ChordStrike's Amazon Blog

It may feel a little early for this sort of thing, but we on the Amazon music team have pooled our collective knowledge and taste to determine the best music of 2009.

We spent 2009 soothed by Neko Case's wail, moved to dance by Yeah Yeah Yeahs' turn towards big beats, intrigued by Somali hip-hop Troubadour K'naan, and ready to hear three key words from neo-twangsters the Avett Brothers.

On the songs side, French popsters Phoenix went nutty for a composer and we went nutty for Phoenix. La Roux made us feel invincible, Jay-Z officially crushed an awful trend, and Passion Pit sent us reeling.

Voting with their wallets, our customers told us they really like U2, as it was both our bestselling CD and MP3 album of 2009. Black Eyed Peas also popped up in plenty of playlists, as they locked down the top two slots on our songs chart.

Every year, great albums slip through the cracks. This year, our editors wanted to save some from that unfair fate. We shine a spotlight on excellent underheard CD and MP3 albums across all genres, and we've even made a playlist featuring a single song from each record, so you can sample 'til you find something you like.

Dig into the lists and see which lists line up most closely with your personal tastes:

Best Albums of 2009

1. Neko Case - Middle Cyclone
2. Yeah Yeah Yeahs - It's Blitz!
3. Phoenix - Wolfgang Amadeus Phoenix
4. The Pains of Being Pure at Heart
5. the Avett Brothers - I and Love and You
6. Girls - Album
7. Animal Collective - Merriweather Post Pavilion
8. K'naan - Troubadour
9. Jay-Z - Blueprint 3
10. Camera Obscura - My Maudlin Career

> See all top 100 best albums of 2009
> See the list at Amazon MP3

Best Songs of 2009

1. Phoenix - "Lisztomania"
2. La Roux - "Bulletproof"
3. Jay-Z - "D.O.A. (Death of Autotune)"
4. Animal Collective - "My Girls"
5. Neko Case - "People Got a Lotta Nerve"
6. Passion Pit - "The Reeling"
7. Girls - "Lust for Life"
8. Grizzly Bear - "Two Weeks"
9. The Avett Brothers - "I and Love and You"
10. Lily Allen - "The Fear"

> See all top 100 best songs of 2009
> Sample songs 1-50
> Sample songs 51-100

Bestselling CDs of 2009 (through October, including pre-orders)

1. U2 - No Line on the Horizon
2. Susan Boyle - I Dreamed a Dream
3. Diana Krall - Quiet Nights
4. Bruce Springsteen - Working on a Dream
5. Bob Dylan - Together through Life

> See all 100 bestselling CDs of 2009

Bestselling MP3 Albums of 2009 (through October)

1. U2 - No Line on the Horizon
2. Green Day - 21st Century Breakdown
3. Jay-Z - Blueprint 3
4. Paramore - Brand New Eyes
5. Lily Allen - The Fear

Bestselling Songs of 2009 (through October)

1. Black Eyed Peas - "Boom Boom Pow"
2. Black Eyed Peas - "I Gotta Feeling"
3. Flo Rida - "Right Round"
4. Miley Cyrus - "The Climb"
5. Pitbull - "I Know You Want Me (Calle Ocho"

> See all 100 bestselling songs of 2009
> Sample songs 1-50
> Sample songs 51-100

Outstanding 2009 Albums You Might Have Missed

1. Throw Me the Statue - Creaturesque
2. Mt. St. Helen's Vietnam Band
3. The Legends - Over and Over
4. Lushlife - Cassette City
5. Point Juncture, Wa - Heart to Elk

> See all 100 2009 albums you might have missed at Amazon MP3
> Sample songs from albums 1-50
> Sample songs from albums 51-100

Head over to our best music of 2009 store to find complete lists, plus the best in everything from Latin music to Gospel to comedy and all points between.

We're aware there's still a decent chunk of the year left. We'll be adding a latecomers and honorable mentions feature over the next few weeks. Hit the comments, let us know what we missed, and perhaps it'll make an appearance.

-- Jeff Reguilon

Now, I'm not the biggest Idol fan, but I saw this just-released album cover for Adam Lambert's upcoming release, For Your Entertainment, and it kinda blew me away. I'm really not sure what to make of it--I feel simultaneously drawn to it and vaguely horrified:

What do you think?

--Alan Wiley

 Mariah Carey is the Rainman of pop music. Focused, blank faced and sometimes capable of genius. Each toothpick lying on the diner floor is a hit song; each cheese puff is a music video featuring a greased-up, jiggling Mariah bearing an expression that translates to either a)Tabula Rasa; or b) “I’ve had too much turkey dinner.” I can’t tell. My Latin ain’t so good.
It goes without saying that Mariah Carey is an undisputed talent who has achieved greatness. She has a reported 5-octave voice and has sold something in the neighborhood of, what – like 200 million records?  Amazing! I used to get chills listening to she and Whitney Houston dominate radio in the early 90s with pop songs that showcased considerable soul and range. Like major powerhouse vocal business. It just knocked me to hear voices like that. Whitney disappeared from the scene and Mariah stole it, supplementing her vocal range with some kind of fantastical Hip Hop genie oil that, when applied directly to skin, creates MTV and radio perfection. A quick scan through music video history finds Mariah in all manner of locale (a school, a countryside hoedown, in water, in posh cars, on various silk beds, in her knickers, in bikini in front of Vuitton luggage, in mansions, etc.), jiggling awkwardly and touching herself prettily while wearing a bloated, vacant smile that reminds me a bit of Patrick Swayze’s smile in Ghost when his spirit left Oda Mae for the last time. Perhaps the smile is just a way of coping with the interminable breeze that seems to follow the poor woman around onscreen (it’s always windy in her videos, which is perplexing considering many of them take place indoors.).  A couple vids from the early years are below, but the new ones, the really gross/awesome ones ("Don't Forget About Us," "We Belong Together," "Say Somethin'," "Touch My Body"), cannot be shown here, sadly. "Embedding disabled by request." (Sigh*).

"Someday": (School):

"Dreamlover" (Countryside): 


The lips parted, peekaboo glances and self love that mark her music video performances could be almost lovable if there were something substantial -- like her shining TALENT, for example -- to anchor it. There's not. The last few albums have been produced within an inch of their digital lives, her vocals seemingly quadruple tracked and Pro-Tooled to bits, only to be ultimately sidelined by Hip Hop glitterati guest appearances. I’m all for double-tracking vocals (Dave Gilmour in Dark Side of the Moon, anyone?) and collaborating with your buddies but at some point it becomes a major bummer. 
The vocal legend’s latest (with its straight-faced title), Memoirs of an Imperfect Angel, provides no reprieve on the bummer front. More breathy vocal business. More songs with barely any sung words. More tiny dresses fit to burst. More indoor breezes. More self-conscious touching of the face and hair. More lazy grins. More killer song titles like “Angels Cry” and “H.A.T.E.U.” (although to be fair, "H.A.T.E.U." is  one of the finest songs on the album). A quick aside: while Memoirs… came close to winning the award for Best Accidentally-Comedic Album Title, the trophy still stays safe in the harbors of Mariah’s 2008 release, E=MC2.
I know the new album has sold a quarter of a million and that my opinion may elicit derision from some, but folks - please be gentle. I am an imperfect angel; Don’t H.A.T.E.ME. Love me, love me…

--Leslie Beattie

News from the Department of Whiskey Tango Foxtrot...

In case you haven't heard, Radiohead's Thom Yorke just launched a new band with Flea (Red Hot Chili Peppers), Joey Waronker, Mauro Refosco, and longtime Radiohead producer Nigel Godrich. Apparently without a name, they played a few shows in LA recently. So who made it out to see this group? Please regale ChordStrike with a review of the show.

     --Jason Kirk

I have to admit, I wasn't quite sure what to expect when I got on the phone with Jerry Cantrell, Mike Inez, and Sean Kinney of Alice in Chains (William DuVall was unfortunately unable to make it, but the guys had plenty of good things to say about their friend and fellow band member.) 

I wanted to ask them about Layne Staley, and reforming as a band, and adding a new member (William), and their new album (Black Gives Way to Blue), but I thought they might be tired of answering the same old interview questions.  Fortunately, however, conversation flowed freely, and the guys were a lot of fun to chat with.  They were genuine, honest, and engaging, and it shows.

What I found most eye-opening was their story of how Black Gives Way to Blue came into being (it wasn't planned!).  Listen to this story and more in the 17-minute interview, and check out song samples from the new album below. 

--Bri Nguyen

Influential Australian indie-rock band The Go-Betweens are to receive an honor perfectly befitting their name: a bridge named after them. The Go Between Bridge, currently under construction in their hometown of Brisbane, was so-named after a public vote on eleven suggested names. It will connect Milton and South Brisbane over the Brisbane River. 

It's not uncommon for musicians or other prominent figures to have roads named after them, but such an appropriate naming of a major structure is rare. It'd be great if Australia also had a Highway To Hell, but finding a town mayor happy to receive that road might be tricky. Liverpool's airport is named after John Lennon, but San Francisco's isn't named after Jefferson Airplane. Decatur, Illinois is the birthplace of Alison Krauss, which gives it the option of having trains arrive at the somewhat awkward Alison Krauss and Union Station. OK, so they're unlikely to take up that option, but if officials in Oakland, California, ever get round to honoring their funk heritage, all they have to do is re-christen a high building the Tower of Power. That's a no-brainer, right?

Can you think of more highly appropriate honors?

--Ally @ SoundUnwound

SoundUnwound's editorial team write about the latest big music news and quirky stories which catch the eye. We'll be posting a selection of these news stories on Chordstrike every week; for much, much more, visit SoundUnwound.com, the new music site from IMDb and Amazon. Follow us at twitter.com/soundunwound.

Now that the ‘80s music revival is in full swing, those of us who were lucky enough to experience the original decade, and who were sad to see its musical demise, have a lot to be thankful for--and nobody has re-imagined the clean, danceable pop of the ‘80s for the new millennium better than British synthophiles La Roux. Sporting artistic influences of the highest order, including Prince’s dark electro funk, Eurythmics’ shocking visual and melodic style, and a heavy dose of the sharp songwriting and synthtastic soundsof Yaz (or Yazoo to you Brits) , the team of Elly Jackson and Ben Langmaid have created an anachronistic gem of an album that’s so strong, it could have brought back the ‘80s all on its own.

So much synthpop from past decades, as well as from today, has a plastic, disposable feel to it, and truly, much of it is just that—but not La Roux. What’s so salient about this debut release is not only its sharp attention to sonic detail and stylistic flair, but, as with all of the best pop music, its top-tier songwriting. These songs are catchy, deeply felt, full of attitude, and just the right length. Every listen leaves me begging for the back button, and check my iTunes library—of all the records I’ve loved and obsessed over this year, nothing has had more play than La Roux. Tracks like “Bulletproof” are undeniable, amplifying the most ‘80s elements of the ‘80s into a distilled and concentrated dose of thoughtful, dark, pop perfection that feel like they’d be perfect for everything from exercising and dancing to road-tripping and relaxing.

But honestly, you don’t need to be a fan of ‘80s music, or even pop to appreciate what this album really is—a timeless, quality work of art created by talented people who feel what they’re doing so much that every synthesized note feels completely natural.

Check out La Roux's video for their latest single, "I'm Not Your Toy," as well as the classic "Bulletproof," below.

--Alan Wiley

There are plenty of live albums issued solely as afterthoughts or contract fulfillments, but there are plenty that are as transcendent as the best in-person concert experiences, only with zero lines at the bathroom. For this particular list we came up with the following criteria:

Of course, we exercise their judgment regarding quality and/or historical significance. If you disagree with our choices (and there's a good chance you will), let us know in the comments.

Here goes:

Earlier this summer, on one of the hottest days in the history of Seattle, I sat down with Mercury Prize-nominated artist Elly Jackson, half of British electronic pop sensation La Roux, before one of just a handful of stateside club shows she played prior to her band's domestic release. With her partner-in-music Ben Langmaid, the 21-year-old Ms. Jackson has created one of my favorite records of the year, La Roux's self-titled debut, which made its much-anticipated appearance on American shores just this week.

With a bevy of UK top 10 singles ("Bulletproof," "In For The Kill," "Quicksand"), critical acclaim, and superstar status across the pond, La Roux is poised to make a big splash here in the states. We talked about songwriting, the '80s, and the band's international potential, among other things. Check out the interview below.

--Alan Wiley

Determined to give a little back to their fans, 30 Seconds To Mars invited willing travelers to mass recording sessions in April so that fans could sing on their forthcoming release, This Is War. For those fans who couldn’t make it, or who know they can’t carry a tune, the band has created another opportunity to be on the album. Fans are invited to take mugshots of themselves and upload them to the official 30 Seconds To Mars website; the first two thousand who do so will have their picture featured on one of two thousand different album covers. In an interview with AOL Spinner, frontman Jared Leto said “I thought that the ‘Faces of Mars’ campaign would be a way to acknowledge all the people who have supported us throughout the years.”

The album itself has already caused a great deal of controversy, with their record label Virgin filing a $30m lawsuit against the band last year because the lateness of the record allowed the band to terminate their contract. The lawsuit was eventually halted, resulting in renewed expectations for an imminent release: it was initially expected in April, then September, then October; now it’s been put back to the end of November. Is that enough time to design and manufacture an album with two thousand different covers? Eager fans may have to wait quite a while before they get their fractional moments of fame.

--Hazel @ SoundUnwound

SoundUnwound's editorial team write about the latest big music news and quirky stories which catch the eye. We'll be posting a selection of these news stories on Chordstrike every week; for much, much more, visit SoundUnwound.com, the new music site from IMDb and Amazon. Follow us at twitter.com/soundunwound.