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Phish - Bittersweet Motel
 
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Phish - Bittersweet Motel (2001)

Starring: Trey Anastasio, Jon Fishman Director: Todd Phillips Rating: NR (Not Rated) Format: DVD
4.1 out of 5 stars See all reviews (59 customer reviews)

List Price: $24.99
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Frequently Bought Together

Phish - Bittersweet Motel + Walnut Creek + Phish - It
Total List Price: $74.95
Price For All Three: $67.47

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  • This item: Phish - Bittersweet Motel DVD ~ Trey Anastasio

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What Do Customers Ultimately Buy After Viewing This Item?

Phish - Bittersweet Motel
78% buy the item featured on this page:
Phish - Bittersweet Motel 4.1 out of 5 stars (59)
$22.49
Phish - It
8% buy
Phish - It 4.5 out of 5 stars (34)
$26.99
Walnut Creek
7% buy
Walnut Creek 4.0 out of 5 stars (6)
$17.99
Phish - Live in Brooklyn
4% buy
Phish - Live in Brooklyn 4.3 out of 5 stars (32)
$24.99

Product Details


Editorial Reviews

Amazon.com
Phishheads may be hard-pressed to define what they love about their idols, the Vermont-based jam band Phish, but they know it when they see it--and hear it. And Bittersweet Motel, the 2000 documentary by Todd Phillips, serves up exactly what they want: generous dollops of the band's free-form, jazz-laced music and by-the-numbers backstage glimpses of the musicians relaxing during rehearsals, between sets, and after hours. The 84-minute film follows a year in the life of the band, from the happening called the Great Went in Maine in August 1997 through the band's 1998 European tour (but inexplicably, the film begins with Europe and ends with the Great Went). Along the way, viewers are treated to long snatches of band favorites like "Wilson" and "Down with Disease."

Affable singer-guitarist Trey Anastasio is the focus of most of the nonmusical scenes, trying to explain the band's cult appeal, or griping about lunk-headed critics who are all too dismissive of the band's often-stellar virtuosity. It's clear that wearing the mantle of the Grateful Dead--especially since the 1995 death of Jerry Garcia--is a mixed blessing for Anastasio, who bristles in one interview about Dead comparisons. Phillips, who directed the fascinating but discredited documentary Frat House and the Tom Green vulgarfest Road Trip, does have an eye for the absurdly comic, especially evident in the few scenes he features of stoner Phishheads, who follow the band from show to show. Bittersweet Motel may not earn the band any new converts, but fans will find more than enough to satisfy those long dry spells between tours. --Anne Hurley

Product Description
Bittersweet Motel takes a look at the iconoclastic musicians of Phish, one of rock and roll's most successful touring bands, a group Rolling Stone Magazine has called "the most important band of the '90s." This 80-minute documentary tracks the band over the course of a year--on and off stages across the United States, Europe and at home in Vermont. The film wraps with an extensive section devoted to one of Phish's grand festivals, "The Great Went," where 70,000 fans descend on the tiny village of Limestone, Maine, for a spectacular multi-day musical event. Director Todd Phillips, best known for his groundbreaking films, Sundance Award winner Frat House and the blockbuster comedy Road Trip, reveals the amazing phenomenon of the band--their music, loyal fans and spectacular live shows. Phillips presents a compelling film that every music fan will find fascinating.

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Customer Reviews

59 Reviews
5 star:
 (28)
4 star:
 (19)
3 star:
 (5)
2 star:
 (3)
1 star:
 (4)
 
 
 
 
 
Average Customer Review
4.1 out of 5 stars (59 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
47 of 49 people found the following review helpful:
4.0 out of 5 stars Divided Sky, August 22, 2005
Full disclosure: I am a Phish fan. I'm not quite a die-hard fan, I've probably seen them less than 10 times live, but I've listened to hours of bootlegs. One of the shows I saw was at Red Rocks in Colorado during a thunderstorm. Not a drop fell on us, buffered by the foothills, we had nothing but blue sky above us. But behind the stage, we looked down on a dark storm pouring on Denver, with bolts of lighting creating an intense light show. Phish opened with a Divided Sky, the crowd went nuts, and a catecholinergic soup bathed my nucleus accumbens like never before. Guess you had to be there. Which is the point, and the flaw in this movie.

I liked Bittersweet Motel. I liked the backstage look at the band interacting. It had the effect of demythologizing the members. Like anything that takes on a life of its own, the reality behind Phish is both fascinating and disappointing. The guys are basically likeable, guys you can imagine yourself drinking beers and laughing with. At times they seem to take themselves too seriously, come off as your basic high school band geek, or even come off as jerks. Just like your overgrown college buddies who stop by unannounced.

The best is watching Trey respond to negative reviews. I don't know quite why, but nothing amuses me more than artists reacting to critics. Beethoven's letters to critics are hilarious, Tchaikovsky is said to have committed all his negative reviews to memory, word for word, until his dying day. Trey makes a point of letting us know he doesn't care what people think. But he's clearly smoldering underneath, and it's all there for our entertainment.

What I didn't like was the selection of songs in the movie. Whether trying to explain the phenomenon to people who don't get it, or trying to entertain those already converted, I don't think this was the right mix of musical moments to get the job done. Too many of the slow, somber songs and not enough great jamming. There are some high-energy jams but not necessarily their most creative handiwork, in my opinion.

I do think the movie conveys the fun of being a fan. Loved the footage of the mass nude scene. I loved hearing the stoners pontificating, reconciling the rich girls versus the more authentic hippie girl in her VW bus: "the girls rolling up in their Cherokees, their pits are shaved obviously..." but "it's how you're brought up, it's not their option...they're both on the same level, everyone here is chill."

Thumbs up overall, it'll entertain and make you wish you were back at a show.
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11 of 12 people found the following review helpful:
3.0 out of 5 stars The Asse Festival, July 14, 2005
By Bernie Mandeville (The Grumbling Hive, USA) - See all my reviews
If Bittersweet Motel were my first exposure to the band Phish, I am almost sure that I would hate them. Film-maker Todd Phillips certainly does. Given almost unlimited access to the band for a year, he seemed determined to portray them in a thoroughly unappealing light. He achieves this effect through a number of number of nails-on-the-chalkboard strategies, including posing inane interview questions ('Do you feel like a rock star?' and 'Are you rich'? are two of the dumbest), staging tastelessly manipulative ploys (like having band members read negative press reviews out loud and then respond to them on the spot), and filming the band while they are drunk after a show. Combine this with the generally mediocre live footage, eccentric song choices, and some tacky voyeuristic shots of bra-less fans, and you end up with a fairly disagreeable picture of the band from a documentarian who seems to equate such approaches with authenticity. On the other hand, it has to be said that the band give Phillips more than enough unappealing material to work with. Some of this, I am sure, was a product of the filming itself. It's clear that Phish disliked Phillips as much as he disliked them, and they sometimes work hard to be crass or obtuse, just for the pleasure of giving him a hard time. Other times, unfortunately, it seems to come to them fairly effortlessly. I was really disappointed by the glee they seemed to take in deliberately spoiling the pictures fans asked to have taken with them (their road manager would take the pictures and make sure everyone's heads were cut off) or the rather tacky fan-bashing song they cook up when drunk. This isn't Phish's finest moment. Of course, all of us can be asses at times, but most of us don't have a film crew waiting to capture those moments, and only those moments, with which to define us. Phish did, and it makes for a really mediocre movie. I've been a fan since 1994, and I'm not sorry I own this movie, but I doubt I'll watch it often. The unitiated might want to see their 'IT' DVD instead, or just download some of their hundreds of amazing live shows.
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5 of 5 people found the following review helpful:
4.0 out of 5 stars Trey Excellente!!, May 24, 2006
By John Jackson (los angeles) - See all my reviews
(REAL NAME)   
This is a fantastic DVD that gives you a taste of the wonderful world of Phish. I don't understand the statements of some reviewers saying that Todd Phillips hates Phish. He did a freakin' movie about them for cryin' out loud. And a pretty damn good one. Trey dominates much of the footage because (guess what Phish fans)...He dominates the band. I've seen and read countless interviews, and generally he's the one who has the most to say. It's not his out-of-control ego, he just happens to be more verbose than the other 3 guys. And he is also the primary songwriter of the band and the obviuos "ringmaster" of the group in their live performances. I miss Phish just as much as the next guy, but enough with all this Trey-hating. He is a BIG part of what made Phish so special (and may again.)

I thought this film was great. It captured the scene, the band, the music the personality. Plus it was majorly cool to see the Great Wendt and remember what it was like to be there (that was actually my first Phish concert and my life was never the same afterwards.)

If you don't know Phish and are curious, check out this film.

If you are so hardcore that you argue about which was the best version of My Sweet One, then you'll probably complain about this film.
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Most Recent Customer Reviews

3.0 out of 5 stars Easy
1) Rockstars are not always that interesting. I have friends with more interesting personalities and viewpoints.

2) Not enough good music. Read more
Published 7 months ago by D. Garcia

2.0 out of 5 stars Really Does Not Do the Band Justice
I bought this video a long time ago, and immediately sold it on ebay. I watched it again recently, and still do not like it. Why? Read more
Published on November 10, 2005 by A. Maness

5.0 out of 5 stars Bittersweet Motel
This video shows the true character of the members of the band. The video shows a lot of behind the scenes type footage including interviews, conversations and candid footage... Read more
Published on October 7, 2005 by Collin Watters

5.0 out of 5 stars Bittersweet Motel
How a film-maker who has such obvious disdain for the band could have made such an entertaining documentary is pretty obvious when you think about it... Read more
Published on August 30, 2005 by tanner llewellyn

5.0 out of 5 stars Deleted Scenes - Mike and Page
Let's get the negatives out of the way. Yes, Trey gets most of the camera time. I've heard it was just because he was more accessable during the filming. Read more
Published on February 4, 2004 by M. Susek

4.0 out of 5 stars Impressive
This dvd is one of the best music documentaries ive ever seen. i was throughly impressed w/ the concert footage. The insight from all the members was excellent too. Read more
Published on May 20, 2003 by ramsay

4.0 out of 5 stars Very Good
Bittersweet Motel is a great DVD that documents the life of the musical group Phish. Rolling Stone Magazine called Phish, "The Most Important Band of the 90's", and... Read more
Published on May 18, 2003 by jack gustafson

5.0 out of 5 stars This is great
Hey-
went I saw this DVD, I became a convert to Phishism. I am now a hardcore- Phishhead, and it was because of this. Read more
Published on May 10, 2003 by Rockhg89

5.0 out of 5 stars Fun Movie!
This video is very fun to watch. Sit back and listen to the rockstars express their feelings about there musical career. Read more
Published on December 2, 2002 by Erin Spear

4.0 out of 5 stars Phun Phour All
Bittersweet Motel, can be exactly that, bittersweet. Overall its a great look into what the boys get up to while on the road or behind the scenes. Read more
Published on November 6, 2002

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