From The New Yorker
A suspense film that tips its hat to "Blow Out" in its opening minutes is setting its sights high. Writer-director Anthony Waller has fashioned his story, about a mute special-effects expert who thinks she has witnessed a murder, as an exercise in early and middle-period De Palma-and he almost pulls it off. By shooting in Moscow, in washed-out blues and browns, he has created an intriguing low-budget seventies-style environment that recalls "Sisters." Marina Sudina, whose face has the pretty innocence of Nancy Allen's, plays the special-effects expert, and the canny idea of making her mute gives Waller the chance to do long, tense scenes without dialogue, as in "Dressed to Kill." His technique is impressive; the film falls flat only when he attempts to make the frightening funny. But the plot takes some nice twists and turns, the tension builds a good head of steam, and the tawdriness never lets up. -Bruce Diones
Copyright © 2006
The New Yorker
Product Description
A mute makeup artist working on a slasher film in Moscow is locked in the studio after hours. While trying to get out the building she witnesses a brutal murder as a snuff film is being made, and she must run for her life. She struggles to stay alive so she can convince authorities of what she's seen. Alec Guiness is the surprise guest star!