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Editorial Reviews
From Publishers Weekly
French philosopher Derrida stares death in the face in this dense but rewarding inquiry. Beginning with an analysis of an essay on the sacred by Czech philosopher/human rights activist Jan Patocka, Derrida follows the development of moral and ethical responsibility, and the concept of the soul's immortality, in the transition from Platonism to Christianity. He then ponders the self's anticipation of death in sacrifice, war, orgiastic mystery cults, murder and execution, with reference to Kierkegaard's Fear and Trembling, Nietzsche, Heidegger's thought (a "constant attempt to separate itself from Christianity") and the biblical story of Abraham's contemplated sacrifice of his son, Isaac, at God's behest. In the most provocative section, Derrida links religious injunctions of sacrifice to the "monotonous complacency" of modern society, which allows tens of millions of children to die of hunger and disease.
Copyright 1995 Reed Business Information, Inc. --This text refers to the Hardcover edition.
From Library Journal
This is Part 2 of Derrida's exploration of the ambiguity of giving. Part 1 (Given Time: Counterfeit Money, Univ. of Chicago Pr., 1992) weaves in and out of a Baudelaire prose poem on giving a beggar a counterfeit coin. Part 2 is more direct and reality-grounded, probably because its point of departure is an essay on history, religion, and responsibility by Jan Patov cka, Czech philosopher who died of a brain hemorrhage after police interrogation in March 1977. When confronted with the death of a scholar who gave his life because of his commitment to human rights, Derrida's readers will find the paradox of giving one's life-through death-somewhat precious. Derrida moves through texts from Emmanuel Levinas, Kierkegaard, the New Testament, and Nietzsche before ending with a passage from Baudelaire's art criticism, where he finds some of the same possibilities for double-reading a gift. Willis's model translation renders the text in clear English, with sufficient parenthetical French interpellations for readers to see where Derrida is playing on the gaps between the two languages. Recommended primarily for academic libraries.
Marilyn Gaddis Rose, Binghamton Univ., N.Y.
Copyright 1995 Reed Business Information, Inc. --This text refers to the Hardcover edition.
See all Editorial Reviews
French philosopher Derrida stares death in the face in this dense but rewarding inquiry. Beginning with an analysis of an essay on the sacred by Czech philosopher/human rights activist Jan Patocka, Derrida follows the development of moral and ethical responsibility, and the concept of the soul's immortality, in the transition from Platonism to Christianity. He then ponders the self's anticipation of death in sacrifice, war, orgiastic mystery cults, murder and execution, with reference to Kierkegaard's Fear and Trembling, Nietzsche, Heidegger's thought (a "constant attempt to separate itself from Christianity") and the biblical story of Abraham's contemplated sacrifice of his son, Isaac, at God's behest. In the most provocative section, Derrida links religious injunctions of sacrifice to the "monotonous complacency" of modern society, which allows tens of millions of children to die of hunger and disease.
Copyright 1995 Reed Business Information, Inc. --This text refers to the Hardcover edition.
From Library Journal
This is Part 2 of Derrida's exploration of the ambiguity of giving. Part 1 (Given Time: Counterfeit Money, Univ. of Chicago Pr., 1992) weaves in and out of a Baudelaire prose poem on giving a beggar a counterfeit coin. Part 2 is more direct and reality-grounded, probably because its point of departure is an essay on history, religion, and responsibility by Jan Patov cka, Czech philosopher who died of a brain hemorrhage after police interrogation in March 1977. When confronted with the death of a scholar who gave his life because of his commitment to human rights, Derrida's readers will find the paradox of giving one's life-through death-somewhat precious. Derrida moves through texts from Emmanuel Levinas, Kierkegaard, the New Testament, and Nietzsche before ending with a passage from Baudelaire's art criticism, where he finds some of the same possibilities for double-reading a gift. Willis's model translation renders the text in clear English, with sufficient parenthetical French interpellations for readers to see where Derrida is playing on the gaps between the two languages. Recommended primarily for academic libraries.
Marilyn Gaddis Rose, Binghamton Univ., N.Y.
Copyright 1995 Reed Business Information, Inc. --This text refers to the Hardcover edition.
See all Editorial Reviews
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