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Richard III (Folger Shakespeare Library)
 
 
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Richard III (Folger Shakespeare Library) (Mass Market Paperback)

by William Shakespeare (Author) "Now is the winter of our discontent..." (more)
Key Phrases: King Edward, Prince Edward, Lord Hastings (more...)
4.1 out of 5 stars See all reviews (7 customer reviews)
List Price: $5.99
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Featured Author: William Shakespeare
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Editorial Reviews

Product Description

Each edition includes:


• Freshly edited text based on the best early printed version of the play

• Full explanatory notes conveniently placed on pages facing the text of the play

• Scene-by-scene plot summaries

• A key to famous lines and phrases

• An introduction to reading Shakespeare's language

• An essay by an outstanding scholar providing a modern perspective on the play

• Illustrations from the Folger Shakespeare Library's vast holdings of rare books


Essay by Phyllis Rackin


The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs.

About the Author
The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu.

Barbara A. Mowat is Director of Academic Programs at the Folger Shakespeare Library, Editor of Shakespeare Quarterly, Chair of the Folger Institute, and author of The Dramaturgy of Shakespeare's Romances and of essays on Shakespeare's plays and on the editing of the plays.

Paul Werstine is Professor of English at King's College and the Graduate School of the University of Western Ontario, Canada. He is the author of many papers and articles on the printing and editing of Shakespeare's plays and was Associate Editor of the annual Medieval and Renaissance Drama in England from 1980 to 1989.

See all Editorial Reviews

Product Details

  • Mass Market Paperback: 432 pages
  • Publisher: Simon & Schuster (June 22, 2004)
  • Language: English
  • ISBN-10: 0743482840
  • ISBN-13: 978-0743482844
  • Product Dimensions: 6.7 x 4.2 x 1.2 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars See all reviews (7 customer reviews)
  • Amazon.com Sales Rank: #45,558 in Books (See Bestsellers in Books)

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    #73 in  Books > Literature & Fiction > Drama > British & Irish > Shakespeare, William
    #82 in  Books > Literature & Fiction > Authors, A-Z > ( S ) > Shakespeare, William
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Inside This Book (learn more)
First Sentence:
Now is the winter of our discontent Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
King Edward, Prince Edward, Lord Hastings, King Henry, Enter Richard, Lord Stanley, Ito Queen, Lady Anne, Mistress Shore, Duke of Gloucester, King Richard, Enter Buckingham, Lord Chamberlain, Sir William Brandon, Stony Stratford, Lord of Buckingham, Lord Rivers, Saint George, Sir Christopher, Tower of London, Baynard's Castle, Enter Ratcliffe, George Stanley, Holy Rood, Sir Thomas Vaughan
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Citations (learn more)
This book cites 53 books:
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Richard III (Folger Shakespeare Library)
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Average Customer Review
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Most Helpful Customer Reviews

 
7 of 8 people found the following review helpful:
5.0 out of 5 stars Richard the Evil Hearted, September 13, 2005
Shakepeare's Richard is evil and manipulative to such an extreme degree that even his physical deformity cannot match up to the inner deformity that is revealed to the reader/audience in his private soliloquies. Having been portrayed as a conniving usurper to power by Thomas More during the early Tudor era he is actually savaged by Shakespeare and his legacy in historical terms has become one with the characterization that the bard gave us.

Richard is a muderous liar who kills anyone who gets in his way and he is contrasted with the righteously portrayed young Henry VII who returns from France to set things right.

The play is a wonderful read and study in Machiavellian manuevering for powers sake.

From the setting up of his brother Clarence to the murder of the young Princes in the Tower Richard who takes the audience into his confidence gradually becomes as appalling a character as Shakespeare ever created.

Much of what is later revealed of the capacity for people to scheme against their fellows in Claudius and Iago in the respective tragedies of Hamlet and Othello is begun here in Richard III.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Classic Shakespeare (i.e., sheer genius), November 22, 2007
It may not be Hamlet, but Richard III is still one of the finest works of literature ever created, in any medium. It's a classic piece of Shakespearian (and therefore, literary) character development, full of irony, wordplay, nuance, tension, imagery, and jaw-dropping poetic virtuosity. Shakespeare's Richard III is simply one of the most hypnotic and effectively portrayed characters of all time- he's a calculating, ruthless, cooly charismatic megalomaniac with bitter past and a knack for heroic feats of rhetoric. He's the quintessential antihero, a thoroughly despicable human being who is nonetheless incredibly fun to root for. Witnessing his swift, ruthless rise to power is a sheer visceral rush, and his monologues are deftly conceived works that drip with side poetry, cutting humor, and an almost charming sort of egotism. Reading or watching the play, one feels like they're the wicked king's confidante and co-conspirator, being allowed the unique privilege of peering into the amoral genius' twisted soul. The experience is exciting and cathartic. Of course, there's more to this play than one great character- the plot (which offers a seething glimpse of a chaotic post civil war England) is complex and engrossing, and sees Shakespeare hurling satirical darts at the corruption and pretensions of the nation's leaders. By allowing Richard to succeed by appealing to the greed, lust, and folly of those around him, Shakespeare sends a powerful warning about the cyclical nature and bottomless pitfalls of political villainy and oppression. At the same time, he paints a grim portrait of the ultimate outcomes of greed, egotism, selfishness, vengeance, and megalomania that still rings true to this day (and will probably do so until our species is extinct). Classic.
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5.0 out of 5 stars Portrait of a villain as an old man, January 17, 2008
By Gene Zafrin (Sleepy Hollow, NY) - See all my reviews
(REAL NAME)   
The play's appeal is disturbing. The self-proclaimed "naked villain", the murderer who knows neither pity nor regret, the conniving and lying viper is by far the most interesting character of the play. Richard's main merit is having Shakespeare speak for him. By virtue of spending more time on stage than any other character, Richard commands disproportionate attention from Shakespeare and enjoys the good fortune of Shakespearean language. From "the winter of our discontent" to "my kingdom for a horse", almost all memorable expressions are Richard's. For all his macabre plots, he is playful with language. He puns (as when he is treating "naught" as "naughty" in response to Brakenbury who is leading Clarence to the Tower). He cleverly finishes Margaret's long diatribe against him with a single "Margaret", sending the volley of her curse right back at her. He shows the widest range of emotion, from self-assured wisecracking to rambling rage.

For all his scheming evil, Richard has some remarkably attractive qualities. He can be disarmingly honest with himself and with the audience: he is surprised that Anne may see in him a "marv'los proper man" (he sees no such thing), he is fully aware that his "all not equals Edward's moiety" and that he "most plays the devil". Such self-reflection adds another dimension to Richard and compares favorably with simple self-involvement of some 20th century villains - certain heads of Communist and Nazi states. He is anything but a coward: at the end of the line, unhorsed, he continues to fight Richmond and despises Catesby's suggestion to withdraw.

The unquestionable evil that finds ways of being attractive creates an unsettling tension and sense of imbalance. Perhaps this is one of the qualities of great literature: it unobtrusively stirs up the embers of the reader's soul using its only poker - art.
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Most Recent Customer Reviews

2.0 out of 5 stars PUBLISHED AT POPULAR LEVEL; GO FOR ARDEN INSTEAD FOR THIS TRAGEDY FOR OUR TIMES
okay so Richard III was the Karl Rove of his day and then some and we have much to reflect upon our current killer politics now from observing this play. Read more
Published 9 months ago by C. Scanlon

2.0 out of 5 stars Richard III
The book is sold at a bargain price, but the font is too small for easy reading, and the paper is of poor quality.
Published 22 months ago by Dede Little

5.0 out of 5 stars Fast and Easy
I received my book quickly and in great condition. I had no problems buying this book from here. :)
Published on January 11, 2007 by M. Baeza

5.0 out of 5 stars Richard III, the Perfect Villain, my hero
This is the greatest of Shakespeare's plays.

The hunchbacked and ruthless title villain is what all villains have ascribed to be and yet can never attain... Read more
Published on June 21, 2006

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