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For over ten years, the husband and wife team of Gavin Grant and Kelly Link have been publishing Lady Churchill's Rosebud Wristlet, a stapled chapbook of a zine that has published all kinds of wonderful magic realism, speculative fiction, and related nonfiction. A little like McSweeney's, LCRW has always had a kind of whimsical aspect to it, from funny contributor notes to little asides and grace notes in the publication. LCRW has also inspired a wave of similar publications, like Flytrap and Electric Velocipede, just to name two.

Now, Del Rey has released a spiffy collection of The Best of Lady Churchill's Rosebud Wristlet, edited by Grant and Link. It's more like some kind of quirky almanac than strictly a fiction anthology, trying to capture the tone and content of the magazine. As such, it's a treasure trove of grace notes, in addition to stories by Jeffrey Ford, Karen Joy Fowler, Sarah Monette, James Sallis, Karen Russell, and Kelly Link herself. It's really a lovely book, and rescues from zine oblivion quite a few great stories. Recently, I interviewed Grant about LCRW and the anthology.

Amazon.com: What other titles for LCRW did you consider back in the day?
Gavin Grant: This is the question our editors at Del Rey were too polite to ask! I really wanted the title to be the opposite of what it ended up. I had recently read Thoreau, Voltaire's Bastards, and Four Arguments for the Elimination of Television, and I wanted simplicity and transparency. However, all the titles I could think of in that form--Fiction, Story, Zine, The Little Magazine, The New Yorker--were taken. So one day I sat around with a couple of fellow booksellers at the Bookcellar Cafe in Cambridge and we posited possible titles. All of which, thankfully, are forgotten. I think LCRW came about because I had read about Lady Churchill's tattoo. Lady C's tattoo was probably a snake (her latest biographer, Anne Sebba, never found a picture either) but since rosebud is always the answer, and there's no such thing as too much baroque, we ended up with Lady Churchill's Rosebud Wristlet.

Amazon.com: What's the best part of working on LCRW?
Gavin Grant: That's a good question 'cause it's easy to get caught up in the crap side of it. Mailing day, ho hum. Piles of submissions: eek! Database upkeep: oooh! (Nothing says sexy exciting international publishing career like updating the subscription database....) So the best parts are: talking to artists about the cover. The hours (from "any time we want" to "not today, dear, I'm playing tennis"). There's nothing like the breathless excitement of finding something wonderful (like Philip Raines and Harvey Welles's "The Fishie" or Karen Russell's "Help Wanted" in the submission pile. Those few minutes of hoping that the writer can keep juggling all the way to the end are priceless. And, of course, researching chocolate bars to go out to subscribers.

Amazon.com: What's the secret behind LCRW's longevity? (Does it involve beer?)
Gavin Grant: Maybe stupidity? A lack of foresight? No better offers? The ghost of Jennie Jerome (Lady C to you and me)? Massive government funding? A lack of good TV? Support from the BBC? (Berkshire Brewing Company: mmm!)

Amazon.com: What do your contributors seem to like about LCRW, and does it differ from what your readers like?
Gavin Grant: I'm not sure. We read submissions slowly (which from a writer's point of view is awful and yet I hate update queries!), we pay pennies, we only publish twice a year so it can easily be a year from our taking a story to publication (and those pennies). Some of them might like the editing process but we usually only have time to take stories which only need light edits.  I can only think it must be the limo and plane ride (Virgin Atlantic) to the secret island for the publication party.

Amazon.com: Finally, is your zine solar powered?
Gavin Grant: Great question! Not yet but we hope to be some day!

--Jeff

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About this blog

Mix one part casual anthropologist with two parts avid reader, add the occasional culinary inspiration and a penchant for haiku, and what you end up with is Anne Bartholomew. When she's not working her way through the books on her nightstand, Anne tests new recipes and wishes she could write like Billy Collins.

Dave Callanan is a full-contact reader. A quick glance at him immersed in a book will always reveal the title's genre. He grins broadly with comedies, furrows his brow at dramas, and nervously bites his lip during thrillers. It's no surprise that even on a crowded bus, the seat next to Dave is rarely taken.

Daphne Durham: Rarely seen without a book, she reads while walking to work, at red lights, and before the movie starts. She keeps a "just in case" book in her purse for emergencies (like an extra long line at the grocery store). Reading taste ranges from literature to pure trash.

Jon Foro is not ogling you; he just wants to know what you're reading. A word freak since age six when he ordered his first Big Boy Book with a coupon clipped from the back of a Cheerios box ("Hardy Boys 53: The Clue of the Hissing Serpent"), Jon enjoys ancient history, literary stylists (Nabokov and Amis), true-life adventures & nature writing (Abbey, J.W. Powell), and books about bears.

Lauren Nemroff insists on carrying her own bag (purse, suitcase, backpack, or beach bag). Not because she thinks chivalry is dead, but because it usually contains several pounds of books. The contents: new fiction, the latest art and photography books, mysteries and thrillers, a section of the Times book review, and a vintage Amazon bookmark (ca. 1998).

Tom Nissley knew he wasn't like the other kids when they assigned Thomas Hardy's "Return of the Native" in 10th grade and he spent dreamy afternoons in Wessex with Clym Yeobright and Eustacia Vye (Eustacia Vye!) and then came back to school to find that everybody else thought it was "boring."

Once called "the Cameron Crowe of the food world," Brad Thomas Parsons balances his pursuits equally between all-things literary and culinary. He has interviewed Mario Batali, Danny Meyer, Ina Garten, Anthony Bourdain, Giada De Laurentiis, and Marco Pierre White, along with Jon Stewart, Amy Sedaris, Don Rickles, Sarah Vowell, and Chuck Barris, among others. He is a regular guest on Tom Douglas' Seattle Kitchen where he offers commentary on trends in cookbooks and food lit.

Other Contributors:

Heidi Broadhead and Paul Hughes have just started raising their first child, Silas, amidst piles of well-loved books. In utero, the little guy heard a steady stream of plays (including Macbeth and King Lear more than once) and poetry (by the likes of Elizabeth Bishop and Frank O'Hara). Now Silas is more likely to have Entertainment Weekly, the Sunday New York Times, or some random blog post read aloud to him, as his parents try to catch up on sleep and rejoin the world. (Until he can read on his own--and hopefully not even then--Silas will not be exposed to the NYT Sunday Styles section.)

Mike Smith reads a lot about geology, languages, and British history, and is working his way through an ad hoc self-made syllabus of British literature to cover up the gaps from his feckless undergrad days. As an adolescent he read way too much Robert E. Howard, Edgar Rice Burroughs, and Alistair Maclean. He is a staunch supporter of the Oxford comma.

Jeff VanderMeer's sense of adventure is so strong that as a kid he hoped he’d lose his eye in a tragic accident so he could wear a pirate patch. Maybe that's why as an adult he likes fantasy, SF, horror, magic realism, slipstream, interstitial, and whatever-you're-calling-it- over-smokes-and-coffee-this-morning. An author inspired by everything from Nabokov through Hindu superhero comics and Hong Kong cult action films, he has been known to write about squid, frogs, and fungus. Once, he wanted to be a marine biologist, but only so he could putter around in tidal pools.



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