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by Virginia DeBerry
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Editorial Reviews
From Publishers Weekly
In 1989, Gayle Saunders Hilliard is living a nightmare. Her husband, Ramsey, a compulsive gambler, has committed suicide, leaving Gayle, her young daughter and her widowed mother destitute. Pressed to add to her income as a receptionist, Gayle, who is African American, takes a part-time job as a maid at a suburban New York hotel, where she encounters her childhood best friend, Pat Reid, a polished executive for an ad agency. Pat, who was taken in by Gayle's parents and brought up as family after her mother abandoned her, hasn't spoken to Gayle in 10 years?ever since Gayle neglected to pick her up at an abortion clinic because she was tied up with her gambler husband. In flashbacks, we see Gayle's upbringing as the indulged child of older parents, and Pat's need to revise her family history as she becomes a workaholic and claws her way up the hierarchy of Manhattan corporate life. Eventually, the two draw upon their shared past to rebuild their lives. The authors have collaborated seamlessly on this well-paced debut. Their heroines are balanced and clearly drawn, while their plot manages to spring myriad surprises without resorting to obvious gimmickry. In an age when personal responsibility is often abrogated in the name of early childhood emotional trauma, Pat and Gayle are refreshingly honest characters, accepting of their own and each other's shortcomings. Author tour.
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From School Library Journal
YA. This novel about the friendship of three African Americans from their childhood meeting through their present-day lives is filled with fast-paced events that pull readers into the story. Gayle Saunders, growing up in a home with caring, loving parents, seems to have it all?beauty, charisma, and eventually a rich, handsome husband and a beautiful daughter; she loses almost everything and ends up in a homeless shelter. Patricia Reid is a tossed-away child who struggles for acceptance by becoming an academic and, later, a corporate success; she strives for perfection before revealing her true identity to her wealthy father; she becomes emotionally empty and another victim of downsizing. Marcus Carter becomes the baseball hero he's never wanted to be and almost kills himself in the process. He seems on a self-destructive course until he faces the truth about his brother's death. As adolescents, the lives of the three are forever intertwined when they witness the gun accident that kills Marcus's brother. The choices they make throughout their lives lead to undesirable consequences but result in each person becoming a worthwhile and compassionate adult. In the satisfying ending, Gayle, Pat, and Marcus emerge from their desolation and all is right with their world. The story is filled with lessons about life, including the church as a social haven and the value and necessity for true friends and family. YAs will identify with these strong personalities as they struggle to overcome real problems in a contemporary world.?Dottie Kraft, formerly at Fairfax County Public Schools, VA
Copyright 1997 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
In 1989, Gayle Saunders Hilliard is living a nightmare. Her husband, Ramsey, a compulsive gambler, has committed suicide, leaving Gayle, her young daughter and her widowed mother destitute. Pressed to add to her income as a receptionist, Gayle, who is African American, takes a part-time job as a maid at a suburban New York hotel, where she encounters her childhood best friend, Pat Reid, a polished executive for an ad agency. Pat, who was taken in by Gayle's parents and brought up as family after her mother abandoned her, hasn't spoken to Gayle in 10 years?ever since Gayle neglected to pick her up at an abortion clinic because she was tied up with her gambler husband. In flashbacks, we see Gayle's upbringing as the indulged child of older parents, and Pat's need to revise her family history as she becomes a workaholic and claws her way up the hierarchy of Manhattan corporate life. Eventually, the two draw upon their shared past to rebuild their lives. The authors have collaborated seamlessly on this well-paced debut. Their heroines are balanced and clearly drawn, while their plot manages to spring myriad surprises without resorting to obvious gimmickry. In an age when personal responsibility is often abrogated in the name of early childhood emotional trauma, Pat and Gayle are refreshingly honest characters, accepting of their own and each other's shortcomings. Author tour.
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From School Library Journal
YA. This novel about the friendship of three African Americans from their childhood meeting through their present-day lives is filled with fast-paced events that pull readers into the story. Gayle Saunders, growing up in a home with caring, loving parents, seems to have it all?beauty, charisma, and eventually a rich, handsome husband and a beautiful daughter; she loses almost everything and ends up in a homeless shelter. Patricia Reid is a tossed-away child who struggles for acceptance by becoming an academic and, later, a corporate success; she strives for perfection before revealing her true identity to her wealthy father; she becomes emotionally empty and another victim of downsizing. Marcus Carter becomes the baseball hero he's never wanted to be and almost kills himself in the process. He seems on a self-destructive course until he faces the truth about his brother's death. As adolescents, the lives of the three are forever intertwined when they witness the gun accident that kills Marcus's brother. The choices they make throughout their lives lead to undesirable consequences but result in each person becoming a worthwhile and compassionate adult. In the satisfying ending, Gayle, Pat, and Marcus emerge from their desolation and all is right with their world. The story is filled with lessons about life, including the church as a social haven and the value and necessity for true friends and family. YAs will identify with these strong personalities as they struggle to overcome real problems in a contemporary world.?Dottie Kraft, formerly at Fairfax County Public Schools, VA
Copyright 1997 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
See all Editorial Reviews
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Inside This Book
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First Sentence:
I gotta pee ... bad," Gayle whispered to Pat. Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
Turner Hughes, New York, Aunt Loretta, Marcus Carter, Uncle Joe, Miss Cooke, Greener Pastures, Swan City, Detective Stuckey, Reverend Hobson, Ell Crawford, Patricia Reid, Ramsey Hilliard, Uncle Macon, World Series, Comstock Gravitt Greene, North Carolina, Aunt Pat, Miss Reid, Althea Satterfield, Hughes House, Trafalgar Trace, White Plains, Lloyd Zabriski, Martha's Vineyard New!
Concordance | Text Stats Browse Sample Pages:
Front Cover | First Pages | Back Cover | Surprise Me!
I gotta pee ... bad," Gayle whispered to Pat. Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
Turner Hughes, New York, Aunt Loretta, Marcus Carter, Uncle Joe, Miss Cooke, Greener Pastures, Swan City, Detective Stuckey, Reverend Hobson, Ell Crawford, Patricia Reid, Ramsey Hilliard, Uncle Macon, World Series, Comstock Gravitt Greene, North Carolina, Aunt Pat, Miss Reid, Althea Satterfield, Hughes House, Trafalgar Trace, White Plains, Lloyd Zabriski, Martha's Vineyard New!
Concordance | Text Stats Browse Sample Pages:
Front Cover | First Pages | Back Cover | Surprise Me!
Citations (learn more)
This book cites 2
books:
8
books
cite this book:
See all 8 books citing this book
- What If? by Shari Low on page 86
- Far from the Tree by Virginia Deberry on page 383
- Far from the Tree by Virginia Deberry in Front Matter (1), and Front Matter (2)
- Better Than I Know Myself by Virginia DeBerry in Front Matter
- BITCHfest: Ten Years of Cultural Criticism from the Pages of Bitch Magazine by Lisa Jervis on page 300
- Better Than I Know Myself: A Novel by Virginia DeBerry in Front Matter
- The African American Writer's Handbook: How to Get in Print and Stay in Print by Robert Fleming on page 302
See all 8 books citing this book
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