From Publishers Weekly
From its first few pages, Freedman's third novel (after Against the Wind) offers readers the feeling that they're in the hands of a writer who can tell a good story and give them a protagonist worth caring about. Freedman takes the premise of what might be called the classic California mystery?a powerful monied family with a closet full of skeletons?and dresses it up in a swath of current fashions, including offshore oil drilling, battered wives and drug smuggling. The result is an exciting modern thriller with a classic feel, thanks in no small part to a spunky, all-too-human heroine who has her own deeply buried reasons for pursuing a case that everyone is telling her to drop. Ex-cop Kate Blanchard, now a Santa Barbara detective, is hired by Laura Sparks after her boyfriend, who is accused of drug smuggling, hangs himself in jail. Laura, the headstrong daughter of Miranda Sparks, the city's biggest mover and shaker, is convinced that her boyfriend was innocent and that his death was no suicide. She's only half right, but that's enough to make somebody want to kill Kate?somebody who is involved with the Sparks family's attempt to cut a secret deal with an oil company to use Sparks land for a slant-drilling operation. Plot, character, writing?everything is top-notch as Kate's dogged pursuit of the truth results in a smart, detailed, fast-moving novel that is rewarding on all levels.
Copyright 1995 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
After a shattering hostage situation, Kate Blanchard leaves the Oakland Police Department and an abusive cop husband for what she hopes will be a quieter life as a private investigator in Santa Barbara. However, when Laura Sparks, the youngest of the aristocratic Sparks women, hires Kate to investigate her boyfriend's suicide, Kate discovers how violent and deadly the rich and powerful can be. Their patronage extends from local politicians to multinationals. Drugs, land deals, murder for hire, the Mexican mafia, and Vegas highfliers?all seem to have some bearing on this simple suicide. Kate finds the charm of the women as strong as their appetites, which are voracious if discreet. Freedman (Against the Wind, LJ 9/15/91) puts a feminist twist on the California P.I. novel in the tradition of Ross MacDonald and Raymond Chandler. For most popular collections.?Ann Donovan, Clearwater P.L., Fla.
Copyright 1995 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
by J. F. Freedman
by J. F. Freedman
by J. F. Freedman
by J. F. Freedman
by J. F. Freedman
