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Eragon (Movie Tie-in Edition) (Inhertitance) (Paperback)

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3.8 out of 5 stars  See all reviews (2,864 customer reviews)

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Editorial Reviews

Amazon.com Review

Here's a great big fantasy that you can pull over your head like a comfy old sweater and disappear into for a whole weekend. Christopher Paolini began Eragon when he was just 15, and the book shows the influence of Tolkien, of course, but also Terry Brooks, Anne McCaffrey, and perhaps even Wagner in its traditional quest structure and the generally agreed-upon nature of dwarves, elves, dragons, and heroic warfare with magic swords.

Eragon, a young farm boy, finds a marvelous blue stone in a mystical mountain place. Before he can trade it for food to get his family through the hard winter, it hatches a beautiful sapphire-blue dragon, a race thought to be extinct. Eragon bonds with the dragon, and when his family is killed by the marauding Ra'zac, he discovers that he is the last of the Dragon Riders, fated to play a decisive part in the coming war between the human but hidden Varden, dwarves, elves, the diabolical Shades and their neanderthal Urgalls, all pitted against and allied with each other and the evil King Galbatorix. Eragon and his dragon Saphira set out to find their role, growing in magic power and understanding of the complex political situation as they endure perilous travels and sudden battles, dire wounds, capture and escape.

In spite of the engrossing action, this is not a book for the casual fantasy reader. There are 65 names of people, horses, and dragons to be remembered and lots of pseudo-Celtic places, magic words, and phrases in the Ancient Language as well as the speech of the dwarfs and the Urgalls. But the maps and glossaries help, and by the end, readers will be utterly dedicated and eager for the next book, Eldest. (Ages 10 to 14) --Patty Campbell --This text refers to the Hardcover edition.



From Publishers Weekly

While exploring the forest, 15-year-old Eragon discovers an odd blue gemstone—a dragon egg, fated to hatch in his care. According to PW, "The author takes the near-archetypes of fantasy fiction and makes them fresh and enjoyable, chiefly through a crisp narrative and a likable hero." Ages 12-up. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an alternate Paperback edition.

Product Details

  • Reading level: Young Adult
  • Paperback: 528 pages
  • Publisher: Knopf Books for Young Readers (October 24, 2006)
  • Language: English
  • ISBN-10: 0375840540
  • ISBN-13: 978-0375840548
  • Product Dimensions: 7.9 x 5.3 x 1 inches
  • Shipping Weight: 14.9 ounces (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (2,864 customer reviews)
  • Amazon.com Sales Rank: #1,034,819 in Books (See Bestsellers in Books)

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    #29 in  Books > Children's Books > Series > Fantasy & Adventure > Inheritance
    #46 in  Books > Children's Books > Authors & Illustrators, A-Z > ( P ) > Paolini, Christopher

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Christopher Paolini
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Eragon (Movie Tie-in Edition) (Inhertitance)
74% buy the item featured on this page:
Eragon (Movie Tie-in Edition) (Inhertitance) 3.8 out of 5 stars (2,864)
$9.31
Inheritance 3-Book Hardcover Boxed Set (Eragon, Eldest, Brisingr)
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Inheritance 3-Book Hardcover Boxed Set (Eragon, Eldest, Brisingr) 4.6 out of 5 stars (37)
$42.49
Brisingr Deluxe Edition (Inheritance)
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Brisingr Deluxe Edition (Inheritance) 3.7 out of 5 stars (627)
$16.19
Eldest (Inheritance)
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Eldest (Inheritance) 3.6 out of 5 stars (1,539)
$7.99

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71 of 82 people found the following review helpful:
2.0 out of 5 stars Mythic, but perhaps too much so., May 25, 2004
By nelyk (Chicago, IL USA) - See all my reviews
Everyone here seems to be extremely divided in their views of this book, and I'm afraid I fall in the dislike camp.

Okay, let's start with the plot. I must admit it is quite enjoyable, if you are in such unlikely circumstances that you are both inclined to like fantasy, and have not read most of the modern classics in said genre; or, perhaps, you have to have read enough awfully-written stories to know cliches when you see them. Basically, Eragon embarks upon a quest for revenge against shadow forces he doesn't know much about, but which will undoubtedly have something to do with his 'mysterious past.'

While most people mention fantasy books as inspiration, I find Eragon's plot more reminiscent of Star Wars than of anything else. There's the dead order of peace-keepers with amazing powers, the main character's mysterious past (Who's his father? He doesn't know!), the magical power, the old man with long-dead secrets of the past, which of course he teaches to this headstrong youth without really bothering about whether he's _good_ or not, and most tellingly, the destruction of the boy's farm and death of his uncle, which in both Star Wars and Eragon sets the main character off on a quest of revenge. Just thank heaven there's no C3P0...

In terms of concepts, there are very few original ideas, either. Paolini draws from Tolkien's works, not just Lord of the Rings but background materials as well, and, I am told, Anne McCaffrey's (sorry if I misspelled that) Pern books. Personally, I can't stand McCaffrey's writing, which is why I can't speak for myself on that one. Anyway, all of the races are almost exactly the same, down to the origins of the elves across the sea (Tolkien came up with that one, folks!); while Urgals and the Ra'zac are original, as far as I know, they are shadily described. Indeed, the Urgals always remind me of the Knights who say Ni, a la Monty Python, which rather kills their potential as villans.

Paolini attempts to make his world original and fresh by adding in what he seems to think is his own idea, judging by the care he takes in explaining it: an ancient language, a true language, with magical power. Unfortunately, his implementation of this idea has two flaws: 1) lacking a proper knowledge of the mechanics of language, he has created a set of _words_ with absolutely no grammar involved, so that to get across a complex idea you have to smoosh words together and hope that it works; and 2) the words seem to have been created by randomly pounding on the keyboard, and adding vowels where he thought them necessary. They're not unpronouncible, as this has created a tongue with a phonology similar to Russian, or perhaps closer to Czech; but I doubt that was intentional, as my high school is one in, I think, a little over fifty in the United States that actually teaches Russian. 'Brisingr' is a word that simply could not exist in any Romance or Germanic language, and, as I said, I doubt that Chris Paolini put much thought into making his language original (even Tolkien, a philologist, only used harsh Slavic sounds in his black speech, the tongue of evil) when all the rest of his work has little or no thought in that area. Originality, I mean.

One more thing. Eragon is grammatically correct throughout, a fact for which I am thankful, but shows distinct signs of having been written by a ten-year-old - and yes, I know the author was fifteen at the time of publishing. So what? I'm sixteen, and I can still vary my sentence structure. Learning to do so was an integral part of my 7th grade English education! All of Eragon's sentences are short, less than a line long, and generally begin with either an article (a or the) or the subject of said sentence; occasionally you'll find another adjective there instead, if you're lucky. I have not noticed a single subordinate clause in the entire book, and have been appalled at the blatant lack of semicolons. Semicolons! What is the world coming to, if people can say a story without semicolons is worth reading?

Still, Eragon did wonders as light, mindless reading material - besides, of course, the choppy writing style inherent in a book with uniform sentence structure and a dearth of semicolons - and so, rather than a one, I give it two stars out of five.

P.S. - I haven't seen anyone else comment on this particular name theft, so I thought I'd mention it. You know the Bid'duam? Turn it around and what do you get: Muad'dib. Frank Herbert alone could sue the kid for plaigarism; I'd hate to see what the Tolkien estate would do if they got word.
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33 of 36 people found the following review helpful:
1.0 out of 5 stars When does this roleplaying game end?, September 3, 2005
By Craig Harman (Alexandria, VA USA) - See all my reviews
Being a reader of both Tolkien and Rowling, I had the misfortune of receiving this book twice from well-intentioned friends, who thought I would enjoy it since it seemed to fit the same genre. And in a sense, they were right: after all, Paolini liberally steals from a host of fantasy novels to fashion this painful-to-read slapdash construction.

Knowing nothing of the history of the book, I dived into my first copy and hit the bottom within the first chapter. Dumbstruck, I put the book down, wondering why anyone would have agreed to publish this dreck, which seemed to be the transcription of a rather boring gaming session with a lackluster dungeonmaster.

Since my friends had recommended Eragon so highly, I figured that maybe I was out-of-tune, so I sallied into the following chapter, only to discover that it didn't improve. Then on a whim, I jumped ahead hoping to catch some spark from the end of the story to make me want to read all the exposition in-between.

However, rather than hitting the end of the story, I stumbled into the glossary section. "Derivative" is too kind a word to describe Paolini's languages; instead, the word that best befits his made-up tongues (and for that matter, the rest of his writing) is "plagiarized". When Tolkien constructed his artificial languages for the Lord of the Rings, the Silmarillion, etc., he constructed full languages with rules of syntax, phonology, assonance, and so forth. Paolini knows nothing of these - and so his crude imitation is a desecration of the original: ugly, misshapen, and offensive.

In the end, I could bear no more. I placed both copies for sale on Amazon, sending one to a child in Alaska and the other to a reader in Portland. As for the child in Alaska, I suspect this will have been a welcome gift. To the reader in Portland, I am sorry.

In retrospect, Eragon is nothing more than the work of a zealously overpromoted teenager and not a budding literary genius. The strength of this gimmick and the average American's poor familiarity with real literature are what continue to sustain this book.
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51 of 58 people found the following review helpful:
1.0 out of 5 stars Read the real thing instead., October 12, 2003
By A Customer
This book is distressing in the amount of attention it is getting, when from the very first page it is apparent that the author "borrowed" massive amounts of detail, motifs, characters, names,languages, etc. from other fantasy writers, especially Tolkien. There was not an original phrase to be found. I was willing to give the book a try and was sorely disappointed. The publishers should be ashamed of themselves as they clearly chose this book as a marketing gimmick because of the author's age and have indeed made a fortune because of this.
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Most Recent Customer Reviews

5.0 out of 5 stars A Great Start
This is a great first book. It starts many storylines, with rich detail given to each though out the story. Read more
Published 5 days ago by C. Putman

5.0 out of 5 stars Book Review: Eragon by Christopher Paolini
With so much buzz surrounding this new and young author, Christopher Paolini, and his Inheritance books, I was curious as to how good this teenager could write. Read more
Published 15 days ago by M. G. Tablarin

5.0 out of 5 stars Amazing!
ONe word: Amazing!
This book is very well written. It starts off slow for the first couple of pages then really captures your attention and has you hooked. Read more
Published 21 days ago by Damian S.

5.0 out of 5 stars Grow up people!
Wow! I read about the first five reviews before I had to stop. Did you know that J.R.R. Tolkien was insipired by Elder Edda, Kalevala, and Beowulf? Read more
Published 21 days ago by Scarlettjane

5.0 out of 5 stars not the movie
One of the best books. Christopher Paolini is an awesome writer.....don't judge the book by the movie, it was nothing like the book!!!
Published 21 days ago by Kaitlyn Mentzer

5.0 out of 5 stars A Magic Journey Worth Taking
On the off chance the reader of this review has not read/watched Eragon, I will refrain from plotspoiling.

What's it about? Read more
Published 1 month ago by Aya Fuse

1.0 out of 5 stars Biggest hoax of all time!
This is a hoax! This book was not written by a fifteen year old boy! There are things about writing a good book that take years to get just right that no teenager would know... Read more
Published 1 month ago by AshleyMorgan17

5.0 out of 5 stars Escape to a world of magic and dragons!
This book didn't disappoint! I saw the movie, and had been wanting to read the book for quite some time. Read more
Published 1 month ago by Lindsay Pasch

1.0 out of 5 stars Seriously? I mean, really?
Of course I belonged to the throngs that bought the book without reading a review. I wouldn't be a nimrod, and life wouldn't be ironic if I didn't. Read more
Published 1 month ago by Annie Fall

2.0 out of 5 stars okay
the main character eragon is toooo whiney and the story is wayy tooo slow sometimes
Published 1 month ago by gary cormier

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