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Editorial Reviews
From Publishers Weekly
This fourth novel lacks the power and intensity of Evans's debut, The Horse Whisperer (1995), and it's not nearly as carefully written. A pretty, upper-middle-class girl is discovered frozen in Montana ice and is soon identified as Abbie Cooper, wanted for murder by the FBI. After a promising beginning that introduces a colorful cast of Montana locals, Evans breaks off and flashes back to Abbie's upbringing in suburban New York, and centers the book on Abbie's now-divorced parents, Ben and Sarah. Evans follows the Coopers' high-end careers and estrangement from their domestic lives in meticulous, mind-numbing detail; their separation propels the already idealistic Abbie into the arms of Rolf, a shadowy eco-terrorist. As Abbie's Patty Hearst-like adventures in the eco-underworld slowly unfold, Ben takes up with Sante Fe-based artist Eve, and Sarah is left alone with son Josh, who emerges late in the novel as an improbable principal. Compelling minor characters like Sheriff Charlie Riggs and besieged ranchers Ray and Martha Hawkins are largely wasted. All winds down to a sadder, wiser, relatively reconciled ending that conforms to the norms of family drama, and of romance. The most vivid thing in the book is the wrangling early on over Abbie's remains. Copyright (c) Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
From AudioFile
Narrator Scott Brick sharply defines the characters in Nicholas Evans's thoughtful look at the gulf that divides people from one another. After 23 years of marriage Ben Cooper is bored and restless. His wife, Sarah, rages with righteous indignation when Ben decides to leave. When the Coopers learn of their daughter's death, questions and recriminations open old wounds and gouge tragic new ones. Brick's performance has just the right self-assuredness for characters who stubbornly rationalize behaviors that cause others pain. His directness nicely fits this sprawling story, while his voice, sometimes brusque, sometimes tender, makes listeners privy to each person's secrets. Evans spins a good story, and Brick makes it perfect listening for a cold winter's night. S.J.H. © AudioFile 2006, Portland, Maine-- Copyright © AudioFile, Portland, Maine
See all Editorial Reviews
This fourth novel lacks the power and intensity of Evans's debut, The Horse Whisperer (1995), and it's not nearly as carefully written. A pretty, upper-middle-class girl is discovered frozen in Montana ice and is soon identified as Abbie Cooper, wanted for murder by the FBI. After a promising beginning that introduces a colorful cast of Montana locals, Evans breaks off and flashes back to Abbie's upbringing in suburban New York, and centers the book on Abbie's now-divorced parents, Ben and Sarah. Evans follows the Coopers' high-end careers and estrangement from their domestic lives in meticulous, mind-numbing detail; their separation propels the already idealistic Abbie into the arms of Rolf, a shadowy eco-terrorist. As Abbie's Patty Hearst-like adventures in the eco-underworld slowly unfold, Ben takes up with Sante Fe-based artist Eve, and Sarah is left alone with son Josh, who emerges late in the novel as an improbable principal. Compelling minor characters like Sheriff Charlie Riggs and besieged ranchers Ray and Martha Hawkins are largely wasted. All winds down to a sadder, wiser, relatively reconciled ending that conforms to the norms of family drama, and of romance. The most vivid thing in the book is the wrangling early on over Abbie's remains. Copyright (c) Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
From AudioFile
Narrator Scott Brick sharply defines the characters in Nicholas Evans's thoughtful look at the gulf that divides people from one another. After 23 years of marriage Ben Cooper is bored and restless. His wife, Sarah, rages with righteous indignation when Ben decides to leave. When the Coopers learn of their daughter's death, questions and recriminations open old wounds and gouge tragic new ones. Brick's performance has just the right self-assuredness for characters who stubbornly rationalize behaviors that cause others pain. His directness nicely fits this sprawling story, while his voice, sometimes brusque, sometimes tender, makes listeners privy to each person's secrets. Evans spins a good story, and Brick makes it perfect listening for a cold winter's night. S.J.H. © AudioFile 2006, Portland, Maine-- Copyright © AudioFile, Portland, Maine
See all Editorial Reviews
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