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Paul McCartney: Paintings [ILLUSTRATED] (Hardcover)

by Paul McCartney (Author, Painter), Brian Clarke (Collaborator), Julian Treuherz (Collaborator), Barry Miles (Collaborator), Wolfgang Suttner (Collaborator), Christoph Tannert (Collaborator)

4.2 out of 5 stars See all reviews (13 customer reviews)

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Editorial Reviews

Amazon.com Review
Tony Bennett, David Byrne, and occasionally David Bowie all do it--they make art. With the introduction of Paul McCartney: Paintings, we can now add the famous Beatle to the list. The book is a catalog of paintings from McCartney's 1999 exhibition in Germany. Music and art have many things in common; for McCartney it is the freedom to "play" that connects both endeavors. Fittingly, his paintings draw most of their influence from abstract expressionism, in which the material quality of the paint itself inspires the drips, blobs, and splatters. His paintings range from cartoon-like figures and faces to open landscapes. The colors are dynamic with varying thicknesses of paint, some with marks scratched into the surface, all with stories and symbolic value.

From the illustrations and accompanying essays to the very candid interview, we are given remarkable insight into McCartney's practice as a committed creative person. He confides his insecurities as a painter who has never gone to art school, and his defining moments as an artist both musically and visually. There is an unusually generous section in which McCartney discusses many of the paintings in the book; it's a behind-the-scenes look as he elaborates on the personal meanings behind certain symbols, tells stories and anecdotes, and acknowledges his painterly influences, specifically Willem de Kooning. Also included are personal photographs of the artist at work, 117 color illustrations, and 17 duotone photographs. --J.P. Cohen

From Publishers Weekly
Yes, it's him, and no, they're not bad. In 1982, after years spent as a collector and in the company of artists, McCartney began painting his first canvases, inspired (as he notes repeatedly in the various interviews here), primarily by the late Willem de Kooning, who lived down the road from him at the time. The paintings he produced then and sinceAselected here in 117 color illustrations and 17 duotone photosAreadily show the late de Kooning's influence: lush color washes, careful blocking of the canvas, airy abstraction. The problem is that none of McCartney's paintings in this style approach his models in terms of brush work, or significance. Inane titles and commentary on the work do not help matters. McCartney and interlocutor Wolfgang Suttner, a culture bureaucrat in the German county of Siegen-Wittgenstein, have the following exchange over Big Mountain Face, which furnishes the book's cover: Suttner: "It is the McCartney style, it is drainage. I think we talked about this picture being like the face in the mountain." McCartney: "Yes, like Mount Rushmore, the monumental faces of American presidents. It's as if someone has carved this great big face on the side of the mountain." A loose assortment of little-known art journalists with varying degrees of separation from McCartney (one was "supported by McCartney" in a gallery endeavor and is a former editor of the Beatles' literary imprint, Zapple), provide further insights into works like Boxer lips, Sea God, Mr. Kipps; Brains on Fire and Bowie Spewing (McCartney: "Which means being sick"). But the paintings are pleasant to look at, at times evoking Philip Guston (White Dream) and '80s landscape artist Christian Brechneff, and fans will be happy to see their man has a hobby at which he excels. (Sept.)
Copyright 2000 Reed Business Information, Inc.

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Product Details

Hardcover: 148 pages
Publisher: Bulfinch; 1st edition (September 2000)
Language: English
ISBN-10: 0821226738
ISBN-13: 978-0821226735
Product Dimensions: 12.8 x 10.4 x 0.9 inches
Shipping Weight: 3.2 pounds

Average Customer Review: 4.2 out of 5 stars See all reviews (13 customer reviews)

Amazon.com Sales Rank: #391,739 in Books (See Bestsellers in Books)
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1 book cites this book:

The Ultimate Beatles Quiz Book II by Michael J. Hockinson on page 294

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Customer Reviews

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36 of 39 people found the following review helpful:

4.0 out of 5 stars Luigi Will Be Most Satisfied, September 25, 2000

By	"m1974" (St. Pancras, Noord-Holland, Netherlands) - See all my reviews

Paul McCartney only cautiously agreed to publish this book of paintings, fearing, quite rightly, he would be categorized as just a 'celebrity painter' - the Stallone and Curtis kind. "I know I'll be getting a few snide comments for doing this book - it seems that if you approach the art world by one route, that's OK, but if you've come via another route, then it invites prejudice. In fact [...], one 'critic' wrote that I 'shouldn't be allowed to do this.'"

The simple, almost child-like honesty with which McCartney comments on this crossing into a different field, manifests itself in his paintings: they carry schoolboy-naughty titles like 'The Queen After Her First Cigarette' and 'Bowie Spitting', often display bright, simple colors, and have the kind of surprised pleasantness - for example "Ancient Connections" - which is often associated with children.

That said, his work is actually pretty good. Its diversity (there are abstract paintings, figurative paintings, portraits, surrealist ones) is a plus, as is the execution, which reveals McCartney has a keen eye for colors and shapes (composition and detail, i.e. the more technical side of painting, are of lesser interest to McCartney, who said: 'I like the primitive approach, so if I learn to sail I don't take sailing lessons: I get into a boat and capsize a lot. It's actually very much my philosophy and it works equally well in painting and in music.')

For people who are unaware, it should be pointed out that McCartney was a key figure in sixties' London, not only in the music field but also in the underground movement, doing collages, experimental music (long before Lennon), and drawings for the International Times paper and Indica Gallery, as well as collecting Magrittes and befriending Willem De Kooning. Also, he was the brain behind such legendary covers as "Sgt. Pepper's Lonely Heart's Club Band" (1967) and "Abbey Road" (1969).

Some of the paintings in this book remind of the ones featured in the "Standing Stone" CD booklet, which he'd done to illustrate the story of that 1997 classical piece. Big, three-dimensional (it's as if they're made out of shiny plastic) figures with soft, often sandy yellow, pastel colors. In paintings like "Unspoken Words", "Ancient Connections" and "Yellow Celt" (all featured in this book) McCartney effectively uses this style. They are the best ones in his catalogue.

In a way, his paintings - bright, simple, enjoyable, shapely - are the equivalent of his musical work. His approach is best summed up by himself: "In my mind I have a friend who is Luigi. Luigi owns a restaurant and he's got an alcove, and he always needs a painting for it. So whatever I'm doing, if I ever get that terrifying moment I say: 'It's for Luigi's alcove, Luigi will like this.' And he just lets me off - it frees my head for two seconds and then I'm over the hurdle and I can carry on. Luigi's alcove is one of my huge saviours."

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10 of 10 people found the following review helpful:

5.0 out of 5 stars Unpretentious Art!, May 4, 2001

By	Martyn Etherington "martynetherington" (Oregon USA) - See all my reviews

Regardless of the high brow reviews of this book, I chose to purchase this book to see if this was another celebrity who found art and realized their celebrity could sell their art. Bottom line I had hoped that McCartney's personality would triuumph and his down to earth philoposphy would come through. Indeed it did and this is the first Unpretentious book on Art I have ever read. If anyone has the desire to paint, draw or create but is held back through social conditioninig this book is for you. McCartney albeit through interviews and ghost writers tells how he himself freed himself from his own perfectionist procrastination mode and at the age of 40 painted. What resulted I found to be liberating in the way that in his celebrity circle of friedns he learned from William De Kooning how to "kill the canvas" and get over the fear of standing in front of a blank canvas. Additionaly McCartney goes onto explain his creative process for his paintings again influenced by De Kooning. He discussed how he would write a friends name on a canvas or a sketch or just a smudge of paint and see what stimulated his creative enery to produce and be led by creativity instead of coming to the easle prepared with a pre-conceived idea. McCartney never pretends to be a De Kooning or indeed a high brow artist. He comes across as someone who enjoys the process and output that art offers. Through his own conditioning he is also seeking the feedback for his efforts, regardless of the technicalities I for one see his work as inspirational and has encouraged me to go and "kill the canvas" myself.

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8 of 8 people found the following review helpful:

5.0 out of 5 stars Dripping with color, July 12, 2001

By	C. Fletcher (California) - See all my reviews (REAL NAME)

It's a joy to flip through this book of wildly inventive faces and colorful dreamscapes. There is a freedom and a vibrance to McCartney's paintings, that, like his music, can't help but draw you in and infect you with a buoyant kind of wonder.

These paintings tear at the boundaries of what you think can and can't be done. They're appealing and yet completely unpredictable. In short, they are paintings from the same imagination that came up with both "I Will" and "Why Don't We Do It in the Road?" and then had the not-so-common-sense to put them back-to-back on the same record.

McCartney is obviously setting the artist inside free with these bold, bright canvases. Whether this is great art, that is really a question that each pair of eyes must answer in its own way, in its own unique language.

I for one am glad that McCartney has chosen to make his paintings public. I find these colorful canvases, and the artisitic courage that propelled them into being, quite inspiring.

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Most Recent Customer Reviews

5.0 out of 5 stars One of the best art books in recent years
Among hundreds of art books in my collection, Paul McCartney's Paintings is one of the 5-6 I return most often to.
His are very personal paintings - as he admits himself. Read more

Published 18 months ago by Marek

5.0 out of 5 stars Sooo Impressed
Paul McCartneys is not only a great recording artist, but he is a GREAT painter as well. He is a true artist. Read more

Published on July 31, 2003

5.0 out of 5 stars Interesting Abstract Expressionism
While I didn't like all of the paintings, I did find it an interesting book to look through. The influence of DeKoinig and the other Abstract Expressionists is clear and... Read more

Published on February 26, 2001 by K. L. Uminski

1.0 out of 5 stars Art???
Ever wonder what Paul McCartney's liver looks like after he drank a lot of Booze? Well here you have it, painted by the man himself. Read more

Published on January 25, 2001 by Jim the good guy

4.0 out of 5 stars A very cool thing.
This is not expressly about McCartney's art as it is about the creative process. Many of these paintings are reminiscent in some ways of outsider art (art brut). Read more

Published on December 12, 2000

1.0 out of 5 stars Weak
I'm a Beatles freak, and fan of McCartney through them, and I tried to see some merit in these paintings. But they bite. McCartney does not have artistic talent. Read more

Published on December 12, 2000

5.0 out of 5 stars the awful purity of color, and a whole lot more
I finally got over my block about not understanding modern painting by deciding that if it said something to me, attracted me in some way, then it didn't matter if I had read the... Read more

Published on November 11, 2000 by C. Cleveland

5.0 out of 5 stars hey he did it again
i think that anyone that is talented enough to piant should do it, and a man as talented as Paul is , should really knock the artists for a loop, i mean the man is gear, there... Read more

Published on October 19, 2000 by Mark Williams

4.0 out of 5 stars ...
Well, I'm a Beatles fan, and in that spirit this book was of interest, but, really, McCartney doesn't have much talent as a painter. Read more

Published on September 30, 2000

5.0 out of 5 stars Wonderfully inspiring!
In this book, Paul McCartney proves that he is not only an immensley talented musician, but a painter as well. His paintings are unique; he has a style all of his own. Read more

Published on September 26, 2000 by Tracie

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