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Editorial Reviews
Amazon.com
The original, Aristotle's short study of storytelling, written in the fourth century B.C., is the world's first critical book about the laws of literature. Sure, it's 2400 years old, but Aristotle's discussions--Unity of Plot, Reversal of the Situation, Character--though written in the context of ancient Greek Tragedy, Comedy and Epic Poetry, still apply to our modern literary forms. The book is quite short, and Aristotle illuminates his points with clear examples, making the Poetics perfectly readable, the better to impress people at parties when you say, "Of course, as Aristotle says..." --This text refers to the Paperback edition.
From Library Journal
This useful book, an extended study of the Poetics , treats such subjects as Aristotle's general aesthetic views; mimesis; pity, fear, and katharsis; recognition, reversal, and hamartia; tragic misfortune; the nontragic genres; and the historical influence of the work. Aristotle emerges as holding a deeply cognitivist view of poetry and as rejecting the attempt to judge art primarily by external (e.g., moral, political) criteria; his call for the relative autonomy of art, however, neither commits him to an aestheticist view nor prevents him from attributing to art a significant moral dimension. Halliwell's attempts to keep Plato in close view and to keep the Poetics within the context of Aristotle's philosophy as a whole are illuminating. For academic collections. Richard Hogan, Philosophy Dept., Southeastern Massachusetts Univ., N. Dartmouth
Copyright 1987 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
The original, Aristotle's short study of storytelling, written in the fourth century B.C., is the world's first critical book about the laws of literature. Sure, it's 2400 years old, but Aristotle's discussions--Unity of Plot, Reversal of the Situation, Character--though written in the context of ancient Greek Tragedy, Comedy and Epic Poetry, still apply to our modern literary forms. The book is quite short, and Aristotle illuminates his points with clear examples, making the Poetics perfectly readable, the better to impress people at parties when you say, "Of course, as Aristotle says..." --This text refers to the Paperback edition.
From Library Journal
This useful book, an extended study of the Poetics , treats such subjects as Aristotle's general aesthetic views; mimesis; pity, fear, and katharsis; recognition, reversal, and hamartia; tragic misfortune; the nontragic genres; and the historical influence of the work. Aristotle emerges as holding a deeply cognitivist view of poetry and as rejecting the attempt to judge art primarily by external (e.g., moral, political) criteria; his call for the relative autonomy of art, however, neither commits him to an aestheticist view nor prevents him from attributing to art a significant moral dimension. Halliwell's attempts to keep Plato in close view and to keep the Poetics within the context of Aristotle's philosophy as a whole are illuminating. For academic collections. Richard Hogan, Philosophy Dept., Southeastern Massachusetts Univ., N. Dartmouth
Copyright 1987 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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