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11 of 12 people found the following review helpful:
5.0 out of 5 stars
The story continues... as does the legacy of the Holocaust, March 28, 2003
The second part of Art Spiegelman's graphic novel Maus picks up where the first part left off. His father Vladek and mother Anja are captured and sent to Auschwitz. However, things aren't well at home. Mala, Vladek's second wife, exasparated at Vladek's tight-fisted controlling ways, leaves him. Artie and his wife Francoise rush over to help him out and during this time, Artie continues the interviews with his father and thence into Maus II.The path of Artie understanding his father is smoother but at a cost. Following the success of Maus I, Spiegelman depicts a pile of dead Jewish bodies lying under the Artie's writing desk symbolizing how much the history his father has bled from that first volume has seeped into him. He is beginning to understand, but at the cost of emotionally and vicariously going through his father's experiences, for which he has sessions with Pavel, a Czech Jew psychiatrist and Holocaust survivor. Artie gets more perspective during these sessions with Pavel. He tells Pavel that as a child, he constantly argued with his father, who said that anything he did was nothing compared to surviving Auschwitz. Pavel refers to the psychological concept of transference: "Maybe your father needed to show that he was always right--that he could always SURVIVE-because he felt GUILTY about surviving. ... and he took his guilt on YOU, where it was safe... on the REAL survivor." The argument stands to reason. Vladek survived the death of so much family and friends, as well as the millions he never knew. We learn more of how Vladek survived Auschwitz. He teaches English to the Polish kapo, who expecting the Germans to lose the war, wants to get in good graces with the Americans. Vladek is thus given better food, a better fitting uniform, and the tip to stand at the far left of the line of prisoners during the labour call. Improved health increased chances of survival and a better mental state. Vladek has enough chutzpah in his tight-fisted but survivalist ways to exchange used groceries for new ones(!) While in the car waiting for him, Artie and Francoise discuss Vladek. Francoise says: "I'd rather kill myself than live through ... everything Vladek went through. It's a miracle he survived." Artie responds with "In some ways he didn't survive," which is key to the book's theme. Yet drastic saving is one way Vladek survived the war and camps. On the way back from the grocery store, we discover Vladek's racism towards blacks, an example of the victim becoming a victimizer. Maus is a must-read for a personal instead of abstract, statistical look at the Holocaust. It also brings up post-war genocide. Pavel's contention that people haven't changed rings poignantly. Despite the vow of "never again," genocide has repeatedly happened "yet again": e.g. the Cultural Revolution, the killing fields in Cambodia, the massacre in Rwanda, and the ethnic bloodshed in the former Yugoslavia. Perhaps for racial harmony to become a human instinct, all people need to feel the same way, but the relativistic world of the twentieth and twenty-first century to makes that dream virtually impossible. Pavel's statement that a newer and bigger Holocaust is needed to change people grimly prophesizes World War III, meaning that unless we change, we will all die.
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by Art Spiegelman
by Primo Levi
by Marjane Satrapi
by James Edward Young
