Amazon.com Review
In the brisk and readable
The Last Girls, acclaimed Southern writer Lee Smith reunites four college suitemates on a boat tour of the mighty Mississippi. Thirty-five years before, inspired by reading Twain's
Huckleberry Finn in class (a detail not nearly revisited enough), the women floated down the same river on a manmade raft; now they are gathered at the request of their recently deceased ringleader's husband. The story unfolds through the eyes of each woman as the old friends weave college memories with their own dramas spanning the three decades since graduation. Harriet, Courtney, Catherine, and Anna come through muddily compared to their dead friend Baby. Even in death, Baby, a Sylvia Plath-like creature with voracious appetites for poetry, self-mutilation, and sex, nearly overwhelms her more reticent friends with past behaviors better suited to a mental institution than a dorm room. As the tour boat bobs along in the wake of these women's emotional crises, Smith offers up the contemporary female life experience, fivefold. At its heart, this is a book about how we never quite outgrow the past, even after plenty of chances to do otherwise.
--Emily Russin
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
The Big Chill meets Huckleberry Finn in a moving novel inspired by a real-life episode. Thirty-six years ago, Smith (Oral History) and 15 other college "girls" sailed a raft down the Mississippi River from Kentucky to New Orleans in giddy homage to Huck. Here she reimagines that prefeminist odyssey, and then updates it, as four of the raft's alumnae take a steamboat cruise in 1999 to recreate their river voyage and scatter the ashes of one of their own. What results is an unsentimental journey back to not-quite-halcyon college days of the mid-1960s ("periods cramps boys dates birth babies the works") masterfully intercut with more recent stories of marriages, infidelities, health crises and career moves, all set firmly in the South. At first the characters threaten to be mere stereotypes: innocent, self-sacrificing Harriet; arty, maternal Catherine; brittle Southern belle Courtney; brassy romance novelist Anna. But Smith reveals surprising truths about each character, even as she suggests that the fate of their departed classmate-the wild, promiscuous, possibly suicidal Baby-may never be understood. The steamboat setting provides ample opportunities to skewer cruise ship tackiness and Southern kitsch, a witty counterpoint to the often troubled personal stories of the passengers. Readers who like their plots linear may be challenged by the tangle of tales, but those who agree that "there are no grown-ups," and that there's "no beginning and no end" to the "real story" of people's lives, will find this tender, generous, graceful novel a delight.
Copyright 2002 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
