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Walt in Wonderland: The Silent Films of Walt Disney

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Editorial Reviews

From Booklist

There are plenty of coffee-table books on the films of Walt Disney, one, it seems, for virtually each Disney feature. This tome's different, though. It's a serious look at the silent films Disney made in the 1920s before he revolutionized the industry with the first sound cartoon, Steamboat Willie. Its first section affords an incisive critical overview, showing how these early, often pedestrian "apprentice" films--which reflected Disney's midwestern values and showed the influence of live-action comedies--laid the groundwork for later animation techniques and conventions. Many characteristics of these cartoons resurfaced in Disney's later work--particularly the personality-based comedy that was as integral to the popularity of Mickey Mouse as initially was the gimmick of sound. The book's lengthier second section, based on studio records, promotional materials, and interviews with survivors, is a detailed history of this period of Disneyana. An important and valuable contribution to film scholarship. Gordon Flagg

Review

"A scholarly and entertaining book that is a combination of film critique, studio history, and oral history illustrated with wonderful original animation drawings, storyboards, and rare photos." -- John Canemaker, New York Times Book Review



"Merritt and Kaufman have delved deep into the business of the art as well as into the art itself... They show us genius emerging by trial and error, not in a puff of Aladdin's lamp." -- Simon Louvish, Sight and Sound



"Merritt and Kaufman's enthusiasm is infectious and they point out much that is new and important about the early work." -- Robin Allan, Animation Journal



"Scholarship has rarely been so engaging and charming as in Merritt and Kaufman's detailed study of the silent film animation of Walt Disney. The work is, simply, wonderful." -- Choice



"The whole fascinating 8-year period predating Mickey is chronicled in [this] meticulously researched book... The authors point out interesting links to the work of other animators (of such characters as Felix the Cat and Krazy Kat) and also demonstrate parallels to the routines of such silent clowns as Buster Keaton, Harold Lloyd, and Charlie Chaplin." -- Linda Rosencrantz, Miami Herald

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Product Details

  • Hardcover: 176 pages
  • Publisher: The Johns Hopkins University Press (March 1, 1994)
  • Language: English
  • ISBN-10: 0801849071
  • ISBN-13: 978-0801849077
  • Product Dimensions: 11.2 x 9.8 x 0.8 inches
  • Shipping Weight: 2.5 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon.com Sales Rank: #2,258,922 in Books (See Bestsellers in Books)

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More About the Authors

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J. B. Kaufman
J. B. Kaufman
Russell Merritt
Russell Merritt

Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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It is hard to look at Disney's work in silent animation apart from the blinding afterimage of Mickey Mouse, the Silly Symphonies, and Disney's subsequent productions. Read the first page
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states rights distribution, animation staff, mechanical cow, combination scenes, mechanical animal, framing stories, animation studio, dog catcher, release schedule
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Walt Disney, Ubbe Iwerks, Rudolph Ising, Hugh Harman, Kansas City, Mike Marcus, Virginia Davis, Mickey Mouse, Margie Gay, Walker Harman, Irene Hamilton, Los Angeles, New York, Winkler Productions, Universal Pictures Corp, Winkler Pictures Inc, Thurston Harper, Friz Freleng, Pictorial Clubs, George Winkler, Les Clark, Rudy Ising, Lillian Bounds, Alice's Wonderland, Ben Clopton
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3 of 3 people found the following review helpful:
5.0 out of 5 stars IN THE BEGINNING THERE WAS DISNEY, July 4, 2005
This review is from: Walt in Wonderland: The Silent Films of Walt Disney (Paperback)

Long before Cinderella, Snow White and the Seven Dwarfs, and Bambi there was Oswald the Lucky Rabbit. "Walt In Wonderland" chronicles Disney's years as a director and producer of silent films.

More than 90 silent cartoons were made by Disney and his associates during the 1920's. With some 170 illustrations and a scholarly, well researched text, "Walt In Wonderland" is a superb addition to filmdom's archives and a boon for early film buffs.

In this volume that we learn how many of Disney's ongoing themes made their first appearances in these cartoons, and also find out more about the remarkably talented people that Disney brought together and nurtured.

- Gail Cooke
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Outstanding look at Walt Disney's silent years, February 5, 2002
This review is from: Walt in Wonderland: The Silent Films of Walt Disney (Paperback)
If you are interested in silent cartoon films or Walt Disney, then you must buy this book! Russell Merritt and J.B. Kaufman have done an incredible job of documenting this little-known part of Disney's career. This book is also packed with storyboards, pencil sketches, scripts, and production photos from these cartoons. There is a very detailed filmography of all of Disney's cartoons from 1921 through 1929.

The first chapter is an analysis of these cartoons -- what was better than the competition (Felix the Cat), or not as good. They explain how the animated characters evolved from just moving figures into "character animation." Next, the historic detail from each period is described in a chapter each on the LAUGH-O-GRAMS, the Alice cartoons, Oswald the Lucky Rabbit, and the beginnings of Mickey Mouse. The authors go into great detail on the working methods of the animators, and Disney's business and distribution problems. Believe it or not, Mickey Mouse might never have happened if producer Charles Mintz had not pulled Oswald the Lucky Rabbit and most of Disney's animators away from him in a needless "power play". Highly recommended for silent film enthusiasts.

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1 of 1 people found the following review helpful:
5.0 out of 5 stars A Fantastic Reference to the Disney Films Before Mickey., November 22, 2009
This review is from: Walt in Wonderland: The Silent Films of Walt Disney (Paperback)
Walt in Wonderland: The Silent Films of Walt Disney

Walt in Wonderland: The Silent Films of Walt Disney by Russel Merritt and J.B. Kaufman. 1994, 176 pages (paperback released in 2000).

Lafflets.

Tommy Tucker's Tooth.

Martha.

Alice.

Oswald.

Before Mickey Mouse, these were the characters and films that represented the Disney name. You might be familiar with some of them and a few of them are only known through production notes, stills and roughed-out sketches. Merritt and Kaufman's book is a historical, critical and very satisfying look at the silent films of Walt Disney. It might sound fairly flat to read an entire book on silent films, but it is engaging and very well-written. Not only will you gain insight into the creativity and themes that developed in the first films, but you will come away with a better understanding of the Company and early animation.

Russell Merritt, PhD., is currently an Adjunct Professor of Film Studies at UC Berkley. In addition to his writings on the silent films and Silly Symphonies of the Disney Company, he is considered an authority on D.W. Griffith. J. B. Kaufman is an independent film historian who has published extensively on Disney animation.

This title examines all of the known silent films produced by Walt Disney. Starting with the earliest work in Kansas City (1921) to the beginnings of Mickey Mouse (1928). This is the quintessential look at Walt's silent films and should be in every researcher's library. The authors have created a singular treatise on the evolution of Disney animated films from silence to sound.

In addition to covering the films, Walt In Wonderland is a fairly in-depth look at the beginnings of Walt Disney Productions. From the Kansas City Film Ad to Laugh-O-Gram Films to the first Disney Brothers' Studio on Kingswell Avenue. There are stills from most of the films and a plethora of historical photos of Disney during his first years in the animation field. Scattered throughout the book are production sketches, scripts and early storyboards.

There are four main sections covered in the book: the importance of The Cat and Rabbit Years, the Kansas City Period, Alice Comedies and Oswald the Lucky Rabbit. Each section looks in frank detail at the animation and state of the studio at the time. Often underlined is the importance of certain works in the overall scheme of the Disney creative canon.

Included is a complete list of all of the silent films made by Walt Disney from 1921 to 1928. Many times, the only information available was from eyewitness testimonies, sketches, summary sheets and the collection of private individuals.
"It is hard to look at Disney's work in silent animation apart from the blinding afterimage of Mickey Mouse, the Silly Symphonies, and Disney's subsequent productions. Inevitably, the associations with Disney, the reinventor of fairy tales and amusement parks, the ubiquitous purveyor of American sweetness and light, affect what we look for when we watch the earliest films. Where did it all come from? Where are the clues that reveal Mickey and Snow White lurking in the wings? Were those bourgeois values always there, lurking below the surface like some Faustian devil, or did they only come later with prosperity and creeping middle age?"
--p. 14.
Merritt and Kaufman do a fantastic job of answering the questions they pose. You will leave this book with a much greater and deeper appreciation for the strides made by Disney and his collaborators.
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