From Publishers Weekly
Red pencils draw real blood in this delightful publishing world crime spoof by Grimes, expert storyteller and bestselling author of the Richard Jury mysteries (The Man with a Load of Mischief, etc.). When Paul Giverney, a hot suspense novelist, seeks a new publisher, he decides on the house of Mackensie-Haack under the condition that they dump their highly respected and award-winning author, Ned Isaly. Ruthless president Bobby Mackensie will stop at nothing to sign Giverney, even though breaking Isaly's contract is a legal impossibility. His solution? Sign another contract-this one with two hit men, who are hired to knock off Isaly. What Mackensie doesn't know is that Candy and Karl are killers with scruples and a keen interest in literature. Isaly, meanwhile, is totally engrossed in finishing his current novel and barely notices the two men as they mingle with Isaly and his friends at popular New York City literary watering holes. Not even when a multitude of bumblers follow him on a visit to his hometown of Pittsburgh-in one of the most humorous episodes in the book-does he realize his plight. Although verging on the caricaturish, the characters are memorable, especially the hit-men duo. Insider publishing lingo, a quirky plot, atmospheric settings and Grimes's dry sense of humor make this a delectable bonbon of a book.
Copyright 2003 Reed Business Information, Inc.
From Booklist
Grimes, author of the popular Richard Jury mysteries, ventures far afield from Scotland Yard, this time to examine the cutthroat world of contemporary New York book publishing. Book contracts and Mafia hit contracts collide in this caper-satire in which the publishing houses have Dickensian names such as Grunge and DrekSneed. A popular writer suffers from terminal envy--it's not enough to bank millions per book and command the best-seller lists; he wants a big-time literary reputation. The plot hinges on the envious writer's unlikely scheme to get New York's most famous literary editor all to himself by eliminating his main competition, a genuinely talented up-and-comer. Grimes is best here at delivering insider insights about the frantic profit-mongering that dominates publishing. Along the way, too, there is plenty of time for racy editorial details (the title, for example, is the publishing term used to describe authors' manuscripts before editors get their hands on them). Grimes loses her way, unfortunately, in the midst of all the satire. Her characterization--ordinarily a strong point--tends toward the comic-bookish here, and even the comedy starts huffing and puffing with effort about halfway through. Not nearly as surefooted as the Jury novels, then, but a fun read nonetheless, thanks to some grand comic moments (like the editorial meeting with hit men in a prententious New York eatery).
Connie FletcherCopyright © American Library Association. All rights reserved
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