Amazon.com Review
Five years after his dismissal for fabricating stories, former
New Republic hotshot reporter Stephen Glass released
The Fabulist, a novel telling the story of a hotshot reporter named Stephen Glass who is fired after fabricating stories. And while the original incident provoked outrage, especially in Washington,
The Fabulist is a mostly an empty exercise, devoid of strong characters, compelling action, or, finally, a reason to exist. Glass told lies, got caught, got fired, and then wrote a book about it. Why should we care? While interesting possibilities surely existed in tracing the arc of a career of fakery, Glass chooses instead to begin his story just as "Stephen" is being exposed for the first time. He fills the rest of the book by taking us through the character's dull and lengthy process of recovery as he seeks sanctuary with his parents, changes girlfriends, finds a new job and a new apartment, and avoids the spotlight of his scandal.
The Fabulist is populated with characters seemingly pulled from the scrap heap of numerous failed sitcoms: the Egotistical Boss, the Girlfriend Who Doesn't Understand, the Pushy Older Jewish Lady with a Single Granddaughter, and the Comically Mysterious Co-workers. Many of the characters are reportedly based on real people and are portrayed, disappointingly, as jerks and fools more deserving of derision than apology. Perhaps the most distressing part of The Fabulist is that there's no heart and no center. The central character, the only hero we are offered, never seems to understand who he is. He lies, those lies get him in trouble, he searches for an explanation or redemption for his actions, but neither he nor we ever understand what is to be gained from it all. Could the enterprise have been clearer as a nonfiction tell-all testimonial? Maybe. Would it be believed coming from the pen of Stephen Glass? Maybe not. But regardless of what one thinks of the ethics of the situation, it's disappointing that a writer of Glass's skill and obvious imagination couldn't come up with a more interesting novel. After all, he's written so much fiction in the past. --John Moe
Product Description
A NOVEL OF AN IGNOMINIOUS FALL, THE
RISE TO INFAMY, AND LIFE AFTER BOTH.
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It is the summer of 1998, and Stephen Glass is a young magazine journalist whose work is gaining more and more acclaim -- until a rival magazine tells Glass's editor that it suspects one of his stories is fabricated. As his editor sorts out the truth, Glass is busy inventing it -- spinning rich and complex blends of fact and fiction, and exploiting the gray world in between.
But Glass is caught. His fabulism is uncovered and his career instantly unravels. Worse, his editor learns that it's not the first time. Soon, a long history of invention, passed off as journalism, emerges.
Glass suddenly becomes a household name -- an emblem of hubris and a flashpoint for Americans' distrust and dislike of the press. The media is consumed with the story: Once the young man who had been known for mastering the "takedown" article, Glass now becomes the one every journalist wants to take even further down. Once the hunter, Glass becomes the hunted -- the story of the year.
Glass responds to this agonizing public scrutiny with a self-imposed exile, first near Chicago with his family and then in the anonymous suburbs of Washington, D.C. There, he begins a long personal struggle with his misdeeds, working out his own answers to the questions of why he fabricated, how he can learn to stop lying, and whether, at age twenty-five, he has destroyed his life irrevocably.
Glass encounters a world far stranger than his own fabrications -- one populated by eccentric coworkers, ailing animals, angry masseuses, sexy librarians, competitive bingo players, synchronized swimmers, a soulful stripper, and a mysterious guardian angel who dresses only in purple. Meanwhile, Glass is chased by marauding journalists whose desperation and ruthlessness manage to match even his own.
As he dodges his pursuers, Glass grasps at straws only to find that, wondrously, they sometimes hold. Despite himself, he rediscovers the Judaism he'd left far behind in Hebrew school, and falls helplessly in love with a young woman who turns out to have her own shameful past.
In the end, The Fabulist is as much about family, friendship, religion, and love -- about getting through somehow, even when it seems impossible -- as it is about reality and fantasy. At once hilarious and harrowing, The Fabulist is one of the year's most provocative novels.
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