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2003 Songwriter's Market (Paperback)

by Ian Bessler (Editor)
4.0 out of 5 stars See all reviews (12 customer reviews)


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Editorial Reviews

Product Description
Get your songs published, recorded and on the air using the 2003 SongwriterÕs Market! Inside youÕll find more than 1,200 listings for every kind of music, including rock, hip-hop, classical, and country - even toe-tapping gospel. From record companies and music publishers to record producers and booking agents, 2003 SongwriterÕs Market tells you who to contact, where they are, what theyÕre looking for, and what you can expect. Includes easy-to-reference symbols and indexes ¥ informaiton on contests, awards, workshops, conferences, and resources ¥ invaluable articles from music industry insiders ¥ and more!

About the Author
Ian Bessler has been the editor of Songwriter's Market for five years. When he's not editing Songwriter's Market, Ian is a musician, songwriter and sound engineer. He lives in Cincinnati, Ohio. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 520 pages
  • Publisher: Writer's Digest Books; Revised edition (September 1, 2002)
  • Language: English
  • ISBN-10: 1582971234
  • ISBN-13: 978-1582971230
  • Product Dimensions: 9 x 7 x 1 inches
  • Shipping Weight: 1.3 pounds
  • Average Customer Review: 4.0 out of 5 stars See all reviews (12 customer reviews)
  • Amazon.com Sales Rank: #1,807,572 in Books (See Bestsellers in Books)

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Customer Reviews

12 Reviews
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48 of 51 people found the following review helpful:
4.0 out of 5 stars Nice Resource but..., October 15, 2000
I have mixed opinions about this book. There's a lot of useful information, and the lay out is nice, but I think it would be a mistake to use it as a first and last resource as many people do and rate your sucess and failure upon those answered and unanswered query letters. A good example is the fact that most major labels only except submissions from management companies, and most management companies often want to see that you local recognition before they take you on. Some of the better ones may only represent one or two artists because a lot of time and money is required, and those that don't often do little more than keep you in their rolodex and throw a gig here and there and take commish when their main act is unavailable - - And Indie labels too want local name recognition, especially if it requires an investment as any production does. Art aside, music IS a business... if a louzy sounding group has a following of a few hundred and plays out regularly, the odds of selling enough CDs to recap the production cost are obvoiusly much higher than say a talented songwriter/performer with a great home studio, but no band or name recognition. The answer then is to make sure you're playing out. You also need to study the grapevine and the "scene" of the music you play. Many of the management companies and indie labels that your favorite bands were on before they made it big may not necessarily be in The Song Writer's Market, yet those were the people who positioned those artists for recognition to get "discovered" - - doing a bit of research and using the internet might yield surprizing results. Many record companies even have up to date A & R pages explaining criterea for submission with surprizing detail and others will answer e-mail. Also note : the info in this book is based on what was submitted to them. They don't actually look up each of the 1,000s of listings. By the time each edition hits print, many are already out of business, some are bombarded with more tapes than they can handle, and others weren't legit to start ("Sorry, we're not excepting material except for our songwriting context. Please send a check for...")

So my suggestion would be, get this book as a supplemnetary resource, but scope out resources in your own scene first, including local ones as well as examining the trail groups or artists with similar vibes took. Be aware of labels and management for new and older resources and the links on their web sites (which also include links to groups with similar vibes lower down the label on more accessible but good labels.) Do what you have to move up the ladder... and that involves being seen and going from one class of venue and management to the next... then use this book for "extra credit" and who knows... you might get lucky ! ! !

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12 of 13 people found the following review helpful:
5.0 out of 5 stars One of the first best steps for songwriters!, September 20, 2000
Songwriter's Market 2001 is an updated edition of only the best publishers for your potentially written songs. The book also contains very helpful hints on almost every aspect of writing and publishing a song. It even contains a key to show which publishers are accepting beginning writers, intermediate writers, professional writers, and tolerable publishers that do not accept unsolicited material at all. I'm glad I waited for the 2001 - every issue is always better than the last.
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10 of 11 people found the following review helpful:
3.0 out of 5 stars A big diretory, August 15, 2002
By "miami302" (NASHVILLE< TN) - See all my reviews
This book is more than 70% a list of publishers, managers, agents etc. The list is good if that is what you are looking for. It tells if they accept unsolicted material, formats, etc.

The "how to" aspect of the book is weak. Not a lot of material or personal stories from songwriters or publishers.

If you are looking for a adresses of where to send songs, then this is the book for you.

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Most Recent Customer Reviews

2.0 out of 5 stars not really updated
This supposedly 2007 edition still lists
numerous publishers that accept cassette tapes! That's a laugh. Read more
Published 21 months ago by Adrian P. Nye

5.0 out of 5 stars reviewing songwriters market
I've been getting songwriter's market since 1984 and find it very useful and informative.
Published on April 10, 2007 by jokeru's mama

5.0 out of 5 stars If you are A songwriter - YOU NEED IT!
ANY SONGWRITER WHO HASN'T READ THIS BOOK IS AN AMATEUR - If you want to look and sound like a pro - this book is the FIRST STEP.
Published on February 11, 2007 by James Blanchard

5.0 out of 5 stars Perfect For Aspiring Songwriters!
If you are an aspiring songwriter, this book is for you. It has great articles from people in the industry on copyrights, publishing, contracts and royalties, as well as lists of... Read more
Published on November 24, 2006 by CBScorpio

1.0 out of 5 stars Get With The Times
I've been reading these books for the last decade... nothing has changed. They (like many major labels) refuse to adapt to today's music industry and continue to sell the same,... Read more
Published on February 25, 2006 by bf4e11

4.0 out of 5 stars PUT IT OUT!!!!!!!
A, E, I, O, U, SOME, TIMES, Y. FISHHEADS FISHEADS, ROLLY POLLY FISHHEADS. FISHHEADS FISHHEADS, EAT THEM, YUM. Read more
Published on March 21, 2005 by carl womack

5.0 out of 5 stars A Toolbox without a Screwdriver????
If you are a songwriter and you do not have this book on your shelf - it is like a toolbox without a screwdriver. Read more
Published on July 28, 2003 by Gary Tittle

4.0 out of 5 stars Great Industry Naviagation Tool for Songwriters/Composers
This book is a great tool. In the "Articles about the Business of Songwriting" section - this book gives detailed perspectives from industry professionals on... Read more
Published on December 27, 2001 by D.Lesley

5.0 out of 5 stars Good starting gate for songwriters and lyricists
Most women and 50% of the men in the United States have probably written a lyric to be composed to music. If they are musicians they may do it themselves. Read more
Published on March 2, 2001 by Robert B. Makinson

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