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170 of 175 people found the following review helpful:
5.0 out of 5 stars
Another remarkable achievement by Mieville, June 25, 2002
In "The Scar" China Mieville has proven that "Perdido Street Station" was no fluke, he is a force to be reckoned with in the literary world. Once again he returns to the world of Bas Lag, although this time he journeys outside the confines of the city of New Crobuzon. In fact, his characters travel the length and breadth of Bas Lag, as they are the occupants (willing and unwilling) of the floating pirate city, Armada.
It would be nearly impossible to recount the plot here, both because of its complexity, and the risk of spoiling it. However, there are a few general points that I think bear mentioning. First, while this is not a sequel to "Perdido Street Station" it does reference events in that book; there are no common characters, but the protagonist, Bellis Coldwine, is fleeing the city as a direct result of the happenings in the prior novel. While one could easily read "The Scar" without any knowledge of "Perdido Street Station" I would still recommend reading it first, as your appreciation of "The Scar" will be greatly enriched as a result.
Second, "The Scar" is a darker, more ambiguous novel than its predecessor (which was by no means cheery to begin with). It is not an easy beach read for the summer; while it is immensely entertaining, it is also monstrously complex and intensely thoughtful. This is really a novel that needs to be read without distractions and with a great deal of thought as to what is going on. There are a lot of subtle themes and messages in this book, and it needs to be approached in a manner more befitting "literature" rather than your average "sci-fi" (I use quotes because SF can obviously be literature, I'm just speaking in stereotypical terms).
Which brings me to the writing; anyone who read "Perdido Street Station" would have to agree that Mieville is a master of his craft. There are few writers today who have the same grasp of the English language; Mieville absolutely revels in the descriptive abilities of the written word. I would read an atlas if Mieville wrote it just to see how he described the landforms contained therein.
He is also intensely interested in exploring human nature across its entire spectrum. From compassion to cruelty, Mieville is fascinated by our motivations. If one reads an interview with him, it becomes obvious that Mieville wouldn't mind being cast as the anti-Tolkien. While giving a nod to Tolkien's creation of an entire world down to the smallest details, Mieville revels in his characters' moral ambiguity and indecision, as opposed to Tolkien's characters who always know where they stand. Furthermore, while Tolkien used his races to highlight different ideals, Mieville uses his vast panoply of creatures to highlight the absurdities of racism and the nature of "humanity".
Finally, Mieville is a master of the metaphor. I can say, without, giving anything away, that the Scar, of the book's title, is an actual place, but also a recurring theme throughout the novel. All of the characters (which are so diverse and beautifully realized it is nothing short of breathtaking) have scars, physical and mental. Some rise above them, some never come to grips with them, and some are brought low by them. In the end, the Scar is, at its most simple level, a double entendre. It is the heart of darkness of the world of Bas Lag, but it is also that heart of darkness within the primary characters that draws them to their destiny. In the end, some of the characters refuse to have their future dictated by the scars of their past, while others wallow in their pain and meet their end.
I could go on indefinitely, and not even scratch the surface of the message in this book. However, I have covered the key elements I took away from the novel; I'll leave it for others better versed than I to continue the discussion. Ultimately, "The Scar" is a novel of immense emotional depth. The characters are brilliantly written and act upon a world stage that is breathtaking in its scope. It is a highly entertaining adventure in the finest nautical tradition, but it is so much more. It is an exploration of the depths of our ambition and the foundations of our humanity. Do yourself a favor and read this novel (and carefully), it will not disappoint and it will leave you thinking for a long time to come.
Jake Mohlman
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19 of 19 people found the following review helpful:
5.0 out of 5 stars
The Real Thing, October 9, 2002
For anyone who spent days in the nightmarish thrall of Perdido Street Station, China Mieville's breathtakingly literate and imaginative monstravaganza, the first question about The Scar must be, was he able do it again? The answer is no, but this turns out to be a good thing.Particularly in its opening, this sea quest tale disappoints in relation to Perdido Street: though the floating city of Aramada is a marvelous creation, it lacks the incredible density of detail and heights of grotesquerie of New Crobuzon, which here plays a supporting, offstage role. One appreciates Armada without loving and fearing it like New Crobuzon. Yet as the novel picks up steam we find these feelings precisely mirrored in perfectly named protagonist Bellis Coldwine. As the wickedly sharp plot begins to twist and turn, Mieville again conjures tales of wonder from the far corners of Bas-Lag, provides us with lovingly bizarre set-pieces and characters, and his story begins to fascinate. The Scar isn't the once in a lifetime book of nightmares Perdido Street Station was, but it is a better novel. The characters are far stronger: Coldwine, Uther Doul, Tanner Sack, Sheckel and Angevine, drive the story rather than vanishing beneath it. The narrative is purposeful, surprising and satisfying. Mieville has taken his protean talents of worldbuilding and description and harnessed them to a serious, adult story. Perdido Street, for all its genre-blending, was a horror story at heart. The Scar is less gruesome and nihlistic, though still refreshingly far from sentimental. It's palette and worldview are broader, its characters its heart. One could argue that among its few flaws, the book is too brief -- I could have gladly learned more of The Lovers, the Brucolac. With this intelligent, exhilarating adventure story, Mieville stakes his claim as a first rate novelist -- no apologizing for genre -- he's the real thing.
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10 of 10 people found the following review helpful:
5.0 out of 5 stars
Watery Weirdness, November 5, 2002
China Miéville proved himself a master of atmospheric dark fiction with his previous two novels, and the award-winning British author just keeps getting better. THE SCAR, set in the same world as PERDIDO STREET STATION, introduces the coolest setting ever--the floating, libertarian city of Armada. New Crobuzoners Bellis Coldwine and Tanner Sack--two of the best antiheroes in modern fantasy--are pressganged by Armadan pirates and put to work on a strange plan that forces them to confront terrifying mosquito-people, delve into thaumaturgical secrets, and parlay with a deadly killer wielding a sort of quantum sword. Miéville reveals the whole truth of what's going on with Armada achingly slowly, letting the reader soak luxuriously in a bath of grotesque detail and internecine intrigue as vast as the ocean. The book's titular theme--scars--is woven throughout, in character, setting, and plot, with a subtle touch. Miéville perfectly blends material horror, complex characters, and a delicious steampunk milieu to create another brilliant novel.
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