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Stranger Than Paradise [VHS] (1984)

Starring: John Lurie, Eszter Balint Director: Jim Jarmusch Rating: R (Restricted) Format: VHS Tape

4.0 out of 5 stars See all reviews (51 customer reviews)

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Product Details

Actors: John Lurie, Eszter Balint, Richard Edson, Cecillia Stark, Danny Rosen
Directors: Jim Jarmusch
Format: Black & White, Closed-captioned, Letterboxed, Original recording remastered, NTSC
Language: English, Hungarian
Rating: R (Restricted)
Number of tapes: 1
Studio: MGM (Video & DVD)
VHS Release Date: September 5, 2000
Run Time: 89 minutes

Average Customer Review: 4.0 out of 5 stars See all reviews (51 customer reviews)

ASIN: 0792846664
Amazon.com Sales Rank: #16,025 in Video (See Bestsellers in Video)

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Editorial Reviews

Amazon.com
Back in the excess-is-best 1980s, the pared-down minimalism of 1984's Stranger than Paradise played like the product of another time--or even another planet. It was so "off," i.e. offbeat and off-kilter, it was (right) on. Now seen as a classic of American independent cinema, it compares favorably to other monochromatic first features, like Border Radio and Mala Noche (also lovingly restored by the movie mavens at the Criterion Collection). The acclaim was justified--except it wasn't Jarmusch's first film. That honor belongs to 1980's Permanent Vacation, making its long-awaited digital debut on this two-disc set. Shot by Tom DiCillo, Jarmusch's initial offering revolves around the name Parker: Chris Parker is Aloysious Parker, a ducktailed New Yorker with a jones for Charlie Parker. Allie's a drifter and a dime-store philosopher. "That's how thing work for me," he drawls in voice-over, "I go from this place, this person, to that place or person." And so he does. Fresh from NYU, where he assisted Nicholas Ray, Jarmusch displays an innate talent for framing and dialogue (Allie lives for "vibrating, bugged-out sound"). His touch with actors--Frankie Faison's raconteur aside--is less assured, but he learned quickly. Lounge Lizard John Lurie cameos as a sax player. DiCillo returns for Stranger than Paradise, in which he and Jarmusch trade color for black and white stock (donated by Wim Wenders). In this "semi-neorealist black comedy," as the filmmaker puts it in the production notes (included with this set), Hungarian teenager Eva (Eszter Balint) arrives in New York ("The New World") to stay with her cousin, Willie (Lurie). A drifter, like Allie, she continues on to Cleveland ("One Year Later") and Florida ("Paradise"). With nothing better to do, Willie and Eddie (Richard Edson) tag along. As opposed to the rapid-fire cutting of the day, Jarmusch uses static shots divided by black screen. He may have taken cues from Ozu and The Honeymooners--dig those porkpie hats--but the end product couldn’t be more idiosyncratic.

This director-approved double-feature comes complete with a German TV documentary (Kino '84: Jim Jarmusch), behind-the-scenes footage, US and Japanese trailers, and a 44-page booklet with essays by J. Hoberman and Luc Sante. Just as Stranger than Paradise stands as one of the defining films of the 1980s, this special edition represents one of the most essential DVD releases of the 2000s. --Kathleen C. Fennessy

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Customer Reviews

51 Reviews

5 star:		(28)
4 star:		(10)
3 star:		(3)
2 star:		(3)
1 star:		(7)

Average Customer Review

4.0 out of 5 stars (51 customer reviews)

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Most Helpful Customer Reviews

65 of 66 people found the following review helpful:

5.0 out of 5 stars Brilliant, hilarious study of aimlessness & anomie, December 24, 2002

By	Lleu Christopher "www.liminalworlds.com" (Hudson Valley, NY) - See all my reviews

This deceptively simple movie, Jim Jarmusch's first, has been called the first modern independent film. Shot in black and white, it follows the nonadventures of three completely aimless characters, Willie, Eddie and Willie's cousin Eva. The first scenes mostly show Willie lying in bed or smoking a cigarette in his dingy Brooklyn apartment. His friend Eddie visits and they sit silently drinking beer. When Cousin Eva from Hungary arrives, the three of them sit around watching television. Not very exciting maybe, but there is a subtle genius to the way this film progresses. Eva goes to Cleveland to live with her aunt; Eddie and Willie decide to visit her. Soon the three drive down to Florida. Each landscape is portrayed as desolate and depressing. The shots look like black and white photos from the Old West, or perhaps the depression. Gradually the three interact and display emotion, though it is all within the rigid confines of their incredibly limited existence. There is quite a bit of deadpan humor, which works precisely because the actors seem unaware of it. The performances are all completely natural and understated, containing none of the self-conscious hipness of many more recent art films. This is probably the closest any film has come to portraying a pure existentialism that is both funny and tragic. These characters utterly lack any sense of purpose, ambition or connectedness to a wider world. What's more and what is a little disturbing is the way this film, if you get into the spirit of it, makes you seriously question whether anyone can truly break through these limits. On one level, we can wonder at and laugh at the apparent stupidity of these people as they sit in silence or engage in ridiculous conversations about nothing. On another level these scenes have an honesty and simple intensity that makes you (or me at least) suspect that the grandiose plans, action and meaning that fills the screen in most other films is mainly pomp and vanity. I admire the way Jarmusch allows nothing to happen much of the time. It's a refreshing contrast to mainstream films filled with mindless action, tediously hip dialogue and "meaningful" relationships. Not that all films should be like Stranger Than Paradise; but its unique style puts other films --and life--into a new and greater perspective.

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22 of 23 people found the following review helpful:

4.0 out of 5 stars Engrossing Film By Jarmusch, November 16, 2000

By	Reviewer - See all my reviews (TOP 500 REVIEWER)

This review is from: Stranger Than Paradise (DVD)

An excellent example of why independent films are so invaluable, "Stranger Than Paradise," written and directed by Jim Jarmusch, is a bare-bones production that never would have found the light of day in the mainstream. Essentially a character study, the story is a glimpse into the lives of three people: Willie (John Lurie); his cousin, Eva (Eszter Balint), recently arrived in New York from Hungary; and Willie's friend, Eddie (Richard Edson). After a couple of weeks in the Big Apple with Willie, Eva moves to Cleveland to live with their Aunt; a year later, Willie and Eddie are off to visit her. One thing leads to another, and the trio wind up in Florida (the designated paradise of the title). Watching this film is like spending time with some people you know; the characters are real people, so much so that watching them becomes almost voyeuristic, the camera somehow intrusive, exposing as it does the private lives of these individuals. It succinctly captures their lack of ambition, the ambiguity with which they approach life, and the fact that they seemingly have no prospects for the future beyond whatever a lucky day at the track affords them. The action, such as it is, is no more than what you would find in the average day of someone's life. The dialogue is what drives the film, though frankly, nothing they have to say is very interesting. And yet, this is an absolutely engrossing film; sometimes amusing, at times hilarious, but mesmerizing throughout. The performances are entirely credible, and again, you never have the sense that these are actors, but rather real people who happen to have had some moments from their lives filmed and presented to the audience for perusal. Jarmusch has an innate sense of capturing the essence of the everyday and transforming the most simplistic and mundane events into refreshingly documented, worthwhile viewing. It's an inspired piece of film making, helped to some extent by the stark black&white photography that adds to the realism of the overall proceedings. The use of brief blackouts during transitions works effectively, as well as providing the film with a unique signature. Original music is by Lurie, but the highlight is the use of the song "I Put A Spell On You," by Screamin' Jay Hawkins, used recurringly throughout the movie, and which exemplifies that special touch Jarmusch brings to his projects. And there's a superb bit of irony at the end that really makes this gem sparkle. The supporting cast includes Cecillia Stark (Aunt Lotte), Danny Rosen (Billy), Tom DiCillo (Airline Agent), Richard Boes (Factory Worker) and Rockets Redglare, Harvey Perr and Brian J. Burchill (as the Poker players). "Stranger Than Paradise" may not be to everyone's liking, but to those seeking an alternative to the typical Hollywood big-budget fare available, it just may fit the bill and provide a satisfying, entertaining experience.

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27 of 32 people found the following review helpful:

4.0 out of 5 stars Low-budget, minimalist meditation on the American Dream, December 15, 2000

By	Matthew Parks (DURHAM, NC USA) - See all my reviews (REAL NAME)

This review is from: Stranger Than Paradise (DVD)

Mundane and deliberately paced, yet strangely appealing, this oddball ultra-low-budget movie (made with left-over film stock given to Jarmusch by director Wim Wenders) from Jarmusch deals with three people who take an unsuccessful road trip from Detroit to Florida.

The DVD reveals the limitations of the original film, both in terms of sound and picture. It's grainy thoughout, and the dialogue does not always sound clear. Luckily, both of these strike you as appropriate for this film. Jarmusch's characters stubbornly refuse to reveal much of anything about themselves, either to the audience or to each other.

Many find Stranger than Paradise difficult to watch, mostly because of Jarmusch minimalist approach to this film, along with the fact that boredom, frustration, and disappointment are the primary elements of the film's subject. There's very little action. . .it's not funny, exactly. . .there's not a lot of drama. . .there's no sex. . .but somehow it still manages to succeed without all of that.

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Most Recent Customer Reviews

4.0 out of 5 stars You may be a little bored
Nothing much happens in this 1984 cult classic, except three downbeat loser types meander from one sleazy setting to another, never cracking smiles and never making much sense... Read more

Published 3 months ago by Bradley F. Smith

2.0 out of 5 stars Not That Strange, and Not A Paradise
I love many Indie films, obviously with a two star rating I do not like Stranger Than Paradise. I'm not going to use my college term paper that I wrote to show how smart I am... Read more

Published 9 months ago by Rude Boy 1979

5.0 out of 5 stars Great DVD, but shipping was late
This is one of my favorite movies, this criterion collection is awesome !!! No problem with the dvd at all, but it arrived 2 weeks later.

Published 10 months ago by Mauricio Malo

4.0 out of 5 stars The road to nowhere
This is a unique minimalist tale, more atmosphere than action, about America seen through the eyes of a winsome young Hungarian woman (Eszter Balint) who comes to stay with her... Read more

Published 18 months ago by A Reader

5.0 out of 5 stars Diane Arbus, With Charm
The many virtues of Jarmusch's second feature, the 1984 "Stranger Than Paradise," have largely been pointed out here already. Read more

Published 18 months ago by Stanley H. Nemeth

3.0 out of 5 stars Cultural Aspirations
Well, an original debut for a young director, but don't expect plot and pacing. The actors take their time, maybe improvising. Read more

Published 18 months ago by R. A Rubin

3.0 out of 5 stars Is Cleveland like Budapest?
Probably one of the oddest films that I have screened in my Eastern Religions class is Jim Jarmusch's Broken Flowers (2005). Read more

Published 18 months ago by Daitokuji31

5.0 out of 5 stars Narrative structure is for wussies
It's hard to believe that over 20 years have passed since "Stranger Than Paradise" firmly established Jim Jarmusch's unique, patented blend of long, static camera takes with his... Read more

Published 22 months ago by D. Hartley

5.0 out of 5 stars A minimalist masterpiece.
If Samuel Beckett (Waiting for Godot; Molloy, Malone Dies, The Unnamable) were a filmmaker, I imagine him making this small gem of a film. Read more

Published 22 months ago by G. Merritt

3.0 out of 5 stars Two early Jim Jarmusch films
This review is for the Criterion Collection DVD of the film.

This double disc set in addition to Stranger Than Paradise also includes a bonus release "Permanant... Read more

Published 22 months ago by Ted M.

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