or
Sign in to turn on 1-Click ordering.
 
 
Express Checkout with PayPhrase
What's this? | Create PayPhrase
More Buying Choices
95 used & new from $0.60

Have one to sell? Sell yours here
 
   
The Charterhouse of Parma (Modern Library Classics)
 
 

The Charterhouse of Parma (Modern Library Classics) (Paperback)

~ (Author), Robert A. Parker (Illustrator), (Translator) "On May 15, 1796, General Bonaparte entered Milan at the head of that young army which had lately crossed the Lodi bridge and taught the..." (more)
Key Phrases: aviary window, dreadful racket, marble chapel, Count Mosca, Marchese Crescenzi, Marchesa Raversi (more...)
4.0 out of 5 stars  See all reviews (35 customer reviews)

List Price: $11.95
Price: $9.56 & eligible for FREE Super Saver Shipping on orders over $25. Details
You Save: $2.39 (20%)
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
In Stock.
Ships from and sold by Amazon.com. Gift-wrap available.

Want it delivered Tuesday, November 17? Choose One-Day Shipping at checkout. Details
30 new from $2.99 64 used from $0.60 1 collectible from $11.95

Formats

Amazon Price New from Used from
  Kindle Edition, September 28, 2006 $9.56 -- --
  Hardcover, November 2, 1992 $15.60 $11.40 $1.40
  Paperback, September 11, 2000 $9.56 $2.99 $0.60
  Unknown Binding -- -- $6.00

Frequently Bought Together

The Charterhouse of Parma (Modern Library Classics) + The Red and the Black (Penguin Classics) + Love (Penguin Classics)
Price For All Three: $28.44

Show availability and shipping details

  • This item: The Charterhouse of Parma (Modern Library Classics) by Stendhal

    In Stock.
    Ships from and sold by Amazon.com.
    Eligible for FREE Super Saver Shipping on orders over $25. Details

  • The Red and the Black (Penguin Classics) by Stendhal

    In Stock.
    Ships from and sold by Amazon.com.
    Eligible for FREE Super Saver Shipping on orders over $25. Details

  • Love (Penguin Classics) by Stendhal

    In Stock.
    Ships from and sold by Amazon.com.
    Eligible for FREE Super Saver Shipping on orders over $25. Details


Customers Who Bought This Item Also Bought

Love (Penguin Classics)

Love (Penguin Classics)

by Stendhal
4.4 out of 5 stars (7)  $10.88
Lost Illusions (Modern Library Classics)

Lost Illusions (Modern Library Classics)

by Honore De Balzac
4.7 out of 5 stars (20)  $11.96
Cousin Bette (Modern Library Classics)

Cousin Bette (Modern Library Classics)

by Honore De Balzac
4.6 out of 5 stars (23)  $10.40
The Black Sheep (Penguin Classics)

The Black Sheep (Penguin Classics)

by Honoré de Balzac
4.5 out of 5 stars (4)  $10.88
The Red and the Black (Modern Library Classics)

The Red and the Black (Modern Library Classics)

by Stendhal
3.8 out of 5 stars (5)  $9.95
Explore similar items

Editorial Reviews

Amazon.com Review

Officer, diplomat, spy, journalist, and intermittent genius, Marie Henri Beyle employed more than 200 aliases in the course of his crowded career. His most famous moniker, however, was Stendhal, which he affixed to his greatest work, The Charterhouse of Parma. The author spent a mere seven weeks cranking out this marvel in 1838, setting the fictional equivalent of a land-speed record. To be honest, there are occasional signs of haste, during which he clearly bypassed le mot juste in favor of narrative zing. So what? Stendhal at his sloppiest is still wittier, and wiser about human behavior, than just about any writer you could name. No wonder so meticulous a stylist as Paul Valéry was happy to forgive his sins against French grammar: "We should never be finished with Stendhal. I can think of no greater praise than that."

The plot of The Charterhouse of Parma suggests a run-of-the-mill potboiler, complete with court intrigue, military derring-do, and more romance than you can shake a saber at. But Stendhal had an amazing, pre-Freudian grasp of psychology (at least the Gallic variant). More than most of his contemporaries, he understood the incessant jostling of love, sex, fear, and ambition, not to mention our endless capacity for self-deception. No wonder his hero, Fabrizio de Dongo, seems to know everything and nothing about himself. Even under fire at the Battle of Waterloo, the young Fabrizio has a tendency to lose himself in Napoleonic reverie:

Suddenly everyone galloped off. A few moments later Fabrizio saw, twenty paces ahead, a ploughed field that seemed to be strangely in motion; the furrows were filled with water, and the wet ground that formed their crests was exploding into tiny black fragments flung three or four feet into the air. Fabrizio noticed this odd effect as he passed; then his mind returned to daydreams of the Marshal's glory. He heard a sharp cry beside him: two hussars had fallen, riddled by bullets; and when he turned to look at them, they were already twenty paces behind the escort.
The quote above, a famous one, captures something of Stendhal's headlong style. Until now, most English-speaking readers have experienced it via C.K. Scott-Moncrieff's superb 1925 translation. But now Richard Howard has modernized his predecessor's period touches, streamlined some of the fussier locutions, and generally given Stendhal his high-velocity due. The result is a timely version of a timeless masterpiece, which shouldn't need to be updated again until, oh, 2050. Crammed with life, lust, and verbal fireworks, The Charterhouse of Parma demonstrates the real truth of its creator's self-composed epitaph: "He lived. He wrote. He loved." --James Marcus --This text refers to the Hardcover edition.


Review

"The Charterhouse of Parma has never sparkled in English with such radiance as it does in Richard Howard's new translation."
--Edmund White

"[A] superb new translation."
--Bernard Knox, The New York Review of Books

"An epic tale of war, love, sex, politics, and religion...an action-packed narrative."
--The New Yorker -- Review

Product Details

  • Paperback: 560 pages
  • Publisher: Modern Library; Modern Library Paperback edition (September 12, 2000)
  • Language: English
  • ISBN-10: 0679783180
  • ISBN-13: 978-0679783183
  • Product Dimensions: 8 x 5.2 x 1.2 inches
  • Shipping Weight: 1.1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (35 customer reviews)
  • Amazon.com Sales Rank: #625,229 in Books (See Bestsellers in Books)

    Popular in this category: (What's this?)

    #24 in  Books > Literature & Fiction > Authors, A-Z > ( S ) > Stendhal

More About the Authors

Discover books, learn about writers, read author blogs, and more.

Inside This Book (learn more)




What Do Customers Ultimately Buy After Viewing This Item?

The Charterhouse of Parma (Modern Library Classics)
75% buy the item featured on this page:
The Charterhouse of Parma (Modern Library Classics) 4.0 out of 5 stars (35)
$9.56
The Red and the Black (Penguin Classics)
9% buy
The Red and the Black (Penguin Classics) 4.4 out of 5 stars (55)
$8.00
The Charterhouse of Parma (Oxford World's Classics)
8% buy
The Charterhouse of Parma (Oxford World's Classics) 4.6 out of 5 stars (9)
$11.95
Love (Penguin Classics)
5% buy
Love (Penguin Classics) 4.4 out of 5 stars (7)
$10.88

Tags Customers Associate with This Product

 (What's this?)
Click on a tag to find related items, discussions, and people.
 

Your tags: Add your first tag
 

 

Customer Reviews

35 Reviews
5 star:
 (18)
4 star:
 (8)
3 star:
 (4)
2 star:
 (2)
1 star:
 (3)
 
 
 
 
 
Average Customer Review
4.0 out of 5 stars (35 customer reviews)
 
 
 
 
Share your thoughts with other customers:
Most Helpful Customer Reviews

 
53 of 56 people found the following review helpful:
5.0 out of 5 stars Bliss, June 2, 2000
By Rafi Zabor (Brooklyn, NY) - See all my reviews
I'm a longtime fan of this wonderful novel which until recently almost no one seemed to read. There is nothing like it in the whole of literature, and the good reader is exhilirated and refreshed by the blast of Stendhal's sustained burst of inspiration: done in six and a half weeks and he lopped off the last 150 pages at the publisher's request (and realized his mistake but couldn't find the sheets: keep looking, folks). New readers are advised to plow through the first 50 pages, which are just as good as the rest of the book but from which it is very difficult to catch the book's unique tone; the great set-piece of the Battle of Waterloo will set you straight. I'm not sure that the vaunted new Richard Howard translation is better than the reliable old waddle of the Penguin, but that might just be my hankering for a familiar flavor. But what a book! Bliss to read it, and the Duchessa Sanseverina might well be the most magnificent woman in the whole of literature; she's certainly the only woman of such stature in 19th century fiction who doesn't have to pay the price for it by a suicide in the last chapter. Much of the book's inimitable energy derives from the enjambment of a whole range of incompatibles: a story out of renaissance Italy set in post-Napoleonic times; characters simultaneously seen from the perspective of great worldly experience and that of an enthusiastic adolescence conceiving them as larger than life (Mosca and the Duchessa primarily, but also demi-villains like the Prince and the hilarious Rassi); and so on. Fabrizio is a dashing cipher, is occasionally idiotic, the very archetype of impassioned inexperience. All right, Clelia Conti is irredeemably dull in a book suffused by the Duchessa's nearly superhuman radiance, but her stint as the bird-woman of the Farnese Tower raises to the pitch of inspired looniness Stendhal's sense of the world as a place in which all essential thought and emotion are sentenced to a fugitive life and an interminable series of codes and disguises. Fabrizio's terror of engaging with his auntie the Duchessa generates the subsequent phantasmagoria of prisons, intrigues, revolutions; and yet the tone is that of some crazed, inspired operetta, the characters speak in recitative, and the multiple ironies of character and tale serve not to distance us from life, as our modern irony usually does, but to embrace an astounding range of living contradictions. A last one such: notice that despite the utter scarcity of physical description, the sensory world comes to you crystal clear, vivid as can be. Major magic working here. The book is a source of joy for anyone who enters it whole, and nothing this side of Shakespeare is as bracing. I'm so glad it's being taken up and read again.
Comment Comment | Permalink | Was this review helpful to you? Yes No (Report this)



 
34 of 39 people found the following review helpful:
5.0 out of 5 stars This novel should be regulated as an addictive substance, May 12, 1998
By Jeffrey R Galipeaux (Aptos, CA USA) - See all my reviews
Can we make a better book today than The Charterhouse of Parma? No. Stendhal breaks rules right and left and is not always graceful, but the completeness of his fictional universe is staggering. Here is a man who could tell sweeping, epic stories in terms of minute personal expression, and tell them with humane wit. Funnier than James', unburrdened by Tolstoy's morality, more penetrating than Balzac's, and more approachable than Dostoyevsky's, Stendhal's literary universe is one of the most pleasing and evocative for the modern reader, and The Charterhouse of Parma is his masterpiece. Read this book, now!
Comment Comment | Permalink | Was this review helpful to you? Yes No (Report this)



 
13 of 13 people found the following review helpful:
5.0 out of 5 stars Great book, but avoid Howard, August 1, 2003
By A. Lowry (Madison, MS United States) - See all my reviews
(REAL NAME)   
Hard to say whether Charterhouse or Red & Black is better; lately I lean to Red & Black (get Catherine Slater's Oxford translation; shun the new B. Raffel paraphrase). The fun of reading Stendhal, I think, is his narration; one briefly feels as clever, as observant, as clear-headed, as the narrator.

The Modern Library has apparently decided that, with so many good Stendhal translations out there (Slater; Mauldin's Charterhouse; the NEW Penguin R & B; Lowell Bair's Charterhouse), it has a duty to provide bad ones. Richard Howard's translation has errors that even my schoolboy French can pick up. The New Criterion (which may have its own bones to pick w/ Mr. Howard, true) listed a great many flaws in his command of the French. And he's tone deaf to Stendhal in many of my favorite passages (not as bad as the old Shaw Penguins, but bad enough). If you read Howard's Stendhal & think you don't like him, try a better translation.

Comment Comment | Permalink | Was this review helpful to you? Yes No (Report this)


Share your thoughts with other customers: Create your own review
 
 
 
Most Recent Customer Reviews

5.0 out of 5 stars Perhaps the sexiest novel ever written
The key to this novel, and why it has lasted for over 150 years, is like that of _The Red and The Black_: Because of their quick intelligence, the main characters see what they... Read more
Published 2 months ago by T. M. Teale

4.0 out of 5 stars The "Charterhouse" Conundrum
This will be mainly a note on translations--and a rather muddled one at that.

Years before I read "Charterhouse of Parma" I read "Red and Black," and one thing I... Read more
Published 7 months ago by jcd

1.0 out of 5 stars A BAS MONCRIEFF!
C.K. Scott-Moncrieff's disastrous translations of Stendhal are still available in Everyman's Library and you should avoid them like the plague. Read more
Published 18 months ago by John Stahle

2.0 out of 5 stars What Did I Miss?
Wow - definitely a minority here since everyone else totally dug the book. Puzzling. I love historical fiction, especially about England or Italy. Read more
Published on April 14, 2007 by J. Perkins

5.0 out of 5 stars Try the Mauldon translation
Rater25's comment on the disappointing new Sturrock translation doesn't take into account Margaret Mauldon's version for Oxford, which I found delightful & without Howard's... Read more
Published on February 25, 2007 by A. Lowry

2.0 out of 5 stars Disappointing.
What a disappointment! I ordered this item from the UK because it was available there many months prior to its publication in the US. Read more
Published on February 21, 2007 by rater25

5.0 out of 5 stars A classic
This is really one of those classic European novels from the early 19th century. It's written in a true romantic format: lengthy at times and not a whole lot of actions in today's... Read more
Published on January 9, 2007 by Edina E. Jambor

4.0 out of 5 stars Passion and Poison in Parma
The Charterhouse of Parma is an unforgettable mess, half operatic melodrama, half micro-analysis of Europe's petty absolutist courts on the eve of democracy. Read more
Published on May 1, 2006 by Arch Llewellyn

4.0 out of 5 stars Clumsy but intriguing narrative flavor, 1839 vintage
This challenged me, and I've read my share of 19c novels. I read for hours straight, and barely budged its bulk. Read more
Published on March 12, 2006 by John L Murphy

3.0 out of 5 stars Plots and counterplots
I recently came across this book in a used book store and while thumbing through its pages remembered that while enrolled in a French literature class in college I had been... Read more
Published on June 22, 2005 by Jerry Clyde Phillips

Only search this product's reviews



Customer Discussions

This product's forum
Discussion Replies Latest Post
No discussions yet

Ask questions, Share opinions, Gain insight
Start a new discussion
Topic:
First post:
Prompts for sign-in
 


Active discussions in related forums
Search Customer Discussions
Search all Amazon discussions
   




Product Information from the Amapedia Community

Beta (What's this?)


Look for Similar Items by Category


Look for Similar Items by Subject

 

Feedback

If you need help or have a question for Customer Service, contact us.
 Would you like to update product info or give feedback on images?
Is there any other feedback you would like to provide?

Your comments can help make our site better for everyone.


Your Recent History

 (What's this?)

After viewing product detail pages or search results, look here to find an easy way to navigate back to pages you are interested in.