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Everybody Hurts: An Essential Guide to Emo Culture
 
 
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Everybody Hurts: An Essential Guide to Emo Culture (Paperback)

by Trevor Kelley (Author), Leslie Simon (Author)
Key Phrases: emo fans, emo points, emo types, Fall Out Boy, Taking Back Sunday, New York City (more...)
3.5 out of 5 stars See all reviews (19 customer reviews)

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Editorial Reviews

From Publishers Weekly
For those who equate "emo" with lonely, malnourished rock bands, Alternative Press vets Simon and Kelley provide a vivisection of this deceptively large slice of the American pop culture pie: "it's a state of mind...a place for people who don't fit in-but who long to fit in with other people who don't fit in." With casual prose and unflagging energy, the authors look at a laundry list of emo affairs: fashion, internet, film, literature and music among them. Simon and Kelley know the territory inside and out, profiling ten emo types ("Trustafarian," "Christian," "Ex-Hardcore"), "emo ancestors" (including Emily Dickinson and Cameron Crowe), a detailed timeline and a comparative " 'Emo' vs. 'So Not Emo' " list-and that's just the first chapter. Unexpected resources and sarcastic swipes abound: record store recommendations segue into clever, cutting guidelines for naming your band. Readers will be reminded of Robert Lanham's The Hipster Handbook (right down to Rob Dobi's detailed, comic-realist illustrations), but like that title, Simon and Kelley's may not appeal to its subjects (emo fans read books primarily "to brag about them in social situations"). On the other hand, would-be scenesters will pick up plenty of tips-though there's a significant possibility that the info here will be dated in six months.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Simon and Kelley describe emo culture slyly in this perky lifestyle guide. Basically, emo is music made by "a bunch of guys barely out of high school" who are concerned "with decidedly high school problems" (heartbreak, friendship, etc.) more than with "approachable hooks." Growing out of and away from increasingly insular punk rock, emo sets lyrics that are very often introspective and achey. Self-centered, whiny songs and introspective posing have been part of rock from the beginning (e.g., "Tell Laura I Love Her," Jim Morrison's tortured-artist act), but with emo they are the center of a packaged subculture pitched to "the preppiest of preps" being "punkish," "lacrosse jocks" who sing along to "weepy acoustic anthems," and "Long Island dudes" who "keep journals, cry in front of girls, and write the word art with a capital A." Simon and Kelley list movies, songs, fashions, and even eating habits to reveal what is and isn't emo. There's a hint of satire in all this, which seems right, given the arch irony of the emo mind-set. Mike Tribby
Copyright © American Library Association. All rights reserved

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Product Details

  • Paperback: 256 pages
  • Publisher: Harper Paperbacks (April 24, 2007)
  • Language: English
  • ISBN-10: 0061195391
  • ISBN-13: 978-0061195396
  • Product Dimensions: 8.9 x 6 x 0.8 inches
  • Shipping Weight: 12.8 ounces (View shipping rates and policies)
  • Average Customer Review: 3.5 out of 5 stars See all reviews (19 customer reviews)
  • Amazon.com Sales Rank: #237,448 in Books (See Bestsellers in Books)

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Nothing Feels Good by Andy Greenwald
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Customer Reviews

19 Reviews
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 (9)
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 (2)
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Average Customer Review
3.5 out of 5 stars (19 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
3 of 4 people found the following review helpful:
2.0 out of 5 stars sometimes witty, but ultimately too smug, May 27, 2008
By Mark Oestreicher (El Cajon, CA USA) - See all my reviews
ok, short review. i've been amazed by how the almost-impossible-to-define music genre of emo has proliferated and splintered into dozens of even-more-impossible-to-define subsets and nuances over the past few years. and how emo has become more mainstream, and -- surely -- the haven of the hip white kids. let the truly mainstream have their r&b and hip-hop and top-40. emo, like it's "alternative rock" predecessor, is in the midst of an identity crisis as it's growing popularity is antithetical to its "we're the forgotten" anti-conformity soul.

i admit, i'm a 45 year old dude. i am not allowed to be emo (though it is hilarious that my 14 year-old daughter has recently moved beyond her hip-hop and r&b only musical tastes and raided most of the emo from my itunes, causing a shudder in the generation gap of our household).

i bought this book because i wanted to understand more, and because i thought it looked like fun. and in some ways it provided both. in other ways, it was just too self-effacing and "i'm more hip than you because i make fun of the very affinity group i am part of". a few insights; too many lists of "the right record stores", "the right clothing stores" and such. worth a skim if you're interested in the subject; but not a high recommendation.
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5 of 7 people found the following review helpful:
1.0 out of 5 stars Original emo was not all-male, shrill pop punk, and anti-drug, March 21, 2008
I don't know how old the writers of this book are, but they have neglected their history. Emo did not begin with Jimmy Eat World and other crap bands that should be described as 'whiny pop punk'. Emo has absolutely nothing to do with straightedge. As a matter of fact, the pioneers of emo were West Coast heroin addicts, not midwestern jock boys. 'Emo' circa 1993, with its chaotic intensity, sludgy pace, and debt to brilliant bands such as Joy Division, is utterly unrecognizable from what became known as 'emo' about seven years later--ie, the hyperactive, adenoidal, completely unemotional milquetoast that hadn't the slightest aura of darkness. Another bone to pick: Would it be so completely difficult to recognize that the word 'emo' is not automatically gendered male? It seems that the authors of this book--aside from their musical ignorance--assume that emo activities, qualities, and hobbies are attached only to boys. As such, in this book, 'emo' signifies boy, unless it is met with the suffix 'girlfriend'. In this account, an emo girlfriend is nothing more than a fashion plate and a hankerchief for her "deep" "sensitive" boy's 'problems'. Perhaps this is a new development, but back in the day, 'emo' was a completely genderless term. Many girls played in 'emo' bands, cried on stage, had tattoos and messy dyed black hair, wrote poetry to their boyfriends (or girlfriends, or both--as bisexuality is another emo trend that goes unmentioned here), had big-time drug problems, etc. Perhaps the authors should have done a bit more historical research before they wrote their book--or at least before they outlined their 'emo types'.
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5.0 out of 5 stars Superb, May 5, 2009
This really is the perfect book for anyone looking to know a little more about what it means "to be emo" but its even better for people who already know the scene and just want a good chuckle. The book is a perfect blend of information and comedy, making a nice satirical music book.
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Most Recent Customer Reviews

1.0 out of 5 stars wow completely and totally wrong
Ok so i read this book out of curiousity and found it completely uninformitive this is a book of assumptions and inacurate facts. Read more
Published 3 months ago by Brandon R. Carson

3.0 out of 5 stars What is Original Anymore?
This is my mom's account. I am her fifteen year old daughter who attends public school with a bunch brainless, consumer, unoriginal 'emos' who all tend to look and act like one... Read more
Published 4 months ago by Ana Gutierrez

5.0 out of 5 stars So Funny!
(daughter of user)
I finished this book in 3-4 hours. Totally hilarious! It had me cracking up every couple of pages, and I totally agree with the thing about wearing belts... Read more
Published 11 months ago by G. Morgan

4.0 out of 5 stars Hilarious!
Really enjoyed the sarcasm and helpful hints offered. A must have for a modern day music lover! I enjoyed it from cover to cover including the illustrations.
Published 15 months ago by Steve Weinberger

5.0 out of 5 stars Amazing.
Reading through these "reviews" made me rather depressed. Apparently people don't have enough brains to catch on to the sarcasm of this book. Read more
Published 16 months ago by Nicole Rork

4.0 out of 5 stars Entertaining
I thought it was very entertaining. Lots of fun for those tweens to twenty-somethings. Not very helpful for parents who don't have a clue to begin with. They won't get the wit. Read more
Published 22 months ago by S. Hill

5.0 out of 5 stars Insanely entertaining!
I've been wanting to get this book for awhile and when I finally did, I couldn't put it down! The material is extremely fun and witty! Read more
Published 23 months ago by C. Elliott

5.0 out of 5 stars Everybody Hurts
I highly recommend this book. Its a good read for anyone who has, or is currently in their local scene or music group. Read more
Published on July 18, 2007 by Ryan Dell

5.0 out of 5 stars Everybody DOES hurt sometimes.....But that's why it's so funny!
This would have to be my favourite book of the year!
Never have I come across a book that describes a pop-culture scene so brutally honest, and with such sarcastic-humour,... Read more
Published on July 2, 2007 by H. Rule

5.0 out of 5 stars very funny and awesome
This was a great book.

For the people who love the scene life, this is for you

and if you have a sense of humor.
Published on May 29, 2007 by B. Donovan

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