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Temples of Sound: Inside the Great Recording Studios (Paperback)

~ William Clark (Author), (Author), Quincy Jones (Foreword) "Rock and roll may have ruled near the end of the decade, but the 1950s were really the golden age of pop..." (more)
Key Phrases: New York, New Orleans, Bill Putnam (more...)
4.2 out of 5 stars  See all reviews (13 customer reviews)

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Product Description

All great music has a birthplace. Temples of Sound tells the stories of the legendary studios where musical genius and a magical space came together to capture some of the most exciting jazz, pop, funk, soul, and country records ever made. From the celebrated Southern studios of Sun and Stax, to the John Coltrane/Miles Davis sessions in producer Rudy Van Gelder’s living room, to Frank Sinatra’s swinging cuts at state-of-the-art Capitol Records, each of the 15 profiles in this book brings great music to life at the moment of its creation. With a trove of never-before-seen photographs and fascinating, all-new interviews with the musicians and producers who made the records, Temples of Sound is a rich inspiration for music fans.


About the Author

Jim Cogan has worked for 15 years as a recording engineer and producer, resulting in some of the most critically acclaimed albums in jazz of the past 20 years. He lives in Milwaukee.

William Clark is a playwright, songwriter, and award-winning author who currently writes for a prime time television series. A lifelong music lover, he lives near Washington, D.C.

Product Details

  • Paperback: 224 pages
  • Publisher: Chronicle Books (March 2003)
  • Language: English
  • ISBN-10: 0811833941
  • ISBN-13: 978-0811833943
  • Product Dimensions: 9.9 x 7.4 x 0.9 inches
  • Shipping Weight: 1.8 pounds
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (13 customer reviews)
  • Amazon.com Sales Rank: #711,034 in Books (See Bestsellers in Books)

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Jim Cogan
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Front Cover | Front Flap | Table of Contents | First Pages | Index | Back Flap | Back Cover | Surprise Me!
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Inside This Book (learn more)
First Sentence:
Rock and roll may have ruled near the end of the decade, but the 1950s were really the golden age of pop. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, New Orleans, Bill Putnam, Blue Note, Jim Stewart, Ray Charles, Jerry Wexler, United Western, Tom Dowd, Brian Wilson, Los Angeles, Sam Phillips, Atlantic Records, Pet Sounds, Ahmet Ertegun, Frank Sinatra, Jerry Butler, Joe Tarsia, Miles Davis, Nelson Riddle, Sigma Sound, Sonny Boy, Beach Boys, Marvin Gaye, Steve Cropper
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Front Cover | Front Flap | Table of Contents | First Pages | Index | Back Flap | Back Cover | Surprise Me!
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Customer Reviews

13 Reviews
5 star:
 (8)
4 star:
 (2)
3 star:
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2 star:
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Average Customer Review
4.2 out of 5 stars (13 customer reviews)
 
 
 
 
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25 of 30 people found the following review helpful:
1.0 out of 5 stars A Dissenting Review, April 30, 2003
By A Customer
While I have enjoyed reading the book, I would not
have purcased it had I known how little it actually
contains about the rooms. As someone interested in
audio engineering, I was hoping it would have a lot of
information about the rooms themselves, with dimensions,
acoutic treatments, unusual equipment used, etc. Instead,
the book tells the story of the studio mostly around
which artists recorded there. I don't really need to
see a list of who recorded for Sun Records, I want to

know what Sam Phillips did to make the room sound the way
it did. I want details of the famous Capitol echo chambers.
This book does not provide the sort of information
the title implies.

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8 of 8 people found the following review helpful:
2.0 out of 5 stars +1/2 -- Fails to deliver on its excellent thematic promise, May 11, 2005
The book's stated theme, "inside the great recording studios," is a tantalizing one. Unfortunately the authors rarely deliver the reader inside the temples themselves. Instead, they spend an inordinate amount of text rehashing introductory material about artists, songs, labels, musical genres and scenes. It's not necessarily uninteresting, but it leaves readers in the lobby, rather than actually taking them into the studio.

Worse, the writing is hugely uneven. The chapter on Atlantic is just that, a chapter on the Atlantic label, with tidbits about the studios they used. The chapter on Columbia, on the other hand, does a nice job of communicating the label's producers' emotional attachment to their studios. The text itself ranges from well-written to hyperbolic ("It is indisputable: there is no one label that had as much impact on the development of rock from the 1950s to the 1970s as Chess.") and overly clever ("Everyone wanted in, and the [Chess] brothers, refashioned as record men, kept adding more pawns to the Chess set.").

What this book does accomplish is a grounding of hit songs at their physical points of creation. It untangles the juxtaposition of Top-40 radio and strips away the music industry's placelessness by re-contextualizing songs with the writers, producers, engineers and musicians who created them. Who knew that Eric Clapton's "Layla" was recorded in Florida, within the same studios that reverberated with Hank Ballard's "The Twist," The Eagles' "Hotel California," and The Bee Gees "How Deep is Your Love?"

The book's photos provide intimate views of studios in use (not to mention, under construction), it's a shame that the accompanying text isn't as fully detailed on the technical and artistic inner-workings of these "temples of sound."
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7 of 7 people found the following review helpful:
5.0 out of 5 stars If you have ever played, studied or enjoyed good music......, May 11, 2003
By A Customer
Ths book was a real pleasure to read. I'm not a musician or recording engineer....I'm just a finance geek who likes good music. Nevertheless, this book was written in such an understandable way that even us non-musical types can follow along with the recording processes. I knew about the book from a friend. As I started to read it I expected that I would enjoy learning about how music was made in various recording studios around the country. What I did not expect (and was very pleased to experience) were the concise and very diverse stories of the people. Stories of the owners, artists and engineers that made the recording studio and the corresponding musical output a reality coming out of the radio or CD player. As I read each studio chapter and looked at the corresponding pictures (FABULOUS!) images were painted of some of the dynamic processes, individuals and cultural influences that culminated in songs that became the soundtrack to our American lives. This book truly captured the sweat, soul and drive that went into producing our American soundtrack. A pleasure from the first page to the last. A must read for anyone who plays music, who is in the music industry or who (like many of my fellow corporate souls) simply enjoys good music. From the Stones to Dean Martin to Patsy Cline...it all comes alive. Buy the book.
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Most Recent Customer Reviews

5.0 out of 5 stars It's a FUN Read
With all the documentaries out there today, it's sometimes easy to forget the expression "The Joy of Music". Thankfully, Mr. Read more
Published on January 25, 2005 by Len Kozempa

4.0 out of 5 stars Those were the days
"Temples of Sound" is an interesting and inspiring look at some popular American recording studios, mostly from the late 1950s and early 60s, but with a few nods to the later... Read more
Published on December 29, 2003 by kennedy19

3.0 out of 5 stars It's OK, not great
I just can't muster the enthusiasm of other reviewers for this book. Perhaps most interesting and informative are the stories of how some of the best recordings of the golden... Read more
Published on September 22, 2003 by THX1138b

5.0 out of 5 stars Really interesting!
Great book, especially after recently seeing the movie, "Standing in the Shadows of Motown." A must-read for any musicologist, especially one who grew up with all of... Read more
Published on July 25, 2003 by C. L. Morton

5.0 out of 5 stars This Ain't NoTemple, This Ain't No Disco
This ain't no temple, this ain't no disco, this ain't no foolin' around-it's just a rockin' good read, and one of the best books ever on the recording industry. Read more
Published on July 8, 2003 by Matt H Newman

5.0 out of 5 stars This Ain't No Disco, This Ain't No Temple
This ain't no temple, this ain't no disco, this ain't no foolin' around-it's just a rockin' good read, and one of the best books ever on the recording industry. Read more
Published on July 4, 2003 by Matt H Newman

5.0 out of 5 stars Fast and loose...
Fab, energetic, genuine.. Cogan and Clark have revived the days of soul making music from music making souls, their agents, and cohorts in this faithful rendering of what truly... Read more
Published on May 27, 2003

5.0 out of 5 stars Fast and loose...
Fab, energetic, genuine.. Cogan and Clark have revived the days of soul making music from music making souls, and their agents, and cohorts in this faithful rendering of what... Read more
Published on May 27, 2003

5.0 out of 5 stars Music buffs will love this book!
This book tells the behind the scenes stories of some of your favorite music from the 40s to the 70s. Whether your favorite music is rock, soul, pop, or jazz--it'a all here. Read more
Published on April 16, 2003

4.0 out of 5 stars SOUND ADVICE, GREAT TALES, SUPER PHOTOS AND A THIN ARETHA
We'd like to sound off on "Temples of Sound." And that's a good thing, for this "Temple" is as much a travelogue as a holy tome that trips through tuneful timelines. Read more
Published on February 3, 2003 by Alan W. Petrucelli

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