Amazon.com:
How did you get into science fiction?
Octavia Butler:
By way of a bad movie:
Devil Girl From
Mars. When I watched it, I felt very put-upon, because it's not
a very good movie. I thought, Gee, I can write a better story than that. So I
started writing my own novel. I didn't know anything about writing a novel, but
it was fun trying. I was 10. And because the movie was science fiction, I
started writing science fiction. I think one of the reasons why science fiction
appealed to me was my own life was so dull. If you're alone, and socially
awkward, and reading a lot, it seems that there are other worlds out there that
are much more interesting. And when I went to the Clarion science fiction
writer's workshop in 1970, I met other people coming from that same place.
Amazon.com:
Until recently, you've been identified as the
African-American woman science fiction writer. Does that bother you?
Butler:
In a way, yes. But fortunately now more people are coming in, so
I won't have to bother about that much longer. There's a book out called
Brown Girl in the
Ring, by
Nalo
Hopkinson; and then there are people like
Tananarive
Due, who are coming in on the edges--she's writing horror. And
whenever I go to a college, there are lots of kids who want to get in, and
they're yet to be published, but they're working at it.
Amazon.com:
You write full-time.... How long have you been able to do that?
Butler:
Yes, I do. That's the
distinction--not that there are no other black women who write science fiction,
but that there are none who write it full-time and earn a living at it. I've
been writing all my life, and I've been publishing since 1976. I've been a
full-time writer since around 1979, when I sold
Kindred.
I was living very, very frugally, very close to the bone, and occasionally
pawning things. But I always hated working for other people, and it was not
hard to give that up, even though I knew I was going to have to be very
careful. It's worked out! I mean, there have been times when I've been very
frightened, but never frightened enough to go and put in an application
somewhere. And now that I'm in my fifties, I think it would scare me even
more--nobody would hire me!
Amazon.com:
What keeps you going as a writer?
Butler:
There's always something new, always something to learn. One of
the things that I do with my books is set up problems for myself. In
Parable of the Talents
, the problem was how to continue this
character in a way that would make her the kind of person who might sometime
after death be thought a god. How to build a god. And my other problem was how
to get her out of that nice little village that she created for herself,
because I liked it too much, so I kept writing the same 150 pages over and over
trying to find a way to keep her there. You get to like your characters too
much sometimes. You don't want to give them any problems. It's finding ways to
do things. With the new novel, Parable of the Trickster
, I'm
going to have to find out a lot more about the possibilities of living on a new
world with a lot of microbial help. Because that's what you would need. I've
noticed that a lot of the time the help is things, mechanical things. But if
you've landed on an extrasolar world, and you're going to live there
permanently, you're going to need a lot of help. In the book, the people are
going to have all the help they need, and it's still not going to work out for
them. I'm going to have to learn a lot that I don't know in molecular biology
and microbiology, and I expect to enjoy it.
Amazon.com:
Tell us a little more about Earthseed, the religion that Lauren
Olamina starts.
Butler:
I wanted something that I could have believed in and joined when
I was 18. I didn't want it to be stupid or hypocritical--that happens a lot
when you're writing about religion. You're either making fun of it, or it's
your religion and you're trying to convert people to it, or they're crooks. And
I didn't want to do any of that. So I have a character who, whether she's right
or wrong, truly believes in what she stands for, and she's not trying to rook
anybody. But she does use people. And her daughter doesn't really like it, but
there's no way she could do what she does if she didn't use people.
Amazon.com:
Does Earthseed come from a personal philosophy that you've
developed?
Butler:
I wanted everything about Earthseed to feel true, mainly because
the destiny of Earthseed feels fantastic. So you had to have a lot to build off
of before you got there. But I didn't want to put in anything that I was in
violent disagreement with. For instance, where she says religions are cargo
cults--I've seen what religions can do to people, and they are very powerful
motivators. She didn't expect good things to suddenly appear, but she did
expect to go to heaven. But I didn't mean it as harshly as my character said
it. She says things very boldly, and I would soften them a little if I were to
say them myself.
Amazon.com:
Do you
believe that humanity's ultimate destiny is among
the stars?
Butler:
It would be nice if it were, but I don't know if we're going to
get there. Progress isn't necessarily a straight arrow. There have been ages of
chaos (I use the phrase in deference to
Marion Zimmer Bradley) all through
history. And we could crash into another one. That was what I had in mind in
these books. We're building all these little problems into disasters, mainly by
neglecting them. This doesn't mean that we won't get to the stars, in time.
Getting to the stars is such a nonlogical thing to do that it almost requires a
nonlogical thing like religion to do it. Patriotism isn't quite enough, because
it doesn't have quite the long-term push. We got to the moon, and we
practically stopped. So religion is a much better prod. It's a dangerous prod,
because it can always be misused and get out of hand, but it's useful for
keeping people on the straight and narrow. I don't know if we'll ever get there
because it's going to be so expensive, and so long term. The people who begin
it probably won't even profit from it. I think it will have a lot to do with
why we decide to go, if we decide to go. If we decide to go because it's a
wonderful adventure, we probably won't get there.
Amazon.com:
How many books will there be in the series?
Butler:
I'm thinking about four more--different experiences of people who
go out, experiences with the religion, and with settling a new world. I'm
thinking about Parable of the Trickster
, and then a book for
each of the other names of god: Teacher, Chaos, and Clay. In
Trickster
, they do everything right and something horrible
happens, and they've got to deal with it. And if they're on another world, the
cavalry is not coming. I think one of the most fascinating things is to write
about that with some degree of realism, not treating it as if it were going off
to Africa or Antarctica.
Amazon.com:
You deal with alienness and otherness in a really meaningful way
in your work.
Butler:
I make the effort because
I was so unsatisfied with what was out there when I was growing up. When I
wrote
Bloodchild... people keep reading this
as a story of slavery. And it isn't, at all! Partly, it's about paying the
rent. Mostly, the ones who see slavery in it are men, since it's my pregnant
man story. I actually had someone get angry with me in a college group. She had
written a paper on the topic of slavery in my work. And I said, "No, that story
wasn't about slavery at all." And she said, "Well, the author doesn't always
know!" (laughter) When I was young, a lot of people wrote about going to
another world and finding either little green men or little brown men, and they
were always
less
in some way. They were a little sly, or a little like
"the natives" in a very bad, old movie. And I thought, "No way. Apart from all
these human beings populating the galaxy, this is really offensive garbage."
People ask me why I don't like
Survivor, my third novel. And it's
because it feels a little bit like that. Some humans go up to another world,
and immediately begin mating with the aliens and having children with them. I
think of it as my
Star Trek novel.
Amazon.com:
What's your favorite of your novels?
Butler:
Oh, it has to be the one that I'm working on. You know, the baby
always needs the most attention.