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Nolita
 
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Nolita [IMPORT]

Keren Ann
4.0 out of 5 stars See all reviews (2 customer reviews) More about this product


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Product Details

  • Audio CD (December 21, 2004)
  • Original Release Date: December 21, 2004
  • Number of Discs: 1
  • Format: Import
  • Label: EMI Int'l
  • ASIN: B000683IB4
  • Average Customer Review: 4.0 out of 5 stars See all reviews (2 customer reviews)
  • Amazon.com Sales Rank: #217,661 in Music (See Bestsellers in Music)

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1. Que N' Ai-Je?
2. Greatest You Can Find
3. Chelesa Burns
4. One Day Without
5. Forme et le Fond
6. Nolita
7. Roses & Hips
8. Midi Dans le Salon de la Duchesse
9. Onde Amère
10. For You and I
11. Song of Alice

Editorial Reviews

Amazon.com
French singer/songwriter Keren Ann moved to New York to record the follow-up to her English-language debut, Not Going Anywhere. She settled in the area north of Little Italy, i.e. Nolita, hence the title of her second release. While her first two recordings were in French, Nolita is in both languages (pre-production took place in Paris). It's a quieter, more intimate affair than previous efforts, but just as lovely. Like Brazilian vocalist Astrud Gilberto or Mazzy Star's Hope Sandoval, Keren Ann never shouts when a whisper will do and the music throughout could even be described as "whispery" (as opposed to, say, wispy): gently strummed guitars, delicate strings, spare percussion. There is one song, however, on which she does not take the lead: actor Sean Gullette (Pi) recites the spooky "Song of Alice," John Cale-style, while Keren Ann provides backing vocals. --Kathleen C. Fennessy

Product Description
Fourth album from the Paris-based singer/songwriter. Brilliant folk between French and Anglo-Saxon traditions. The followup to her 2003 English language breakthrough 'Not Going Anywhere'. EMI. 2004.

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Customer Reviews

2 Reviews
5 star:
 (1)
4 star:    (0)
3 star:
 (1)
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Average Customer Review
4.0 out of 5 stars (2 customer reviews)
 
 
 
 
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13 of 13 people found the following review helpful:
5.0 out of 5 stars A direct hit to the pleasure center, February 14, 2005
By Jack Lechner (New York, NY United States) - See all my reviews
(REAL NAME)   
There are people -- and you know who you are -- who can't get enough of a very specific kind of record: a whispery, sparely orchestrated, gorgeous-yet-melancholy soundscape with an achingly vulnerable singer at dead center. Think Nick Drake, Francoise Hardy, Beth Orton, BLUE-period Joni Mitchell, or the Velvet Underground's eponymous third album. Well, I am certainly one of those kind of people, and NOLITA is exactly the kind of record that floats my particular boat. I can't believe I've managed to overlook Keren Ann's existence until now. The only thing that makes me happier than the prospect of listening to NOLITA again is the prospect of checking out her previous work!
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5 of 7 people found the following review helpful:
3.0 out of 5 stars Keren Ann, Nolita, March 6, 2005
Keren Ann's third French release is mostly guitar pop; she sings softly, but well up in the mix, so it feels as if she's sitting there on a stool in your living room, with her eyes closed while her accompanist strums a guitar or taps out a rhythm on a tambourine. Songs like "midi dans le salon..." sound like Village Preservation-era Kinks, with a sexy alto singer instead of Ray Davies, while "One Day Without" takes a more earnest, acoustic-folk approach.

The songs all have pretty much the same dirge-like tempo and the same earnest vocal treatments, however, which wouldn't be a detriment if the lyrics were deep and complicated and sought an emotional connection. Verses like "land slides and grips onto a side rock/fool's got eyes/and I don't" (from Roses & Hips), however, just seem opaque, as if they had been translated from Dutch to Hebrew to French to German to English.

For a record named after a hoppin', thrivin' New York neighborhood smack in the middle of a bunch of other distinctive neighborhoods, "Nolita" sounds curiously pure and refined. Didn't Keren Ann ever get a little kick from hearing "In Da Club" blasting out of someone's hooptie stalled in traffic on the Bowery, or the sounds of Chinese fishmongers gossiping?
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