Amazon.com Review
The terrible fact about Francis Ford Coppola's career is that it will always be divided evenly in half, down a line called
Apocalypse Now. Before that film is prodigious promise--an Academy Award for writing
Patton, two uncannily fine
Godfather movies, and the Antonioni-esque smallness of
The Conversation. After, there is telescoping debt, talk of reinventing the studios, and multiple, hollow exercises in style. If that's a tough assessment, it's one borne out by this thick, fair biography. The author, Michael Schumacher, who has previously published books on Allen Ginsberg and Eric Clapton, makes much of Coppola's boyhood spell of polio, from which he emerged miraculously healthy and movie-mad. He orchestrated his life thereafter with a consequent mania, as though making up for lost time. While still in film school, he sold screenplays and made Z-budget drive-in movies for Roger Corman. In two years, he wrote 12 scripts for 7 Arts, and in the mid-1960s started a family, made
You're a Big Boy Now and
Finian's Rainbow, pushed George Lucas to write
THX1138, founded American Zoetrope, and took a job, purely for the money, directing
The Godfather. The chapters on
Apocalypse Now are the book's highlights, and without saying as much they explain the spent quality at the core of Coppola's films in the next two decades. After hurricanes in Manila, Marlon Brando, and the ungodly beauty of those helicopters at dawn, whose career wouldn't wing straight to twilight?
--Lyall Bush
From Publishers Weekly
This is not an authorized biography, though it often reads like one because Schumacher systematically defends director and screenwriter Coppola against the critics who have panned his films as contrived, excessively violent or a triumph of style over substance. Still, he presents a brisk and astute portrait of one of the most influential directors of the past 30 years, adept at both operatic blockbusters (The Godfather, Apocalypse Now) and smaller personal movies (John Grisham's The Rainmaker). The inner man remains elusive, although SchumacherAbiographer of Allen Ginsberg, Phil Ochs and Eric ClaptonAdelves deeply into such personal crises as Coppola's childhood polio, during which he recuperated by making home movies; his protracted affair with a young, unnamed screenwriter, which nearly wrecked his marriage; and the devastating impact of his son Gian-Carlo's tragic death in a boating accident in 1986. The book's real strength lies in its flavorful behind-the-scenes re-creation of the making of all of Coppola's movies. Cameos of Nicholas Cage, Marlon Brando, Winona Ryder, Fred Astaire and many other stars nearly steal the show. Schumacher tends to portray Coppola as an uncompromising visionary who waged a career-long battle to free himself from the Hollywood dream factory's constrictive commercial dictates. Yet the lingering question is why the relentlessly driven filmmaker abandoned his creative, auteuristic endeavors in favor of safer, more profitable work-for-hire films. In any case, Coppola fans will rejoice. 16 pages of photos. (Nov.)
Copyright 1999 Reed Business Information, Inc.