasy, mythology and modern history, told by a writer whose love/hate relationship with his country is reflected all over the book. It's Rushdie at his finest and helps to secure his place as one of the best writers of his generation.

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18 of 19 people found the following review helpful:

5.0 out of 5 stars Beautifully disturbing, April 8, 1997

By A Customer

This review is from: Shame (Paperback)

Shame is, in my opinion, the finest novel Rushdie has written yet. It's much darker thanany of his other work, disturbingly so, and the violence is of a kind not found in his other novels.The book traverses the sub-continent, moving through Bangladesh, India and Pakistan as effortlessly as the consciousness of most of the people who call themselves Bangladeshi, Indian or Pakistani. The emotion of Shame is a hook on which the novel is built. It isn't the center, though Rushdie often focuses on instances where his characters flush with redness. Rushdie spent part of his childhood in Pakistan (and has gone back since), the novel is pieced together, like most of Rushdie from a remembering that is incomplete and where the gaps are filled by fantasy. Shame attains a balance between the imaginatively outrageous and the real as it moves through time in the "other" country on the sub-continent. The story of a man/child who grows up in and, perhaps, out of a house with three aunts, each of whom is his mother, Shame stands for the people of the north-western sub-continent as only a work infused with divinely sharp humour can. Before the Satanic Verses, there was Shame, and Shame engaged in the same mode of literate heresy that Rushdie employed later in Satanic Verses. Only in Shame it was the root of all middle-eastern religions, Zoroastrianism that Rushdie focused on. And his repetition of a similar ancient heresy, like SV questioning the sharp distinction made between darkness and light (in God and creation), in the context of a faith that acknowledges, even births the Manacheean heresy. In a similar manner, Shame explores the realm between the human and barely human, and the madness that is in all of us. Shame isn't an easy read, it may even be so disturbing as to irritate you. But for me it is the supreme height of Rushdie's fiction to date, the strangest and most penetrating of all his work. -- Subir Grewal

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Most Recent Customer Reviews

4.0 out of 5 stars Pakistan's Politics, Rushdie Style
This is more of a long political essay. But, since it is Rushdie, and, since it is fiction (almost), it has his normal touch of the magical and the exaggerated. Read more

Published 15 months ago by Dick Johnson

4.0 out of 5 stars A Pakistan of the Mind
This book is written with Rushdie's characteristic verbal precision and wry humor. The prose is not nearly as dense as in, say, Shalimar the Clown. Read more

Published 18 months ago by SBO

5.0 out of 5 stars Pakistan - Myth and Disillusion
If Salman Rushdie had written only this book, he would be remembered. Unfortunately, his reputation is colored by extra-literary considerations. Read more

Published on July 10, 2006 by S. Singer

4.0 out of 5 stars A slightly inferior version of Midnight's Children
I recommend this book only for the diehard Rushdie fans. It has a lot of similiarites to one of his other books, Midnight's Children,-the weaving between fantasy and reality, the... Read more

Published on June 7, 2006 by CJ

4.0 out of 5 stars Sister act...
In reading reviews of this book before I myself opened it, I was a bit 'intimidated' by the mentions of this story being an obvious commentary on Middle-eastern countries and... Read more

Published on November 7, 2005 by B. Morse

4.0 out of 5 stars it's a shame more novels aren't like this one
this was my first foray into salman rushdie's world and i was captivated. in this novel he weaves together mythology, history, geography, politics, and so much more that defies... Read more

Published on May 3, 2005 by Ciara McL.

5.0 out of 5 stars one of the modern books I ever read
When I read this book, I knew very little of Pakistan's history. And that doesn't matter one bit.
Even without knowledge of the allegories that can be made, Shame is a... Read more

Published on January 12, 2005 by Fedor

4.0 out of 5 stars Entertaining political satire
Although Rushdie makes a half-hearted attempt to argue otherwise, Shame is obviously an allegory of Pakistani politics from the time of Pakistan's creation to the downfall of... Read more

Published on January 17, 2003 by Brandon Wilkening

4.0 out of 5 stars Magical realism in Pakistan
Mr Rushdie borrows heavily from the Gabriel Garcia Marquez ouvre and from his own sophomore effort, Midnight's Children, but comes up with something fresh, disturbing and utterly... Read more

Published on December 19, 2002 by ANNE T. WHITE

4.0 out of 5 stars Modern myth come to life
I was not sure what to expect, this being my first Rushdie novel, but I was not disappointed. The story from the start struck me as stepping a good ways away from the cut and... Read more

Published on November 12, 2002 by T. Enst

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