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Canaletto and the Case of the Westminster Bridge (Hardcover)

by Janet Laurence (Author)
4.5 out of 5 stars See all reviews (2 customer reviews)


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Editorial Reviews

From Publishers Weekly
The versatile and accomplished author of the Darina Lisle mysteries gets a new historical series off to a propitious start with this engrossing tale. Arriving in 18th-century London in search of greater fame and fortune, Venetian artist Canaletto is twice attacked and robbedAand in both instances is saved by game, determined fledgling artist Fanny Rooker. Unable to locate his contact, Owen McSwiney, the well-respected landscape painter takes temporary residence at the home of Fanny and her brother, Ned, an engraver, and tries to discover the identity of his attacker. As most of London focuses attention on the partly finished Westminster Bridge, Fanny is jailed unjustly, framed in a scheme that involves Ned's wife and her family. Canaletto, hoping to help Fanny, agrees to aid Paymaster General Mr. Pitt in his efforts to discover who is hindering the controversial bridge project. Peopled with intriguing characters, Laurence's exuberant narrative teems with life drawn from all classes of Georgian London, from the whores in a London gaol to the snobby aristocrats whose patronage Canaletto seeks. As the story hurtles toward a finale that includes a hasty marriage and a duel in a church, the personable painter proves an adept detective, employing his skills of observation to uncover corruption and murder.
Copyright 1998 Reed Business Information, Inc.

From Library Journal
Laurence, already known to readers for her Darina Lisle series (Death at the Table, LJ 3/1/97), steps into the historical arena. Canaletto, famed for his paintings of Venetian views, tries his luck in 1746 London, where he hopes to capitalize on the new Westminster Bridge. Despite abortive attempts on his life?for reasons yet unknown?he finds a studio, employs a feisty female rescuer, and becomes a spy for the government. This richly detailed depiction of 18th-century London, complete with a get-rich-quick ethos and an entertaining array of characters from scurvy villains to genteel politicians, offers a rewarding read for fans of historical mysteries.
Copyright 1998 Reed Business Information, Inc.

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Product Details

  • Hardcover: 393 pages
  • Publisher: Thomas Dunne Books (July 1998)
  • Language: English
  • ISBN-10: 0312185510
  • ISBN-13: 978-0312185510
  • Product Dimensions: 8.2 x 5.4 x 1.4 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 4.5 out of 5 stars See all reviews (2 customer reviews)
  • Amazon.com Sales Rank: #3,122,496 in Books (See Bestsellers in Books)

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Customer Reviews

2 Reviews
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Average Customer Review
4.5 out of 5 stars (2 customer reviews)
 
 
 
 
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2 of 3 people found the following review helpful:
5.0 out of 5 stars A very fine Georgian historical mystery, June 22, 1998
By A Customer
In 1746, Venetian artist Canaletto has arrived in London seeking fresh fame and fortune. However, his arrival is not met with cheers. In fact, he deliberately singled out for assault and robbery twice. Both times he is rescued by neophyte painter Fanny Rooker. Unbeknownst to the talented landscape artist, there are many locally ambitious individuals who do not desire to have an expatriate Italian inadvertently interfere with their plans to obtain wealth by any means necessary. When his contact fails to meet him, Fanny and her sibling allow Canaletto to stay in their home.

Soon Paymaster General William Pitt asks Canaletto to look into why the construction of the Westminster Bridge is running behind schedule, has opposition that is very vocal and the project is stuck with outrageous cost overruns. Canaletto goes out to paint the bridge only find an even grimmer mystery waiting to confront him.

CANALETTO AND THE CASE OF THE WESTMINISTER BRIDGE is a great debut of a new historical mystery series by the ultra-talented Janet Lawrence, author of the highly regard Lisle culinary mysteries. Canaletto is a superb character and eighteenth century London is a wonderful setting as is an era where capitalism is fighting to gain a foothold. However, what makes Ms. Lawrence's novel a reading-gourmand's delight is the various ensemble of the people who made up Georgian London.

Harriet Klausner

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3 of 5 people found the following review helpful:
4.0 out of 5 stars A Bridge That's Not Too Far!, March 3, 1999
For lovers of historical mysteries, Janet Laurence's "Canaletto and the Case of the Westminster Bridge" will be a welcomed addition. For readers who are looking for intriguing suspense, intense plots, clever developments, thought-provoking incidents, and multi-dimensional characters, then this book may be a disappointment. Laurence introduces us to Canaletto, the famed Venetian artist of the eighteenth century, who arrives in England with his personal fortune (he's been told that it is the correct time to make a "killing" (as it were!) by directly investing in English ventures) and his desire to "paint" London. Upon his arrival at the docks, he is nearly killed by a ruffian. Enter Fanny Rooker, who just happens to be meeting the boat. She saves his life twice early on in this book. Fanny is a rather nondescript young woman who has troubles of her own; she is an aspiring artist and is "framed" on a trumped up charge of theft. The two "down and outers" form a team that provides Laurence with her problem solving modus operandi. (Laurence does not permit this relationship to develop into anything romantic, although apparently Canaletto in reality was indeed quite the lady's man, the author hints.) Thus the plot thickens and we find Canaletto, basically, sans fortune and unlikely to find any painting commissions. His woes continue, but William Pitt gives him an offer the Italian cannot refuse--to help Pitt and the English government uncover the fraud that is keeping the newly commissioned Westminster Bridge from being completed, at least on time. Canaletto is instructed to leave no stone unturned in investigating the problems that have arisen from the quarry that provides the material for the bridge. He canvasses closely the usual suspects and with his keen eyes and excellent perspective, solves the case and, well, you get the "picture." Laurence does a very good job of providing us with a good sense of eighteenth century London. Her usage of Canaletto as a fictionalized private investigator not only is incredibly interesting but is also clever. (It does bring to question just which famous historical figure will be next: after all, other authors have already used Ben Franklin, Eleanor Roosevelt, King Tut, Jane Austen, to name a few to solve fictionalized crimes.) Included in the book are the usual duels, melodramatic romantic interests, and coincidental twists--all in keeping with period writing, of course, as she manages to capture the flair of the time, not only in writing style but in the landscape and atmosphere she portrays. Having Canaletto speak pidgin English sometimes gets in the way (Laurence should transcend the language barrier and simply have him speak naturally!) and (in what is hoped to be the beginning of a series!) developing her characters more fully will indeed enhance her story. The author is credited with "several cookbooks and is also the author of (a) successful culinary mystery series" (now that's food for thought!), according to the book's liner jacket information. Despite the above limitations, the book is heartily recommended. It is a good read; it is an absorbing read. Don't miss it!
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