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23 of 23 people found the following review helpful:
3.0 out of 5 stars
You've never read a novel quite like this, September 11, 2002
In case you haven't heard, Daniel Handler is the mastermind behind Lemony Snicket, author of the unlucky adventures of the three Baudelaire orphans. His success as Snicket seemed to have happened overnight, but he's been writing for a while it seems, with two adult novels (this one and The Basic Eight to his credit, both written before the Snicket books, I believe). In combination, it is quite clear that Handler is well on his way to becoming the 21st century Roald Dahl, who also wrote books for both adults and children that combined both whimsy and perversion.And if you want perversion, you can't do much better than a comic novel about incest, which is what this book is. The structure of the book begins as an opera (it ties in to some community opera done by one of the characters), then mutates in Act III to be based on a 12-step program. Like Dahl in My Uncle Oswald, Handler isn't afraid of writing about sex, either. I was reading this on the airplane and I kept holding the book open at 90 degrees rather than the normal 180 just in case the fellow sitting next to me travelling with his young child might glance over and then alert the attendent to the pervert on the plane. I'm not sure I liked this book, but I have to admit it was audacious, quite funny, and always unusual. The ending was disappointing as Handler went in for the more serious ending rather than really ending off as absurd as he began. All in all, this is an adult series of unfortunate events that is recommended for mature minds only.
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13 of 14 people found the following review helpful:
4.0 out of 5 stars
A tasty read, but unsettling., August 30, 2000
There is a genre of novel defined by the trustworthiness of its narrator. Either the storyteller has done something so criminal (Lolita) or so crazy (Myra Breckenridge) or just seems crazy (Turn of the Screw) that you're not quite sure if they are relating events as they actually happen, or as their warped minds perceive them happening. With such books it is important that the reader "read between the lines" to discern the real events of the story, usually but not always disclosed at the end. Watch Your Mouth goes one further in that. Even after finishing the book, the reader probably won't even know if its protagonist is telling the truth -- or even what has really happened.Handler's writing in this book is cinematically clear: his descriptions are so vivid and alive I was captivated and mesmerized by the scenes of his "opera" (The entire first half of the book is set as an opera, complete with music cues and "intermissions", although it's not evident to me why he uses this device). An intensely masculine poet, he is able to conjure the most dazzling visions and troubling emotions with few words. It's this quality, and the hope I would eventually find out what was actually going on, that kept me enthralled. I never got the feeling that I actually did find out. The plot is so fantastical, many details are difficult to accept as reality (the golem, all that incest). Even Mimi's reappearance and subsequent "revelations" near the end defy credibility. So you are left with the question: is Joseph completely sane and telling the truth? This book has some striking similarities with the movie Barton Fink. Is Barton/Joseph the real killer?, strong anti-semetic and jewish themes, John Goodman/Golem arising to avenge everything. And both end with a box on the beach, whose contents we are deprived of ever knowing. What does it all mean? In spite of all these loose associations and untidy ends, I found Watch Your Mouth enjoyable to read. These very qualities made it less satisfying than The Basic Eight, Handler's first novel, which was quite tightly concluded. I am reminded of movie called Desire and Hell at Sunset Motel, which is a confusing and seemingly impossible series of events -- until a few minutes before it ends. Sherilyn Fenn snaps her fingers, and with a few quick flashbacks and a short word of explanation, the entire quagmire makes total sense. I wanted this to happen in Watch Your Mouth, but I just couldn't buy the golem or Mimi. All works of art are open to interpretation, and I'm sure this book will find its audience. It's just not for everyone.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
Even better than THE BASIC EIGHT!, July 17, 2000
The Basic Eight was a fun first novel, but Handler outdoes himself with this one. Strange, sexy, scary and incredibly smart, this is an unearthly take on desire and family issues. I predict his cult following will only grow with this very weird but absolutely hypnotizing novel.
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