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Monster's Ball
 
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Monster's Ball [SOUNDTRACK]

Asche & Spencer
4.3 out of 5 stars See all reviews (12 customer reviews) More about this product


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Product Details

  • Audio CD (January 22, 2002)
  • Original Release Date: February 8, 2002
  • Number of Discs: 1
  • Format: Soundtrack
  • Label: Compendia
  • ASIN: B000060OJA
  • Also Available in: MP3 Download
  • Average Customer Review: 4.3 out of 5 stars See all reviews (12 customer reviews)
  • Amazon.com Sales Rank: #113,023 in Music (See Bestsellers in Music)

Listen to Samples

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1. Opening Title
2. Close Thirteen
3. Night Into Day
4. Resignation
5. Paying Respects
6. Tyrell
7. I Needed You
8. Hank's Transition
9. I Don't Want To Go Out Like This
10. Hit and Run
11. Under the Stars
12. End Title
13. I'm Your Man - The Jayhawks

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Customer Reviews

12 Reviews
5 star:
 (8)
4 star:
 (2)
3 star:
 (1)
2 star:    (0)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.3 out of 5 stars (12 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
17 of 18 people found the following review helpful:
5.0 out of 5 stars Ethereal, quiet, eerie, meditative, January 20, 2003
When I saw the film "Monster's Ball," I was struck by the strange choice of music for this story set in the South. Instead of something reflecting the musical tastes of its characters (country and western), it is electronic, eerie and moody. The intent, I assume, is to reflect the emotional and social isolation of the two main characters. The music has an effect similar to the choice of music for the film "Dead Man Walking," which featured Pakistani singer Nusrat Fateh Ali Khan -- also eerie, moody, and strange, but appropriate to the nearly surreal ambiance of the movie. Both films, set in the South, concern death and execution. Perhaps the uneasiness of the music is appropriate for the subject matter.

The 12 Ashe and Spencer tracks on the CD are wonderful, with layers of shifting sound, drones, marimba, guitar, piano, occasional rhythms of percussion, all evoking gentle three-dimensional spaces. At first I was disappointed that the CD ends with four tracks of pop songs (country, country-rock, and R&B), but after several listenings, I now believe the somewhat mournful character of them flows naturally out of the electronic tracks. The shift to singing voices and more conventional instrumentation becomes a welcome alternative, and you realize that the isolation, yearning, and private sorrows portrayed by the film and reflected in the electronic tracks also underlie the last tracks as well. They are all of a piece after all.

I recommend this CD for lovers of ambient, "space" music, who also enjoy the sound of country music, and can understand that marginal aural world where they flow into each other.

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10 of 10 people found the following review helpful:
5.0 out of 5 stars Very thought-provoking..., March 25, 2002
By A Customer
This soundtrack, like the movie itself, is very understated yet very strong. The first 12 tracks (the Asche and Spencer material) is atmospheric; listening to them actually makes the listener feel like they're in the South on a sweltering day. It's always impressive how instrumental music can do that...

...There are actually three more songs on the cd -- 14. Red Meat "Broken Up and Blue" (which is what the orchestra played when Halle Berry won Best Actress), 15. Jimmie Dale Gilmore "Your Love is My Rest", and 16. Jean Wells "I Couldn't Love You (More Than I Do Now).

All in all, it's a smart soundtrack. All the songs go together well -- even the more country numbers with the more atmospheric material. If you liked the movie, this soundtrack is an excellent complement.

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11 of 13 people found the following review helpful:
5.0 out of 5 stars Think David Sylvian meets Brian Eno on a Starry Night, September 13, 2002
I finally bought this score after watching the film twice, then wound up playing the disc about fifteen times in row. For me, it became addictive, as it conjures a heavenly state of psychedelic calm.

My only complaint about this dreamy and beguilingly simple soundtrack ambient score is that I wish it was ten times as long.

The closest thing I can compare this score to is David Sylvian's 1988 "Gone to Earth", that is, the two sides of the four devoted to ambient (with Robert Fripp on guitar). I'd be very shocked if these guys weren't fans of that album. It also interpolates some of the better moments from Brian Eno's "Apollo" score, and his "Plateaux of Mirror" with Harold Budd from 1982.

I hope Asche and Spence do some more scores and offshoot LPs. Most electronic scores are only of vague interest to me, i.e. Thomas Newman's work remains unengaging, except for his cues for 1991's wild-weird "The Rapture", and Martinez' washes for "Traffic" were only saved by Soderbergh's inclusion of a cut by Eno from "Apollo."

Yes, their progressions are simplistic (as one reviewer carped below), but for lack of better terminology, this is altered-state medicine, i.e. 'drug music', and the great thing is that it provokes altered states without the need or use of self-medication.

Slip this in the player and drive down the Interstate at 3 AM. You will worship your divine alone-ness.

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Most Recent Customer Reviews

1.0 out of 5 stars Snore...
It's difficult to imagine that so much work (from a "composer's collective") could yield so little. Monotonous, interminable walls of sound without melody abound. Read more
Published on November 10, 2004 by Your Pet Poodle

5.0 out of 5 stars Great Soundtrack!
Really couldn't come up with any other way to describe this soundtrack. Though I must it enough the ethereal purely instrumental tracks may just have you in tears. Read more
Published on April 29, 2003 by Sal Paradise

4.0 out of 5 stars emotionless emotion
amazing music. this souldtrack would be PERFECT if it weren't for the non score tracks at the end. it should all be asche & spencer. Read more
Published on January 15, 2003 by Sir

5.0 out of 5 stars ..Stretch..
The style completely belongs to the new age group. The ambience captures the movie perfectly. Even if you haven't seen the movie you will enjoy this music; it is full synthetic... Read more
Published on September 2, 2002 by Salman M. Quazi

5.0 out of 5 stars Outstanding
The incredible haunting music by Asche & Spencer is both intense and consoling. For those ambient music lovers, this is a must. Highly recommended.
Published on June 25, 2002 by Nicole Erhard

3.0 out of 5 stars Decent ethereal sounds for a very strong movie . . .
Soundtrack is a mixed bag. The film itself is good work--one of very few films in a long, long time to attempt a measure of realism and drop the condescension towards racial... Read more
Published on June 23, 2002 by slammabama

4.0 out of 5 stars great ambient ambience
What an inspired idea to accompany a jarring and violent film with an incredibly muted, ambient (all right, "new age") score. Read more
Published on June 18, 2002

5.0 out of 5 stars Great for the first track alone!
Asche and Spencer's musical sparity, with few piano notes and ambient synthetics amidst other percussive and guitar euphonies, is so overwhelming that it perfectly and beautifully... Read more
Published on April 3, 2002 by G. Thomas

5.0 out of 5 stars Reminiscent of Peter Gabriels Passion Soundtrack
Very sophisticated synth-driven music by Asche & Spencer. The last four vocal tracks are good also. The atmospheric sound drives many scenes in the film... Read more
Published on April 1, 2002 by Edward Colon

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