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When the Drummers Were Women: A Spiritual History of Rhythm
 
 
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When the Drummers Were Women: A Spiritual History of Rhythm (Paperback)

~ (Author) "WOMEN TODAY ARE on a tremendous spiritual search..." (more)
Key Phrases: birthing chapel, sexual priestesses, frame drum, Great Goddess, Mother Goddess, Tree of Life (more...)
4.5 out of 5 stars  See all reviews (17 customer reviews)

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When the Drummers Were Women: A Spiritual History of Rhythm + The Healing Power of the Drum + The Shamanic Drum: A Guide To Sacred Drumming
Price For All Three: $32.66

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  • This item: When the Drummers Were Women: A Spiritual History of Rhythm by Layne Redmond

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  • The Healing Power of the Drum by Robert Lawrence Friedman

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  • The Shamanic Drum: A Guide To Sacred Drumming by Michael Drake

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Editorial Reviews

From Library Journal

A drummer herself who has taught and performed on the frame drum for many years, Redmond has written an engaging work on the history and meaning of female drumming in ancient spiritual traditions. She bases her work on her travels to ancient sites and other research, tracing the role of sacred drumming from as far back as the Paleolithic era (in the worship of the "Great Mother" or "Great Goddess") and in ancient civilizations in the Near East, India, Greece, and Rome. Along the way, she unearths the first representation of a framed drum at Catal Huyuk (in present-day Turkey), ca. 5600 B.C.E. Redmond even takes us through the rise of Christianity, which silenced both women and drumming in worship, then concludes with the reappearance of drumming in the modern age and its importance as a medium for transformation. Well documented, with an excellent bibliography, this multifaceted study will have great appeal for all readers and especially for music and women's studies collections.?Joan W. Gartland, Detroit P.L.
Copyright 1997 Reed Business Information, Inc.


From Booklist

Women's spirituality circles have taken to drumming in a big way. Redmond has been a leader in reintroducing the frame drum, which, she persuasively argues, has been an instrument of spiritual transformation for millennia. Her marvelous book brings together mythology, history and prehistory, personal experience, musical lore, and scientific information on the healthful effects of drumming. Scores of illustrations show stately goddesses holding frame drums, wild maenads tossing their heads as they pound, and priestesses sanctifying space with the rhythms they beat. Redmond's own story of learning drumming in a society in which women are still actively discouraged from taking up the drums is a paradigm of female experience. Wise and passionate, Redmond's book will find a ready audience, made up not only of those who have attended her popular workshops but also of other women drawn to the ecstatic pulse of the drum. Patricia Monaghan

Product Details

  • Paperback: 224 pages
  • Publisher: Three Rivers Press; 1 edition (May 27, 1997)
  • Language: English
  • ISBN-10: 0609801287
  • ISBN-13: 978-0609801284
  • Product Dimensions: 9.1 x 7.3 x 0.9 inches
  • Shipping Weight: 1.1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (17 customer reviews)
  • Amazon.com Sales Rank: #223,639 in Books (See Bestsellers in Books)

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    #83 in  Books > Religion & Spirituality > New Age > Goddesses

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Layne Redmond
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Customer Reviews

17 Reviews
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Average Customer Review
4.5 out of 5 stars (17 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
40 of 40 people found the following review helpful:
4.0 out of 5 stars Interesting angle on an overdone subject, March 8, 2003
By Kelly L. (www.FantasyLiterature.com) (Columbia, MO United States) - See all my reviews
(TOP 500 REVIEWER)      
Throughout history, music and rhythm have been used in religious ritual, to bring human beings into the ecstasy of the divine presence, by whatever name that has been called at any given time. And, specifically, rhythm was prevalent in the ancient Goddess religions of the Mediterranean. I never realized, until I read _When the Drummers Were Women_, how many of the Goddess traditions included sacred drumming. But it's right there--Cybele's devotees ate and drank from drums and cymbals, Inanna was given drum music as an offering, and votive figures of drumming women have been found in many places. It's like what I've heard happens when a woman gets pregnant--all of a sudden, she sees pregnant women everywhere. Not because there are more pregnant women than there were before, but because her focus has changed. Layne Redmond gives us a new focus--percussion--and suddenly we're able to see the pattern of rhythmic ecstasy that ran through many of these rituals, which many of us hadn't noticed before. And she also suggests drumming as a way to the divine today, and emphasizes that drums were not always seen as "masculine" instruments as they are seen today. Are they seen as masculine? Ask me, ask any woman who played percussion as a young girl. A lot of weird looks still follow a female drummer. But that's changing, thanks to prominent female drummers like Redmond.

Why not five stars? I think it's a personal issue of mine. I've read a lot of "history of the Goddess" books in my life, and at this point I'm heartily sick of reading about the matriarchy and its suppression by the patriarchy. This isn't Redmond's fault, it's mine. But this book contains the exact same story arc I've seen many times before, the very same oversimplified history. (The best three-dimensional account I've seen of this theme is Baring and Cashford's _The Myth of the Goddess. Other writers' tellings of this story come off as too sweepingly general after the Baring/Cashford book.) It's up to you whether the drumming angle justifies buying another book about the matriarchy/patriarchy story. For me, it was justified, because I am interested in Demeter, Persephone, and Dionysos, and got some new information about their rites from Redmond's book. It's the big question to ask yourself before buying this book.

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31 of 33 people found the following review helpful:
5.0 out of 5 stars A Treasure!, July 28, 2004
RE: simplistic feminist fluff??? Someone has a problem with successful women!!!

Let's get some facts about Layne Redmond down here:

Drum! Magazine readers (a rocker's mag, predominately read by young males) in 2002 voted Layne Redmond Percussionist of the Year, her album Trance Union, Percussion Album of the Year and her video, Rhythmic Wisdom, Percussion Video of the Year. In 2003 they once again voted Trance Union, Percussion Album of the Year. In 2003 the editorial staff of Drum! listed Layne Redmond as one of the 53 Heavyweight Drummers Who Made A Difference in the 90's, along with drummers like Tony Williams, Roy Haynes, Zakir Hussain, Elvin Jones and Micky Hart. By the way, she is the only woman on this list. Drum! Mag readers are well known for being into simplistic feminist fluff!

She was the first woman to have a Signature Series of world percussion instruments with Remo, Inc., one of the world's largest manufacturers of percussion instruments. She has been a soloist at the Touch Festival in Berlin, Seattle Bumbershoot Festival, the Institute for Contemporary Art in London, Tambores do Mundo in Brazil, the 1995 World Wide Percussion Festival in Brazil, and the Vienna International Percussion Festival in 2001. In Nov. 2004 she'll give a scholarly paper on Ancient Greek Percussion and also a hands on clinic, fusing Middle Eastern and Brazilian rhythms for tambourine, at the Percussive Arts Societies International Conference (PASIC 2004). Another group of people well known for their simplistic feminist fluff leanings.

In terms of her spiritual connection to the frame drum she has taught or lectured at Andover Newton Theological School, Hartford Seminary, the Unitarian Conference, St. Catherine's College in St. Paul and the Jewish Renewal center, Elayt Chayyim -- well known for their feminist fluff leanings.

I came across Layne Redmond in my research for my doctoral thesis on ancient music back in 1994 and have followed her career with interest ever since, actually writing a number of articles about her work. Her book, When The Drummers Were Women is invaluable, no where else are the images of the ancient Mediterranean women drummers held in a collection. Only a drummer of her depth and skill could have gleamed as much information from the ancient images of drummers as she did. I was fortunate to hear her lecture and perform at PASIC 2000 on Ancient Egyptian Percussion and I was also able to attend one of her rituals with the Mob of Angels in a cave in upstate New York along with 750 other men, women, and children. I don't think anyone there thought they were participating in light feminist fluff.

Her new cd, Invoking the Muse, shows how beautifully she has used her ancient research and her writing skills as a source for the creation of nine sophisticated, brilliant compositions, performed by some of the most successful and popular musicians in contemporary classical, jazz and world music. As for her writing as Library Journal put it: "Well documented, with an excellent bibliography, this multifaceted study will have great appeal for all readers . . " I recommend her website: www.LayneRedmond.com, a really a great resource and I'll let the New York Times wind this review up:

Layne Redmond is a superb percussionist!
The New York Times, James R. Oestreich, 1991

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12 of 12 people found the following review helpful:
5.0 out of 5 stars The Great Goddess from a Drummer's Point of View, March 21, 1999
By A Customer
WHEN THE DRUMMERS WERE WOMEN is a great bargain! In less than 200 pages, charmingly illustrated with black & white photographs and drawings, Layne Redmond accomplishes three tasks. Her original goal was to write a history of women's ritual drumming in selected ancient cultures. In reaching this goal, she has created a wonderfully accessible overview of the role of the Great Goddess in India, Sumeria, Egypt, Greece, and Rome. Redmond also surveys the Paleolithic and Neolithic roots of the Goddess, as well as the transformation of the Goddess into the Virgin Mary. Not least of all, she anchors her story in the contemporary world, weaving together her personal and professional quests, the response of other women to her work, and relevant scientific research. Inevitably, in such an ambitious yet brief work, there are occasional flaws such as overgeneralizations or historical anachronisms; but these do not outweigh the merits of the book. Both her drummer's point of view and the breadth of her research offer new insights to readers familiar with the history of the Great Goddess. At the same time, her brevity and style make her work an excellent introduction for readers new to the subject. The subtitle of the book is "A Spiritual History of Rhythm", and the purpose seems to be both to document the role of sacred drumming by women priestesses in ancient times and to argue the value of drumming in contemporary spiritual practice. In pursuit of these two purposes, Redmond illuminates the role of women in ancient religions, the development of various mythic symbols, the evolution and suppression of the Goddess, and the physiological & psychological bases of spirituality. What may have started as a little book about rhythm became a major quest--as fascinating to the reader as it was meaningful to the author.
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Most Recent Customer Reviews

5.0 out of 5 stars A Unique Topic Well Done and Provocative
I loved this book for its fascinating exploration into the history of women in the world of music, religion and spirituality. Read more
Published 9 months ago by Kendra Kett

3.0 out of 5 stars Just ok
It was alright but not my favorite book. The author has a very strong bais for women & against men that comes across in her writing, which is what most turns me off from her... Read more
Published on October 20, 2007 by Brigit

4.0 out of 5 stars you should hear some frame drums being played
Some (most?) of the historical antecedants quoted by Redmond about matriarchal societies in the past may be rather dubious. Of quite uncertain scholarship or attribution. Read more
Published on September 1, 2007 by W Boudville

5.0 out of 5 stars When the Drummers were Women
I totally recommend anything by Layne Redmond. This book is really good and is a MUST read for women on an earth based spiritual path, as well as for women who are into drumming... Read more
Published on March 19, 2007 by Unagi Sushi

5.0 out of 5 stars What We Lost When God Killed the Goddess
May I tell you about a wonderful, mind-expanding, and heart-expanding book I have recently read called "When the Drummers Were Women"? Read more
Published on June 2, 2004 by T. David Millican

2.0 out of 5 stars simplistic feminist fluff
This book basically covers the history of women using frame drums theorized by viewing artifacts and pictoral references from past 2200 years of civilized societies. Read more
Published on April 30, 2004

3.0 out of 5 stars Redmond's Contribution
Redmond's thesis is quite fascinating, and it is wonderful to see this area of oft-overlooked women's spirituality and religion come to light. Read more
Published on January 18, 2004 by E. L. Weinhold

5.0 out of 5 stars absolutely wonderful
as a female drummer for almost a decade now, i highly recommend this book to everyone out there, musical or no. Read more
Published on September 14, 2003

5.0 out of 5 stars This Book Is Excellent
This book outlines the history of drumming and empowers women today to take up the drum. This is a well researched piece of work that reaches into ancient history. Read more
Published on July 17, 2002 by Carole Pink

5.0 out of 5 stars The Beat of Different Drummers
This book made a major change in my life as a woman & a drummer. Filled with photos of funereal friezes, statuettes & bas relief of women holding frame drums or... Read more
Published on April 5, 2000 by Rebecca Brown

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