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There's something about the job that leads (fictional) cops and PIs to drink, which is why booze always seems to be a minor character in the genre. This is certainly the case in Ken Bruen's debut thriller about melancholy Irishman Jack Taylor, whose luck at finding things keeps him in beer money after he's kicked out of Ireland's Garda Siochna. When the mother of a young suicide victim asks him to investigate her daughter's death, Taylor discovers that Sarah Henderson isn't the only teenager to take a long walk off a short Galway pier. His search for the perpetrator gets his best friend killed, destroys his nascent relationship with his client, and sets him up for a final betrayal few readers will see coming. This promising writer doesn't need all the tricky punctuation and excess quotations from other writers to punch up his sharp, lyrical prose, but these are minor quibbles--he's a newcomer to watch.
--Jane Adams
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Bruen flaunts genre cliches (the tough cop who loves books; the beating victim who insists on checking himself out of a hospital too soon) on virtually every page of this outstanding debut mystery. He gets away with it thanks to his novel setting, the Irish seaside city of Galway, and unusual characters who are either current or former members of the Garda Siochana, the Guards, Ireland's shadowy police force. Bruen, a teacher of English in schools in Africa and Japan, has a rich and mordant writing style, full of offbeat humor. "You don't know hell till you stand in a damp dance hall in South Armagh as the crowd sing along to `Surfing Safari,' " says Jack Taylor, kicked out of the Guards for various booze-related infractions and now working sporadically as a "finder." An attractive woman pays him to look into the supposed suicide of her teenaged daughter, and Taylor manages to stay sober long enough to do it, after a fashion. There's a tendency toward cuteness (three-line lists dot the already sparse narrative), and Bruen is determined to tell us just how well read and well listened his hero is by dropping in dozens of references to writers and musical groups. But these are minor failings. With the recent accidental death of Mark McGarrity, the American who wrote (as Bartholomew Gill) about a top Dublin cop, Bruen now has a chance to become that country's version of Scotland's Ian Rankin-and perhaps the standard bearer for a new subgenre called "Hibernian Noir."
Copyright 2002 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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