The Artful Dodger: Images and Reflections (Hardcover)

Griffin and Sabine really are mysterious, and it's tricky to piece together their story from the fanciful, surrealistic bits the text, maps, stamps, and pictures provide. That's why fans will be ravenous to read Bantock's charmingly straightforward memoir, which lets us in on all kinds of secrets about his symbols and visual sources. Winged figures always signify transition, he says, "whether on a monkey, an angel, or a devil." Sabine's Sicmon Islands home derives from the English expression "sick as a parrot," which connects with the parrot on the first book's cover and expresses Griffin's ailing English soul--what he needs is a sensual, elusive Sabine to get his blood up. Both characters are warring parts of Bantock's own psyche.

You don't need to know a thing about them to revel in this book. It's spellbinding in its own right, partly for the artless narrative, but mostly for the hundreds of pictures and the fascinating intricacy of Bantock's creative process. Sabine done in ghostly charcoal and gold dust is exquisite, no matter who she might be. It's a bit spooky to learn that a 1970s French stamp Bantock bought from his local shop to go with one of Sabine's postcards turns out to have been classified as "Type Sabine" by the French Philatelic Society. It was taken from a David painting of the Sabine women, and was meant to symbolize "union"--the central theme of Bantock's trilogy.

There is plenty besides his greatest hit to delight the eye here. The book cover illustrations are arresting, particularly for Peter Ackroyd's bio Chatterton (though his depiction of T.S. Eliot's The Waste Land is drably silly). His pop-up books of Jabberwocky and The Egyptian Jukebox (a series of drawers full of museum-like objects that tell the tale of a mad millionaire's travels) are brilliant. Bantock's gift for collage does honor to his idol, Joseph Cornell, without being derivative. His wildly improbable life story proves that fate shares his enthusiasm for flights of fancy. --Tim Appelo

From Publishers Weekly
Reading Bantock's latest lavishly illustrated novel, the first in his new Morning Star trilogy and the continuation of the saga of Griffin and Sabine, is like going on a delightful treasure hunt. Here an exotic photograph tucked in an exquisitely designed envelope, there a charming ticket receipt for a mysterious packet of letters. The author's skill at revealing plot through allowing readers the voyeuristic thrill of literally opening and reading other people's mail, and his considerable artistic talents are the source of the book's originality. Fans of Bantock's popular Griffin & Sabine trilogy will be delighted by that duo's reappearance here. Matthew Sedon, an Egypt-based archeologist, receives a note one day from Sabine, a woman he doesn't remember ever meeting, instructing him to pick up a packet of letters in storage in Alexandria. These letters are the love correspondence of Griffin and Sabine. When Matthew shares them with his grad student girlfriend in Paris, Isabella de Reims, she discovers that they refer to the bizarre visions she sees in waking dreams. Newcomers may feel left out by references to material from the previous books, and the epistolary form has its drawbacks, glossing over key information and hinting at tantalizing things to come. Though there's not much the author can do with 56 pages, nearly half of them pure illustration, the growing passion between Matthew and Isabella portends future intrigue in this new trilogy.

Copyright 2001 Cahners Business Information, Inc.

• Books > Arts & Photography > Artists, A-Z
• Books > Arts & Photography > Design & Decorative Arts > Graphic Design > Graphic Arts
• Books > Arts & Photography > History & Criticism
• Books > Biographies & Memoirs
• Books > Comics & Graphic Novels > Graphic Novels
• Books > History > Europe > England
• Books > Literature & Fiction > History & Criticism > Criticism & Theory
• Books > Literature & Fiction > World Literature > British