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James Brown's Live at the Apollo (33 1/3)
 
 
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James Brown's Live at the Apollo (33 1/3) (Paperback)

by Douglas Wolk (Author)
Key Phrases: James Brown, Night Train, Lost Someone (more...)
4.8 out of 5 stars See all reviews (5 customer reviews)

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Editorial Reviews

From Booklist
James Brown's Live at the Apollo is famed as the best concert recording of his raw showmanship. Taped in fall 1962 at the venerable, and even legendary, showcase for black performers, the Apollo Theater of Harlem, the recording captured Brown when he was still something of an underground phenomenon. With a series of hits on the R&B charts to his credit, he was poised to move in on the pop charts. The show recorded was Brown's twenty-fourth that week--testimony in itself that he was indeed, as his publicity claimed, "the hardest working man in show business." Wolk neatly assesses the record's context and its function as the fuel for Brown's ascent to the pop stratosphere. Mike Tribby
Copyright © American Library Association. All rights reserved

Product Description
In this remarkable book, Douglas Wolk brings to life an October evening in 1962, at the Apollo Theatre in Harlem: an evening at the height of Cold War tensions. In great detail, Wolk pieces together what took place (and what was recorded) that night, and illustrates beautifully the enduring power of one of James Brown’s – and popular music’s – defining moments: Live at the Apollo.

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Product Details

  • Paperback: 117 pages
  • Publisher: Continuum (August 30, 2004)
  • Language: English
  • ISBN-10: 0826415725
  • ISBN-13: 978-0826415721
  • Product Dimensions: 6.3 x 4.7 x 0.5 inches
  • Shipping Weight: 4.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.8 out of 5 stars See all reviews (5 customer reviews)
  • Amazon.com Sales Rank: #471,534 in Books (See Bestsellers in Books)

    Popular in these categories: (What's this?)

    #62 in  Books > Entertainment > Music > Musical Genres > Gospel
    #62 in  Books > Religion & Spirituality > Christianity > Music > Gospel
    #72 in  Books > Entertainment > Music > Musical Genres > Soul

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Customer Reviews

5 Reviews
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Average Customer Review
4.8 out of 5 stars (5 customer reviews)
 
 
 
 
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8 of 9 people found the following review helpful:
5.0 out of 5 stars Yeeeeoooow! Hott., September 9, 2004
By Jess (New York, NY) - See all my reviews
Given a book-length space to fill, many magazine writers do what comes naturally: they write a book-length magazine article. Wolk, however, approaches his narrative from the top down, treating the long form with the reverence and intricate attention of a clockmaker god. His story moves chronologically in an evening's frame, but it's also shot through with a series of gears and patterns, nibble-sized pieces, and odd bits of synchronicity that align in unexpected choruses. Gliding across it all, of course, is the electric, eccentric energy of James Brown. Scrapbookers, beware: this is more than simple homage. It's a work that stands independently, with one hell of a soundtrack to boot!
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5 of 5 people found the following review helpful:
4.0 out of 5 stars Inspiring, but the detours were heavy-handed, June 5, 2005
By fml66 "fml66" (Nashville, TN) - See all my reviews
A great short read about the live recording sessions that led to the creation of one of the seminal R&B albums. The writing is punchy, respectful, and never overwrought -- except for the glaring and jarring detours into the Cuban missile crisis. The episode is clearly relevant to the story, because the concert in question took place in roughly the same 24-hour time span that the crisis was unfolding, but while everyone in the Apollo that night may have had the crisis on their minds, the digressions into what the fighter planes and the decision makers were doing at exactly the same time that James Brown was wiping sweat off his brow as he switched gears and tore into another song are distracting and ultimately tell us little about why the crisis made the night charged. Wolk should have stuck to the performances and the music or else found a better way of weaving the crisis into the book.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars An "on the good foot" storytelling of a classic live recording , July 20, 2007
By Siriam (London United Kingdom) - See all my reviews
A simple but effective running of the history, with comments on the individual recordings, of the songs that appear on James Browns first major album hit, "Live at the Apollo" recorded in October 1962 alongside the then occurring critical world event of the Cuban Missile Crisis, makes for an effective time capsule telling by Douglas Wolk of the making of this classic recording.

While the author veers towards the over stated at times (did the 1,500 in the audience based on the limited public news released really behave as they did based on the belief they could die in a week!) he does a much better job of nailing the history of James Brown. These include how he got to make this recording against his record company's indifference; his on balance limited hit record success to date offset by his constant touring of an all action performance, but most of all that what was on show here was one man's personal and stylistic interpretations of a suite of songs that covered black music across the 20s to the early 60s. Some songs had undergone numerous adaptations and recordings by others plus JB before the versions done here (the ripping of of other peoples songs seems almost to have been a lifelong JB hallmark). What was really being performed was an exercise where songs could only last for less than a minute to over ten minutes as JB backed by his ever tight band riding on their leaders moods and his reading of the audience emotions laid down one of the truly original live recordings made.

The fact that the LP was in popular demand for many months after to be played in full on R&B radio stations at a time when single hits were paramount was testament that something unique that connected with the black audiences of 1962/1963 had occurred and it was to be some time before JB reconnected in such a way again (and certainly never again with another live album, despite several attempts).

Wolk also does a very good expose of Brown's ego and resulting mis-treatment of all around him plus how the recording was not a true full recording from having to be adapted and edited from the true JB live revue show, which while visually spectacular would not have translated into such an effective audio format.

A story telling which is certainly "on the good foot" throughout.
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Most Recent Customer Reviews

5.0 out of 5 stars Recommended pick for any avid fan of Brown
Fans of James Brown will find Douglas Wolk's slim but hard-hitting classic, Live At The Apollo: 33 1/3, brings to life Brown's performance in 1962, piecing together what took... Read more
Published on January 4, 2005 by Midwest Book Review

5.0 out of 5 stars it's a history lesson you can dance to
the cuban missile crisis almost brought an end to life on earth as we know it. who saved the day? maybe it was j.f.k.... Read more
Published on October 4, 2004 by Vitamin X

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